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The gold miner of the turn of the XIX-XX centuries and the locally venerable Athos saint Innocent Sibiryakov all his life struggled ... with wealth. Having more
The gold miner of the turn of the XIX-XX centuries and the locally venerable Athos saint Innocent Sibiryakov all his life struggled ... with wealth. Having begun the struggle of a 14-year-old boy, having passed through slander and psychiatric examinations, he finished it only shortly before the early death. He won. close
1917, Yakutia. 9-year-old Mikita is growing up beyond his years, as he, along with adults, learns the difficult life of a Yakut cattle breeder, where more
1917, Yakutia. 9-year-old Mikita is growing up beyond his years, as he, along with adults, learns the difficult life of a Yakut cattle breeder, where every day is a struggle for survival. New challenges await the boy, as the events of the revolutionary, rebellious time violently invade the traditional way of his family, violating the values and way of life that have been established for centuries. close
The story unfolds in besieged Leningrad during the Great Patriotic War. In the lesson on the painting children diligently draw the sentence "We are not more
The story unfolds in besieged Leningrad during the Great Patriotic War. In the lesson on the painting children diligently draw the sentence "We are not slaves", this smudged phrase becomes the main idea of the film. close
Documentary series (Russia). The 2008 season. 5 issues. Episode 1. Alexander Khanzhonkov. The Emperor
Directed by A. Ladoga.
Authors N. Yakovlev, Andrey more
Documentary series (Russia).
The 2008 season. 5 issues.
Episode 1. Alexander Khanzhonkov. The Emperor
Directed by A. Ladoga.
Authors N. Yakovlev, Andrey Shemyakin.
About the former officer of the Cossack regiment Alexander Khanzhonkov. He is the organizer of film production comparable to the Pate Empire. Khanzhonkov could become the first emperor of young Russian cinematography.
Episode 2. 20th: The War of Images
Director Dmitry Lavrinenko.
The first decade of the Soviet system of state production. In the center of the picture is the chairman of Sovkino Kirill Shvedchikov and the brightest film entrepreneur of that era, the head of the Mezhrabpomfilm studio Moses Aleynikov. They each in their own way defended the interests of the audience. The best directors of the 1920s developed the film language. However, the authorities in relation to cinema as the greatest mythmaker had their own plans, where none of our heroes fit. But the system was built.
Episode 3. 30s: Boris Shumyatsky. History of Soviet Hollywood
Director Dmitry Lavrinenko.
About the most famous movie utopia of the decade - "Soviet Hollywood". The attempt to implement this project, which was supposed to equalize the USSR and the United States in terms of the pace of film production, cost the author of the idea, the new People's Commissar of Cinematography Boris Zakharovich Shumyatsky freedom and life. But not because the task was impossible. Utopian was the idea of the hero of the film - to become a co-author of Stalin himself.
Episode 4. 40th: Ivan Bolshakov. Stalin's film mechanic
Director Anna Golikova.
About the vicissitudes of the 15-year reign of Ivan Grigorievich Bolshakov, who became the Minister of Cinematography, who was nicknamed “Stalin’s cinema mechanic” by his eyes. It was on his shoulders fell two of the most difficult periods of the development of the national film music: the years of war and the years of post-war devastation. Bolshakov managed to overcome all difficulties. But after Stalin’s death, he was sacrificed to the changing political environment, defamed and forgotten.
Episode 5. 50s: Ivan Pyrev. Ivan the builder
Directed by A. Ladoga.
The great director, Ivan Alexandrovich Pyriev, in the years of Khrushchev’s thaw, was often a film director. He managed to do a lot: he raised Mosfilm from the ruins, created the Union of Cinematographers of the USSR, became the godfather of a new generation of directors. He absolutely did not want and could not fit into the framework of the Soviet system. He was not a functionary, but a builder. . .
The 2011 season. 4 issues.
Directors: Alexander Shuvikov, Daria Khrenova, Anna Golikova.
Episode 1. The 60s: Thaw, or Secret Strategies for Renewal
The main film director of the thaw era should probably be considered Khrushchev. With one caveat: he did not control the "most important of the arts" as his predecessor, Stalin, did. Khrushchev only occasionally interfered in the film process, ceding the main role to officials of the governors. It is with him that the hardware style of cinema management is formed, which later will lead to the appearance of "shelf" films. The film is attended by Alexei German, Sergey Solovyov, Vitaly Melnikov, Armen Medvedev and others.
Episode 2. '70s: The golden age of stagnation. Philip Ermash and Vladimir Baskakov
Behind the well-established system of production of “gray” films of the 70s was a man who is not without reason called a producer – both in scope and intuition. This is the all-powerful Minister of cinema Philip Ermash. And his de facto predecessor, Vladimir Baskakov, manages cinema and, after his resignation, from his office at the Film Institute. The film is attended by Alexei German, Sergey Solovyov, Gemma Firsova, Vitaly Melnikov, Armen Medvedev and others.
Episode 3. 80s: The Death of Philippe Ermash's Empire
With the change of political weather in the mid-1980s, the style of film management also changed. At the Fifth Congress of the Union of Cinematographers, former leaders are overthrown. Director Elem Klimov is elected as the new chairman. Philip Ermash's empire is bursting at the seams. Alexander Kamshalov, who replaced him, became the last minister of Soviet cinema. The film is attended by Alexei German, Vadim Abdrashitov, Sergey Solovyov, Vladimir Menshov, Andrei Plakhov, Vitaly Melnikov, Armen Medvedev and others.
Episode 4. 90s: Change of fate
With the appointment of Armen Medvedev as film minister, Bulat Okudzhava’s prophecy comes true: “Soon all my friends will break into the leadership, and then it will probably become easier for me to live.” True, freedom, which so dreamed of filmmakers, turns into permissiveness and a new "shelf" - now not censorship, but market. The rental system is destroyed: in cinemas they sell furniture. The situation is saved by festivals that turn into parallel rentals. The state becomes a philanthropist, which finds expression in the support of the low-budget project of Gorky Studio. It remains to be seen who will become the new most important filmmaker - the minister, the critic or the producer? The film is attended by Vadim Abdrashitov, Sergey Solovyov, Vladimir Menshov, Vitaly Melnikov, Andrei Plakhov, Ivan Okhlobystin, Alexei Fedorchenko, Alexei Serebryakov and others. close
The movie "ALSIB." “The Secret Route” is a documentary film that addresses the true history of the Alaska-Siberia airway, which the Americans once said more
The movie "ALSIB." “The Secret Route” is a documentary film that addresses the true history of the Alaska-Siberia airway, which the Americans once said “either madmen or Russians can fly on.”
The Alaska-Siberia highway, or ALSIB, was opened in 1942 and operated until 1945. It served to deliver to the Soviet front fighters and bombers supplied under the Lend-Lease agreement from the United States to the Soviet Union. During the years of operation of the route, which passed through remote areas of the Far North of our country, almost 8,000 aircraft were transported, as well as tons of various cargoes - from food to mail. The existence of the route would have been impossible without the heroic work of Soviet pilots, flight radio operators and mechanics, who worked sometimes in unbearably difficult conditions. close
In 1889, mounted on a small gray horse named Serko, Dimitri leaves his garrison on the Asian borders of the Russian Empire on the banks of the Amur River. more
In 1889, mounted on a small gray horse named Serko, Dimitri leaves his garrison on the Asian borders of the Russian Empire on the banks of the Amur River. After extraordinary adventures, they both arrive in St. Petersburg, at the court of the Tsar. Having covered more than 9000 kilometers in less than 200 days, this young rider has achieved the most fantastic equestrian feat of all time. close
The basis of the series Ihor Chernitsky “Junker” were such works by A.I. Kuprin as the novel “Junker”, the story “At the Turning Point” and “Duel”. When more
The basis of the series Ihor Chernitsky “Junker” were such works by A.I. Kuprin as the novel “Junker”, the story “At the Turning Point” and “Duel”. When writing the script, the memoirs of officers who were graduates of Junker schools in 1917, and documents of the military history of Russia were used.
The events of the picture unfold in Russia at the turn of 1900-1910 in the famous Moscow Alexander Military School. The actors are young men who are about to graduate, and their mentors, combat officers. Here reigns its own special world, in many ways romantic - these young people have a lot happening for the first time - early love, the first ball, repulsion scoundrel, the first duel, readiness to protect the weak and sacrifice yourself for a friend. close
The documentary is based on correspondence between Russian Emperor Nicholas II and German Kaiser Wilhelm II. They bore a heavy burden of power, responsibility more
The documentary is based on correspondence between Russian Emperor Nicholas II and German Kaiser Wilhelm II. They bore a heavy burden of power, responsibility to their peoples and centuries-old dynasty. They shared the best, most romantic memories of their youth. It was the German Kaiser that Nicholas chose as the godfather for his long-awaited heir. Yet in those five days of July 1914, when the world was on the verge of disaster, they could not come to an agreement. The First World War will not only destroy empires, redraw the map of the world, but will also determine the tragic fate of our heroes. German, English and Russian historians take part in the film. The main characters starred Viktor Sukhorukov (Wilhelm II) and Konstantin Lavronenko (Nicholas II). close
Years of civil war. The Polish interventionists approach Berezina. The Red Army temporarily leaves Belarus. Partisan detachments are organized, the head more
Years of civil war. The Polish interventionists approach Berezina. The Red Army temporarily leaves Belarus. Partisan detachments are organized, the head of one of which becomes the Bolshevik Stepan. In & nbsp; this is the same squad and his brother, who is in collusion with the Polish spy Kabbage. With the help of cabbage, the Polish Ulans that appeared in the villages get to the partisan camps and seize the headquarters. Janko manages to warn the headquarters about the movement of the White Poles, and the partisans are forced to retreat along an impassable swamp. They manage to escape and unite with the Red Army, which occupies Minsk on the eleventh of July. close
The film reflects the period of the poet’s life, emphasizing those tragic moments when the poet’s life could be interrupted. Disappointment from the trampled more
The film reflects the period of the poet’s life, emphasizing those tragic moments when the poet’s life could be interrupted. Disappointment from the trampled first love, happy family life, cut off halfway, betrayal, love and the birth of five daughters and two sons are not only facts of biography, it was the crucible of suffering, in which Tyutchev’s poetry was born. close
Historical film drama. In the 80s of the last century, the Tuvan arats rebelled against the Naion enslavers. The uprising was brutally suppressed. With more
Historical film drama. In the 80s of the last century, the Tuvan arats rebelled against the Naion enslavers. The uprising was brutally suppressed. With ethnographic accuracy, the film recreates the patriarchal life of the Tuvans their customs and customs. close
Extraordinary Commissar Pyotr Kobozev arrives in Soviet Turkestan on Lenin's personal order. He will have to quickly and accurately understand the situation more
Extraordinary Commissar Pyotr Kobozev arrives in Soviet Turkestan on Lenin's personal order. He will have to quickly and accurately understand the situation and take appropriate measures against the counter-revolutionaries. close
At the beginning of the 19th century on the Romanian border there was a group led by a freethinker and defender of the oppressed - Ivan Semeniuk. In the more
At the beginning of the 19th century on the Romanian border there was a group led by a freethinker and defender of the oppressed - Ivan Semeniuk. In the center of the plot of the film is the love story of the hero of folk tales Ivan and Olga, the officer's wife. close
The story of the rapid take-off on the service ladder of “dear Leonid Ilyich”. General secretaries are not born, they become, having mastered the art more
The story of the rapid take-off on the service ladder of “dear Leonid Ilyich”. General secretaries are not born, they become, having mastered the art of big politics in the invisible world undercover fights. The main emphasis of the narrative is made on the tome to show how the mechanism of human entry into power operates. close
In 1919, on the tow boat Komsomol went to beat the whites. During the Second World War, during the heroic battle on the Volga on this boat were transporting wounded soldiers and children
In 1919, on the tow boat Komsomol went to beat the whites. During the Second World War, during the heroic battle on the Volga on this boat were transporting wounded soldiers and children close
Based on the novel by Yu. Tynyanov "Lieutenant Kizhe".
The film tells about the events that took place in the era of Paul I, but, of course, it is dedicated more
Based on the novel by Yu. Tynyanov "Lieutenant Kizhe".
The film tells about the events that took place in the era of Paul I, but, of course, it is dedicated to the time in which Tynyanov lived. It tells an anecdotal case of the distant Pavlovsk era: due to an accidental error of the scribe in the papers, the lieutenant Kizhe appears instead of the words "the lieutenants". Then this mythical character begins to live an independent life. close
The film is an attempt to recreate the world of Marc Chagall and his myth within the genre of a folklore ballad. We are not exploiting Chagall's images, more
The film is an attempt to recreate the world of Marc Chagall and his myth within the genre of a folklore ballad. We are not exploiting Chagall's images, but are attempting to create a dramatized projection of his creativity onto the movie screen, relying on both, facts and fantasy (as Chagall himself would).The story is based on real events which occurred at the time of Chagall's short-lived period in Vitebskin in 1917-18, during which time he creates the Academy of Modern Art, inspired by his dreams of a bright and beautiful future. Many pictures by Chagall and Malevich are used in the film. close
The film tells about the life of Soviet scientists. Professor Dobrotvorsky, together with his colleague Losev, is on the way to completing a scientific more
The film tells about the life of Soviet scientists. Professor Dobrotvorsky, together with his colleague Losev, is on the way to completing a scientific work of great importance in medicine. A friend of Dobrotvorsky academician Vereysky learns from a foreign journal that important data about this work fell into the hands of American businessmen. . . close
In a small Tatar village during the traditional holiday of the beginning of plowing, monks appear, accompanied by soldiers. Trying to convert the local more
In a small Tatar village during the traditional holiday of the beginning of plowing, monks appear, accompanied by soldiers. Trying to convert the local population to Orthodoxy by force, monks and soldiers meet tough resistance from the local residents. The wife of the peasant Bulat dies, and his son Asfan is taken away in an unknown direction.
It takes 15 years. Bulat becomes the protector of all the poor. His son Timur, Asfan's brother, helps him in business. Meanwhile, Asfan, brought up in the circle of Prince Potemkin's associates, receives the rank of warrant officer and is sent at the head of the punitive detachment to his native places - to pacify the rebellious peasants. . close
Episode 1. 1839. Decembrists - brothers Nikolai and Mikhail Bestuzhev - are transferred from hard labor to a settlement in Trans-Baikal Selenginsk. There more
Episode 1. 1839. Decembrists - brothers Nikolai and Mikhail Bestuzhev - are transferred from hard labor to a settlement in Trans-Baikal Selenginsk. There they will have to get used to new ways and traditions.
Episode 2. In 1846, after the death of his mother, their sisters – Elena, Maria and Olga – came to Nikolai and Mikhail to Selenginsk for residence. It is not easy for women to understand and accept the principles of life that now guide their brothers. close
This film speaks of archaic peoples, their customs and mores, in an attempt to make the last snapshots of their traditional lifestyles before they are gone for good.
This film speaks of archaic peoples, their customs and mores, in an attempt to make the last snapshots of their traditional lifestyles before they are gone for good. close
Scout and boxer Igor Miklashevsky (Anton Momot) from the mini-series "Uppercut for Hitler" had a difficult role - posing as a deserter, he surrendered more
Scout and boxer Igor Miklashevsky (Anton Momot) from the mini-series "Uppercut for Hitler" had a difficult role - posing as a deserter, he surrendered to German troops. After undergoing torture and interrogation, he began to enter the ring under the banner of Standard Führer Walter Schloss, a famous gambler.
Igor's task is to get as close to the Fuehrer as possible to eliminate him. The novel that broke out between him and the Frenchwoman of Russian origin Anastasia helps the hero of the spy film “Uppercut for Hitler” to cope with his difficult role. Fighting in the ring, he goes from victory to victory and gets closer to his main goal - Hitler. close
After an accident at a compressor station in Kazakhstan kills her husband, Ainur, a young Kazakh woman, travels to Russia to find Andrei Artamonov, her more
After an accident at a compressor station in Kazakhstan kills her husband, Ainur, a young Kazakh woman, travels to Russia to find Andrei Artamonov, her husband's former university classmate and best friend. Together with Ainur and the head of the station Lykov, Andrei has to find a solution to a problem that failed his university project many years ago and make what might be the hardest choice of his life. close
Episodic story of the resistance to the German invasion of the Ukraine in 1918 during World War 1, and made as an example of the guerrilla warfare and more
Episodic story of the resistance to the German invasion of the Ukraine in 1918 during World War 1, and made as an example of the guerrilla warfare and fierce spirit in which Ukrainian peasants were again resisting Teuton onslaughts in 1939. Highlights a small band of guerrillas and their battles using scythes, shotguns and, often, just clubs against the Kaiser's army in the Ukrainian forests. close
The captain of the Soviet tanker "Caspian" on the high seas receives the signal "SOS" - disaster suffers the German steamer "Gammonia". Filled with aviation more
The captain of the Soviet tanker "Caspian" on the high seas receives the signal "SOS" - disaster suffers the German steamer "Gammonia". Filled with aviation gasoline, a small ship goes to the rescue of a fire-ridden steamer. Soviet sailors, risking themselves, rescue passengers and the crew of "Gammonia". It happened on the night of June 22, 1941. . . close
Illustration to the texts of the Lives of Russian Saints. The last days of the life of Prince Alexander, who returns from the Horde to Vladimir, his fiefdom. more
Illustration to the texts of the Lives of Russian Saints. The last days of the life of Prince Alexander, who returns from the Horde to Vladimir, his fiefdom. The prince gets sick on the way. Sometimes consciousness returns to him - and the past does not give rest. . . close
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