From the point of view of adventure design and action scheme – cinema as entertainment and comic in its parallel – is not boring.
It can be seen as a prequel to Twelve Chairs. But if you read in depth the atmosphere, the dialogue, the content, the occupancy itself,
Ilf and Petrov do not smell here. There is no easy, thought-out irony,
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From the point of view of adventure design and action scheme – cinema as entertainment and comic in its parallel – is not boring. It can be seen as a prequel to Twelve Chairs. But if you read in depth the atmosphere, the dialogue, the content, the occupancy itself, Ilf and Petrov do not smell here. There is no easy, thought-out irony, full-bodied humor. The film can be seen as unexpected. a clear composition-acting game of Sergei Bezrukov. Criticizing Bezrukov is fashionable. He himself often throws up his self-admiration and vanity, pathos - attacks on their side. From his latest film work, one should note his unique and strong role as Temnikov in the film: After You (2017) I was struck by his reincarnation. Selfish, arrogant, arrogant, very intelligent and very talented. Played brilliantly. On the counterweight in this film was unusually easy, as in a musical or a dance show, quickly moving it through the middle plans gives It feels like Sergey enjoyed this role. There was no disruption. But that's it. Music, other actors, storyboard, Technical nuances, scenery - all secondary. A raid of a serial cut and as a result - a passing movie. Nothing delicious, original, fresh. I didn't see it. If you don’t look, you won’t lose 6 points with a stretch.
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