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Belgian short movies from the selection "Greatest Movie Candidates" - very rare category. We know total 12 this movies.
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An ode to film preservation, it presents a night-time visit to a seemingly depopulated repository (presumably the Royal Film Archive of Belgium), juxtaposing more
An ode to film preservation, it presents a night-time visit to a seemingly depopulated repository (presumably the Royal Film Archive of Belgium), juxtaposing a series of images of observation, reconstruction, and projection using film fragments - from the hand-painted, altered image frames of Georges Méliès' Kingdom of the Fairies to the iconic image of Louise Brooks - to turn the archive into a temporal wonderland of novel discoveries, hidden treasure, re-awakened curiosity, and critical re-assessment. close
Mental anguish is all that's present in the film Seuls / Alone (1989). Shot like a grungy medical documentary, Smolders and co-director Thierry Knauff more
Mental anguish is all that's present in the film Seuls / Alone (1989). Shot like a grungy medical documentary, Smolders and co-director Thierry Knauff intercut shots of several children at a Belgium psychiatric clinic. The kids are shown with forlorn expressions, twicthing their eyes, sometimes smiling, shaking, jumping, rocking their heads side to side, or smacking their heads with horrific glee against walls. It's a minimalist work that captures the intense monotony of lost and disturbed young minds, and maintains a gritty intensity. - kqek.com close
Johanna loves poor farmer Joachim, yet marries the wealthy miller. One day, Joachim visits Johanna when he is away. When the miller finds out, he takes revenge.
Johanna loves poor farmer Joachim, yet marries the wealthy miller. One day, Joachim visits Johanna when he is away. When the miller finds out, he takes revenge. close
Furniture and clutter of one small apartment room become the subject of a moving still life—with Akerman herself staring back. This breakthrough formal more
Furniture and clutter of one small apartment room become the subject of a moving still life—with Akerman herself staring back. This breakthrough formal experiment is Akerman's first film made in New York. close
Structured in visual chapters: the port, anchors, the wind, the spray, the dunes, the North Sea… A series of images that need no anecdote or explanation. more
Structured in visual chapters: the port, anchors, the wind, the spray, the dunes, the North Sea… A series of images that need no anecdote or explanation. Storck offers a glimpse of Ostend, aspects that order its multiple constitutive elements; The water, the sand, the waves, vital cinematic language displayed in simple pictures. A poetic and kinetic shock, without fiction or sound, which relieves film from its narrative obligation and restores it to the world of sensations that it can alone carry. close
Modest meditation on youth, life and mortality made up almost entirely from professionally made family films. What is more heart-rending than seeing pictures more
Modest meditation on youth, life and mortality made up almost entirely from professionally made family films. What is more heart-rending than seeing pictures of people who have died? The aim of Mort à Vignole is to transcend the pain of a certain family and to come to terms with sensitive memories and family bonds. - IFFR close
In this short 20 minute black and white Belgian documentary, the director, Paul Haesaerts, visualised Pablo Picasso’s flow of imagination when the Spanish more
In this short 20 minute black and white Belgian documentary, the director, Paul Haesaerts, visualised Pablo Picasso’s flow of imagination when the Spanish painter drew on large glass plates in front of the camera – like a live show of a greatest artist in performing a few masterstrokes that outlines a dove, bull, flower, man or woman and whatnot. (This technique of filming his painting from the other side of the glass plates precedes The Mystery of Picasso (1956), another famous documentary film on Picasso). (via http://www.kubrickians.com/2012/07/08/visite-picasso-1949-paul-haesaert/) close
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