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This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains more
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization. close
The epic story of the Russian Civil War (1918-21): the White Terror, the counterrevolutionary uprisings, the guerrilla war, the Kolchak front, the Wrangel more
The epic story of the Russian Civil War (1918-21): the White Terror, the counterrevolutionary uprisings, the guerrilla war, the Kolchak front, the Wrangel front and the Kronstadt rebellion. Chaos and violence, devastation and death. close
The cloud phenomena of Maloja are so well-known that some of them have names, such as the Maloja snake, a cloud bank that winds its way through the Alpine more
The cloud phenomena of Maloja are so well-known that some of them have names, such as the Maloja snake, a cloud bank that winds its way through the Alpine pass like a river. Clouds pass overhead, Fanck films them, just sufficiently to get the idea, among the crags of the Engadine, and gradually he connotes the wider scene, peopling the solitude and stillness below with a person or two, boating. close
What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants.
What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants. close
Here, the camera goes into a dance, accelerates, becomes ornamental. This is not to catch something in a quiant dynamic composition but to realize itself as part of action.
Here, the camera goes into a dance, accelerates, becomes ornamental. This is not to catch something in a quiant dynamic composition but to realize itself as part of action. close
"This film follows one day in the heroic struggle of the Soviet people against the German Fascist invaders." A Day of War (Den voyny), a chronicle of more
"This film follows one day in the heroic struggle of the Soviet people against the German Fascist invaders." A Day of War (Den voyny), a chronicle of total war filmed on all fronts as well as at the rear, was produced by the Central Studio of Documentary Films; shot by 160 newsreel cameramen on June 13, 1942, the 356th day of the Great Patriotic War; superbly assembled by M. Slutsky; and released on October 22, 1942. Its cameramen were informed of the actual date of shooting only two days before work commenced. close
The fifth film of Frank Capra's Why We Fight propaganda film series, revealing the nature and process of the fight between the Soviet Union and Germany in the Second World War.
The fifth film of Frank Capra's Why We Fight propaganda film series, revealing the nature and process of the fight between the Soviet Union and Germany in the Second World War. close
Documentary about Front-line Cameraman Vladimir Sushchinsky. He died on February 22, 1945 when the Soviet army liberated the Polish city of Breslau (now more
Documentary about Front-line Cameraman Vladimir Sushchinsky. He died on February 22, 1945 when the Soviet army liberated the Polish city of Breslau (now Wrocław) from the Nazi invaders. Sushchinsky's funeral was filmed by his comrade in the front-line film group, cameraman Nikolay Bykov (died March 18, 1945). The film includes the last shots taken by Boris Pumpyansky, who died near Uzhgorod on December 26, 1944. During the 1418 days of the war, at the risk of their own lives, Front-line Cameraman shot 3.5 million meters of film, more than 500 issues of Newsreels, and 101 Documentaries. It is to them that we owe our living memory of that war. The course of combat battles on all fronts was filmed by 252 Cameraman of the Central Studio of Documentaries. One in five died at the front. close
Originally made with a German soundtrack for screening in occupied Germany and Austria, this film was the first documentary to show what the Allies found more
Originally made with a German soundtrack for screening in occupied Germany and Austria, this film was the first documentary to show what the Allies found when they liberated the Nazi extermination camps: the survivors, the conditions, and the evidence of mass murder. The film includes accounts of the economic aspects of the camps' operation, the interrogation of captured camp personnel, and the enforced visits of the inhabitants of neighboring towns, who, along with the rest of their compatriots, are blamed for complicity in the Nazi crimes - one of the few such condemnations in the Allied war records. close
Stones from the sky - tangible pieces of other worlds. After millions of years of wandering in the darkness and the cold expanses of space, meteorites more
Stones from the sky - tangible pieces of other worlds. After millions of years of wandering in the darkness and the cold expanses of space, meteorites find shelter in the windows of museums. By studying meteorites, scientists know their origins, how they get to the Earth, and from which substances they are comprised. This film also explores the attitude towards this phenomenon in different nations through different times in history. close
How, in November 1945, after the end of the World War II and the fall of the Third Reich, the international prosecutors participating in the first Nuremberg more
How, in November 1945, after the end of the World War II and the fall of the Third Reich, the international prosecutors participating in the first Nuremberg trial —formally, the International Military Tribunal— built their case against the top Nazi war criminals using the films and records produced by the own regime, obsessed with documenting everything in its long path of infamy and crime. close
Afrique 50 is a 1950 French documentary film directed by René Vautier. The first French anti-colonialist film, the film derived from an assignment in more
Afrique 50 is a 1950 French documentary film directed by René Vautier. The first French anti-colonialist film, the film derived from an assignment in which the director was to cover educational activities by the French League of Schooling in West Africa. Vautier later filmed what he saw, a "lack of teachers and doctors, the crimes committed by the French Army in the name of France, the instrumentalization of the colonized peoples". For his role in the film Vautier was imprisoned over several months. The film was not permitted to be shown for more than 40 years. close
The film “The Tale of the Forest Giant” directed by Alexander Zguridi raises the question of the extent of human impact on wildlife. The caretaker of more
The film “The Tale of the Forest Giant” directed by Alexander Zguridi raises the question of the extent of human impact on wildlife.
The caretaker of the reserve Nikandr Petrovich Dudin (Ivan Kuznetsov) and his grandson Egor close
Using a specially designed transparent 'canvas' to provide an unobstructed view, Picasso creates as the camera rolls. He begins with simple works that more
Using a specially designed transparent 'canvas' to provide an unobstructed view, Picasso creates as the camera rolls. He begins with simple works that take shape after only a single brush stroke. He then progresses to more complex paintings, in which he repeatedly adds and removes elements, transforming the entire scene at will, until at last the work is complete. close
Toute la mémoire du monde is a documentary about the Bibliothèque Nationale in Paris. It presents the building, with its processes of cataloguing and more
Toute la mémoire du monde is a documentary about the Bibliothèque Nationale in Paris. It presents the building, with its processes of cataloguing and preserving all sorts of printed material, as both a monument of cultural memory and as a monstrous, alien being. close
"Araya" is an old natural salt mine located in a peninsula in northeastern Venezuela which was still, by 1959, being exploited manually five hundred years more
"Araya" is an old natural salt mine located in a peninsula in northeastern Venezuela which was still, by 1959, being exploited manually five hundred years after its discovery by the Spanish. In images, the life of the "salineros" and their archaic methods of work before their definite disappearance with the arrival of the industrial exploitation. close
Set at the 1958 Newport Jazz Festival, this documentary mixes images of water and the town with performers and audience. The film progresses from day more
Set at the 1958 Newport Jazz Festival, this documentary mixes images of water and the town with performers and audience. The film progresses from day to night and from improvisational music to Gospel. It's a concert film that suggests peace and leisure, jazz at a particular time and place. close
In the film, we see subjects instructed to administer electric shocks of increasing severity to another person, and observe both obedient and defiant more
In the film, we see subjects instructed to administer electric shocks of increasing severity to another person, and observe both obedient and defiant reactions. After the experiment, we witness subjects explain firsthand their actions. Obedience is as relevant today as it was at its publication. As we as a society witness suicide bombings, torture, and gang atrocities, we wonder just how far people will go. Fifty years later, this experiment still resonates as people ask themselves, “Would I pull that lethal switch?” This is the only authentic film footage of Milgram’s famous experiment and is essential to all foundational work in social psychology at the graduate, undergraduate, and high school level. close
A perfect, fast and hilarious montage. Using images from Artis (Amsterdam Zoo), Bert Haanstra shows that a couple of similarities can be discovered between more
A perfect, fast and hilarious montage. Using images from Artis (Amsterdam Zoo), Bert Haanstra shows that a couple of similarities can be discovered between human and animal. Particularly the manner in which human and ape are confronted with each other, is significant. The images speak for themselves, human voices or commentary is absent. The ironic music of Pim Jacobs does add an extra dimension to the whole. With regards to human and animal Haanstra limits himself for the time being to this short film, recorded with a hidden camera. Later on, in several big films, he would return to this subject. close
The year is 1961 and Ingmar Bergman is making a movie. While planted on the scene as apprentice to Bergman, Vilgot Sjöman (director, I Am Curious–Yellow, more
The year is 1961 and Ingmar Bergman is making a movie. While planted on the scene as apprentice to Bergman, Vilgot Sjöman (director, I Am Curious–Yellow, 1967), suggests to Swedish Television that they take the opportunity to record with the acclaimed director. In August, Sjöman and the television crew begin to capture what would become a comprehensive five-part documentary on the making of Winter Light, offering views of script development, set construction and lighting, rehearsals and editing, as well as intimate conversations with Bergman and members of his cast and crew. Footage from the film’s Swedish premiere delivers immediate audience reactions and the critics’ reviews the following day. close