This film convinced me that it was quite in the vein of The Northerners, i.e., that it was his own style - so absurd, with a bit of black humor and a bit of madness, at least a distinct phase shift for some of the film's characters - some bigger, some smaller. In this film, the main character is not some person there, but a dress that
more
This film convinced me that it was quite in the vein of The Northerners, i.e., that it was his own style - so absurd, with a bit of black humor and a bit of madness, at least a distinct phase shift for some of the film's characters - some bigger, some smaller. In this film, the main character is not some person there, but a dress that the author endowed with magical power, but not with a positive, but with a completely destructive charge. It has come a long way from the cotton box, first to the pattern on the fabric, then to the style, and then to the dress that women like, but as soon as it gets into their hands, it brings them only misfortune. Perhaps all the characters involved in the creation of this dress contributed to their contribution, each of whom had big problems in his personal life, and some had obvious deviations? On the one hand, it seems that the characters are fixated primarily on sex, but often it turns out that they sometimes just want attention, just want to be kissed. Bringing its owners to someone woe, who is in trouble, it seems to eventually end its existence, but not here it was, there is another place where it is present, and to which one of the male characters gets, literally fixated on it. If you like the style of the director, I think it’s worth watching this movie.
|