Captain Volkonogov is an absolute victory from an aesthetic point of view. Creating an alternate reality where avant-gardeists stayed on stage to support a social experiment was a win-win. The implementation of 3D graphics, however, in some places pumped up, but it is not so scary.
The plot is almost completely translated into annotations. It is extremely simple here, and moralizing passages are served as much as possible in the forehead - openly. Perhaps because most employees of the organization are small naive children who in their spare time mess around and fool around, drink their favorite compote and meet girls without even raping them if they refuse.
Surrealism is also added by the search for repentance in Kandinsky’s world under a balloon flying in the sky (airship / zeppelin), BOMZhi discussing at the campfire, as it is more correct to call the caricature of the highest officers of the organization, which can not catch a fugitive captain, because even their experienced employees they carved together with doctors, whose services some cones have an acute need.
The serious attitude finally collapses when a group of children with Volkonogov is brought to watch the executions. A white tractor whose engine is drowned out by gunshots already seems to be something unserious, and Uncle Patron, who boasts to neophytes of his art, cannot be taken seriously.
Reminiscent of the degree of surre in the film and the final scene with mutual communion, shot very crudely symbolic.
Everything is mixed up, somewhere they did not press, but in this underwhelming, probably, the picture is trying to keep the balance. Totalitarianism and the people in it seem scary, but almost everyone seems happy until they come for them.