The always angry and even cruel Mashkov as a Jewish pope is somehow not harmonious, although by the end of the film he seems to have even begun to cope with the role. The film itself is a set of seemingly profound scenes. The scenes were shot for the sake of the scenes, not for the harmony of the narrative. I feel like I was a textbook
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The always angry and even cruel Mashkov as a Jewish pope is somehow not harmonious, although by the end of the film he seems to have even begun to cope with the role. The film itself is a set of seemingly profound scenes. The scenes were shot for the sake of the scenes, not for the harmony of the narrative. I feel like I was a textbook amateur. There should be a scene here with words that make you think and understand the depths of our depths, there should be a kind of thing here. But the whole thing looks unbelievable. The story, in fact, of one not-so-good deed, stretched out by a bad director for an hour and a half.
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