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An underground short film from a “necrorealist” Russian filmmaker. The film is about sadomasochism, possessed by the idea of death and self-destruction. more
An underground short film from a “necrorealist” Russian filmmaker. The film is about sadomasochism, possessed by the idea of death and self-destruction. Evocative of the silent films from the beginning of the 20th century. -https://mubi.com/films/will close
The Insanity Complex – Created Sergei Debizhev in cooperation with Sergei Kuryokhin in a pseudo-documentary absurdist manner, a film that ridicules the more
The Insanity Complex – Created Sergei Debizhev in cooperation with close
The second film by Sokurov featuring Boris Yeltsin as the principal character. Now he is the President of Russia, invested with power, bearing the full more
The second film by Sokurov featuring Boris Yeltsin as the principal character. Now he is the President of Russia, invested with power, bearing the full responsibility for the destinies of his distant compatriots as well as his closest kin and friends. close
At the center of the film is a man in a monkey mask inhabiting various anthropogenic spaces, such as a zoo, city streets and a farmyard. But the attributes more
At the center of the film is a man in a monkey mask inhabiting various anthropogenic spaces, such as a zoo, city streets and a farmyard. But the attributes inherent in human life (work, marriage, military service, leisure) do not release him from an animal form. close
All passengers take things on the road. So the hero of the cartoon "Suitcase" took with him on the train everything he considered necessary, packing the more
All passengers take things on the road. So the hero of the cartoon "Suitcase" took with him on the train everything he considered necessary, packing the property in a huge yellow suitcase. He is in such a hurry to the train that he knocks the rest of the passengers in his path. The bushman crushed someone's leg, left someone without pants, but does not pay attention to it.
Here, finally, is the Paradise Coupe. You can arrange a suitcase on the luggage shelf and relax. But, dozing off, this mustachioed gentleman has a nightmare: his suitcase opens, and in it instead of luggage - a mysterious city. Its inhabitants bake an unimaginable size cake.
This vision is so ridiculous that a man wakes up in horror. Around the road, there is nothing to worry about. He closes his eyes again, and again slides the snake of the suitcase, revealing the cityscape with strange inhabitants, only now he, its owner, becomes a prisoner of the suitcase.
The film is based on a poem by V. Linkova. close
The office of the President of Lithuania, 1990. Inside, silence reigns, contrasting to the shouting of the crowds outside the windows of the governmental more
The office of the President of Lithuania, 1990. Inside, silence reigns, contrasting to the shouting of the crowds outside the windows of the governmental building. At the same time, this silence is mirrored by the intense silence of several women, whose faces remain on the screen for a long time. The silence is broken by music. The President plays the piano. close
A heartfelt story about the borderlands of childhood, about a boy who is still a child, but who is touched by an inexplicable, barely discernible feeling more
A heartfelt story about the borderlands of childhood, about a boy who is still a child, but who is touched by an inexplicable, barely discernible feeling of love. Ten-year-old boy Jaanus is in love with Eva, a girl a few years older than him, from whom he wants to buy a puppy. The puppy is like an unattainable dream, like a first love. Aare Tilga's debut film is based on Mart Kivastik's short story of the same name and was Tilga's diploma thesis at the Moscow Cinema Institute, supervised by Eldar Ryazanov. close
The film is a day in the life that passes by, even if it seems neverending. In the morning the streets are alive with people, pedestrians and cars, with more
The film is a day in the life that passes by, even if it seems neverending. In the morning the streets are alive with people, pedestrians and cars, with loud and exultant noise. Such sounds accompany the restless walk of a woman and her child across a dusty street, while Bartas’ gaze wanders through many different perspectives. close
A satiric comedy which dissects the iconography of the 'Soviet Hero'. Original footage of a propaganda film from 1941 is the starting point for this parody more
A satiric comedy which dissects the iconography of the 'Soviet Hero'. Original footage of a propaganda film from 1941 is the starting point for this parody of the ideological cliches of Soviet cinema. It follows the story of a Russian crew across the North Pole. close
Based on the play by Alexander Vampilov "Twenty Minutes with an Angel". Two seconded men began their “labor” activities in a small town with the fact more
Based on the play by Alexander Vampilov "Twenty Minutes with an Angel". Two seconded men began their “labor” activities in a small town with the fact that they were drunk. When they woke up, they decided to get money, but the search for funds was not successful. Suddenly a stranger appeared and offered them a hundred rubles. "Heroes" and their hotel neighbors did not believe in the sincerity and unselfishness of the act. . . close
Alexander Galibin in the drama based on the stories of Mikhail Bulgakov "The history of the disease". Kolya went to school when the streets were shot, more
Alexander Galibin in the drama based on the stories of Mikhail Bulgakov "The history of the disease". Kolya went to school when the streets were shot, and since then no news from him. There is a civil war going on. The mother sends the eldest son to search for his brother: I will not live long like this. I see madness. You're the oldest, and I know you love him. Give Kohl back. Give it back. You're the senior. Big brother's in the hospital now. The cart he was driving in was hit by a bomb. The driver found some paper and executed. He called the general a beast. The doctor who came to see him was this general. The verdict is schizophrenia, hopeless. It remains to lie in the room and remember how the squadron went, he met his brother, talked and waited for his return. . An hour later, I saw him. Also, trotting, he was coming back. There was no squadron. Only two riders with peaks galloped on the sides, and one of them - the right - constantly leaned towards his brother, as if whispering something to him. Squeezing from the sun, I looked at a strange masquerade. He left in a grey cap, came back in red. No hair, no forehead. Instead, there was a red wreath with yellow teeth. close
A young girl takes refuge in the woods to escape her mother's rages. Here she reenacts scenes of her physical and sexual abuse using stuffed dolls. It more
A young girl takes refuge in the woods to escape her mother's rages. Here she reenacts scenes of her physical and sexual abuse using stuffed dolls. It seems she wants her late father back, despite the sexual abuse, for at least he loved her. Now all she has left is her physically and mentally abusive mother. close
The film in a metaphorical form demonstrates a model of self-devouring in a closed spiritual system, it explores intermediate state between a human and more
The film in a metaphorical form demonstrates a model of self-devouring in a closed spiritual system, it explores intermediate state between a human and a non-human: a subhuman deprived of a divine spark. close
On the banks of the Obvodny Canal in St. Petersburg there are three crazy houses, three Houses of Culture, a spiritual academy, a pub ... This movie is more
On the banks of the Obvodny Canal in St. Petersburg there are three crazy houses, three Houses of Culture, a spiritual academy, a pub ... This movie is a cut-off of the era, watching our life, and those around us. Thinking about where the line between reality and insanity lies. close
The film “Maria” is a requiem in memory of the Russian peasant Maria Semenovna Voynova. Maria Semyonovna grew flax all her life. It is possible that with more
The film “Maria” is a requiem in memory of the Russian peasant Maria Semenovna Voynova. Maria Semyonovna grew flax all her life. It is possible that with her life, important peasant secrets of working in the field have gone. Transferred to her at one time by inheritance techniques of agricultural engineering in her family to pick up no one. The son tragically died, the daughter will not work in the field, most likely she will completely leave the village.
The film consists of two chapters. The first is a color summer impression of Maria Semyonovna. Haymaking, bathing in the river, work on linen fields, vacation to the Crimea, which happens in the life of a peasant (especially in summer) is extremely rare - the very first impressions of a city man, who was the author of the film. The task is to create an impression, to immerse the viewer in pastoral emotion. The second part is a sad “gift” of fate. It's been nine years. These years have brought change. There were not some, there were others. The second chapter is a black and white image with a story about how the fate of Maria Semyonovna ended. It's a sad, elegiac narrative. The director intended to give a panorama of the fate of a particular person in specific circumstances.”
Alexander Sokurov (from the author's abstract) close
The main characters of the film are members of the group "Nastya" Nastya Poleva and Yegor Belkin. The half-hour half-documentary tape included footage more
The main characters of the film are members of the group "Nastya" Nastya Poleva and Yegor Belkin. The half-hour half-documentary tape included footage taken by Balabanov in 1985-1990. In addition to the main characters, the documentary footage captured many prominent figures of Sverdlovsk rock club, in particular Vyacheslav Butusov, Leonid Porokhnyu, and local actors. close
Silent serious people buy weapons. They are taking him by a caravan of trucks through Moscow. One of them changes into new clothes and leaves the others more
Silent serious people buy weapons. They are taking him by a caravan of trucks through Moscow. One of them changes into new clothes and leaves the others for his beloved girlfriend, who lives in the capital. close
A young guy gets caught on a currency transaction, changing rubles to dollars. But in his mind, he has long overcome not only state borders, but also the laws of gravity.
A young guy gets caught on a currency transaction, changing rubles to dollars. But in his mind, he has long overcome not only state borders, but also the laws of gravity. close
As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date more
As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date of the final edition and legal public screening. The film consists of German and Soviet archive footage of the World War II — to be exact, from the end of the war. An attempt to make a large–scale documentary on this subject had been undertaken in the Soviet cinema of the 1960s: the film — “Ordinary Fascism” — by the outstanding Soviet film–maker Mikhail Romm had become a classic retrospective investigation of fascism. But Sokurov uses the expressive power of the documentary image in an absolutely different way. He does not amass materials for a large–scale picture of Nazi crimes. close
A military group of alpinists are selected to carry out a secret mission. The fate of humanity depends on their success. The rules of the mission require more
A military group of alpinists are selected to carry out a secret mission. The fate of humanity depends on their success. The rules of the mission require the death of each participant once his or her task is accomplished. After killing one of their colleagues and splitting into several groups, the alpinists continue their journey. But the human unconscious doesn’t follow military orders. Having once committed murder, the “knights” can’t control their desire to kill. They forgot their mission… and kill each other instead. —University of Pittsburgh close
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