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To thwart the manipulative habits of his flirtatious young wife, an old man reads the invaluable book, 'One Thousand and One Feminine Ruses - Practical more
To thwart the manipulative habits of his flirtatious young wife, an old man reads the invaluable book, 'One Thousand and One Feminine Ruses - Practical Directions for Elderly Husbands.' Thanks to the book, the husband manages to foil many of his fickle partner's plans, but she's determined to have the last word. close
Sergei’s beloved wife Yelena has passed away, and the bereaved husband is inconsolable. He remains obsessed with pictures of Yelena and with a braid of more
Sergei’s beloved wife Yelena has passed away, and the bereaved husband is inconsolable. He remains obsessed with pictures of Yelena and with a braid of her hair that he has saved. One day, while walking in the street, he passes by a woman who bears a striking resemblance to Yelena. close
Young scholar Andrei, fascinated by haunting actress Zoia Kadmina, is surprised when she sends him a note. The two have a brief scheduled meeting, then more
Young scholar Andrei, fascinated by haunting actress Zoia Kadmina, is surprised when she sends him a note. The two have a brief scheduled meeting, then three months later Andrei is shocked to learn she has died. He becomes obsessed with Zoia's memory and decides he must find out all that he can about her. close
Marianna advertises for work as a reader and is employed by the reclusive millionaire Dymov. Appreciative of her sensitive, artistic nature, and of her more
Marianna advertises for work as a reader and is employed by the reclusive millionaire Dymov. Appreciative of her sensitive, artistic nature, and of her youthful innocence and purity, Dymov is protective of Marianna and shields her from the attentions of his philandering playboy son. Marianna confesses to her fiancé Sergei that, at times, she feels deeply conflicted, drawn by the seductive lure of wealth and luxury. When her protector Dymov dies, his son begins to pursue her. Can Marianna resist her attraction to the opulent lifestyle that Dymov's son offers? close
Taking advantage of his wife's temporary leave, Anton and his female friends are having fun. In the midst of all the revelry, he receives a telegram that more
Taking advantage of his wife's temporary leave, Anton and his female friends are having fun. In the midst of all the revelry, he receives a telegram that she is to return this morning. General turmoil ensues. Anton sees off his visitors and tries to reestablish order, but suddenly notices with horror one of the ladies had forgotten her corset... close
When Viktor meets Gizella one day beside the lake, he takes an interest in her and begins to call on her regularly. The one passion in the life of Gizella, more
When Viktor meets Gizella one day beside the lake, he takes an interest in her and begins to call on her regularly. The one passion in the life of Gizella, who is unable to speak, is dancing. When Viktor deceives her and she finds him with another woman, she moves away and begins a career as a ballerina. Later, as she is on tour performing “The Dying Swan”, the artist Glinskiy attends her performance. Glinskiy, whose own obsession is to depict death in his art, becomes fascinated by Gizella, and he is determined to use her as a model for a special project. close
In 1907, the Russian authorities learn that a revolutionary known as 'Granddad' is living in hiding with his brother. The revolutionary is soon arrested more
In 1907, the Russian authorities learn that a revolutionary known as 'Granddad' is living in hiding with his brother. The revolutionary is soon arrested and sent to Siberia. After ten years of struggling to survive in harsh conditions, he is finally released when the Tsarist government is overthrown in February 1917. He is welcomed home as a hero, but he soon finds that even his own son has different views than he does about the future of Russia. close
Since Zoya Verenskaya's husband passed away ten years ago, she has been devoted to her daughter Lee. At present, Lee is in poor health, and she is in more
Since Zoya Verenskaya's husband passed away ten years ago, she has been devoted to her daughter Lee. At present, Lee is in poor health, and she is in danger of losing her eyesight. Zoya's suitor Dmitry wants to get married, but Zoya is determined to wait until Lee is better. Then, on a vacation in the Crimea, they learn Lee's true feelings for Dmitry, and suddenly all of their lives are thrown into turmoil. close
The Kino-nedelya newsreels constitute the first films of Dziga Vertov. A total of 43 issues, each containing an average of 5 to 7 different items, were more
The Kino-nedelya newsreels constitute the first films of Dziga Vertov. A total of 43 issues, each containing an average of 5 to 7 different items, were produced between May 1918 and June 1919. In the fall of 1918, Vertov joined the newsreel’s ranks and soon took on full responsibility for the series, defining the content and structure of each issue. The films provide an invaluable record of life in the young Soviet Russia, then in the throes of civil war. close
Paula is a circus performer married to the alcoholic clown-acrobat Lorio. Lorio's heavy drinking leads to him being severely injured during a performance. more
Paula is a circus performer married to the alcoholic clown-acrobat Lorio. Lorio's heavy drinking leads to him being severely injured during a performance. This forces Paula and the now-crippled Lorio to become street musicians. This film formerly ran to 81 minutes – regrettably, the second half is considered lost. close
A man is caught between his friendship with a young engineer wishing to open his peat-powered electric plant and his love for a young woman, whose father owns an oil company.
A man is caught between his friendship with a young engineer wishing to open his peat-powered electric plant and his love for a young woman, whose father owns an oil company. close
This newsreel documentary was shot by Lev Kuleshov in 1919, which once credited to Dziga Vertov. A fragment of this newsreel was shown in the documentary more
This newsreel documentary was shot by Lev Kuleshov in 1919, which once credited to Dziga Vertov. A fragment of this newsreel was shown in the documentary The Kuleshov Effect (1969), where Kuleshov talked about his early film work, claiming this short newsreel as his own work. close
A young woman arrives in her school where she must teach for the first time. Her task consists in teaching a class of adults to read and write. All her more
A young woman arrives in her school where she must teach for the first time. Her task consists in teaching a class of adults to read and write. All her students are male, ranging from boys to old men, and they are rather rowdy and difficult. All the more as a young hooligan dares write her on a test paper that he loves her. Feeling harassed by the young man, she is defended by other students. But she more or less feels the young bad boy's love is true and when this one is lying on his dying bed, after being stabbed by the other students, she solaces him by kissing him tenderly. close
Dziga Vertov-directed Soviet newsreel covering: Starving children / Requisitioning of valuables possessed by the Russian Orthodox Church / Fundraising more
Dziga Vertov-directed Soviet newsreel covering: Starving children / Requisitioning of valuables possessed by the Russian Orthodox Church / Fundraising flights in support of the hungry / Trial of the Socialist Revolutionaries. close
Dziga Vertov-directed Soviet newsreel covering: Trial of the Socialist Revolutionaries / Motor race Moscow – Sevastopol' / Barges loaded with grain are more
Dziga Vertov-directed Soviet newsreel covering: Trial of the Socialist Revolutionaries / Motor race Moscow – Sevastopol' / Barges loaded with grain are sent to the starving in the provinces / The Caucasus and its resorts. close
Dziga Vertov-directed Soviet newsreel covering: Peasant People's Commissar for Agricultural Affairs, Vasilij Jakovenko / Health resort Soči / Sanatorium more
Dziga Vertov-directed Soviet newsreel covering: Peasant People's Commissar for Agricultural Affairs, Vasilij Jakovenko / Health resort Soči / Sanatorium for children / Harness racing - The first Red Derby. close
Filmic insert to Eisenstein's modernized, free adaptation of Ostrovskiy's 19th-century Russian stage play, "The Wise Man" ("Na vsyakogo mudretsa dovolno more
Filmic insert to Eisenstein's modernized, free adaptation of Ostrovskiy's 19th-century Russian stage play, "The Wise Man" ("Na vsyakogo mudretsa dovolno prostoty"). The anti-hero Glumov tries to escape exposure in the midst of acrobatics, derring-do, and farcical clowning. Several members of Eisenstein's troupe at the legendary "Proletkult" stage theatre in Moscow briefly appear in this little film. close
Dziga Vertov-directed Soviet newsreel made to commemorate the first anniversary of the death of Vladimir Ilich Lenin (21st January 1924 - 1925) drawn more
Dziga Vertov-directed Soviet newsreel made to commemorate the first anniversary of the death of Vladimir Ilich Lenin (21st January 1924 - 1925) drawn from 'The Final Journey', a Pravda feuilleton written on the occasion of Lenin's funeral by the man who had introduced Vertov to cinema, Mikhail Koltsov. Contains: First anniversary of Lenin's death: 1. Assassination attempt on Lenin and Soviet Russia's progress under his leadership / 2. Lenin's illness, death and funeral / 3. The year after Lenin's death close
Jean, the hairdresser, is flabbergasted: what is that baby his girlfriend Lisa has put in his arms out of the blue? The fruit of love? Out of the question. more
Jean, the hairdresser, is flabbergasted: what is that baby his girlfriend Lisa has put in his arms out of the blue? The fruit of love? Out of the question. From that moment on, the reluctant father has but one thought in his head: he must get rid of the cumbersome 'article'. And, take his word for it, all the ways are good. close
This documentary depicts the creation of collective farms for Jews in Crimea. It shows them building their houses, digging a well, and farming the land.
This documentary depicts the creation of collective farms for Jews in Crimea. It shows them building their houses, digging a well, and farming the land. close
Khokhlova, a girl-reporter on a Moscow newpaper, falls in love with factory manager Petrovsky. To her he's the epitome of manliness--virile, decisive, more
Khokhlova, a girl-reporter on a Moscow newpaper, falls in love with factory manager Petrovsky. To her he's the epitome of manliness--virile, decisive, strong-minded. Conversely, she rejects the sensitive, diffident editor Vasilchikov, who's in love with her, as unmanly. Her infatuation affects her work, and she is fired. close
Ukrainian agitprop film from 1929 that was banned and long forgotten until its rediscovery in the 1970s, imaginatively shot by the gifted cameraman Oleksii more
Ukrainian agitprop film from 1929 that was banned and long forgotten until its rediscovery in the 1970s, imaginatively shot by the gifted cameraman Oleksii Pankratiev, whose panoramic long shots feature dynamic compositions. The background, barren field and bare sky, raise the agricultural subject matter to the level of an epic poem. Using innovative editing, Shpykovskyi transformed an incredibly simple plot into an avant-garde work. Created the same year as Earth (Zemlya), the film forms a paradoxically conceptual, ideological, and aesthetic pair with Dovzhenko’s movie. close
“The drama of the plot is the global martial arts of a dying traditional and emerging new way of life in a modern collective farm village. The basis for more
“The drama of the plot is the global martial arts of a dying traditional and emerging new way of life in a modern collective farm village. The basis for the plot was the fact of the murder by the kulaks of the rural pioneer Pavlik Morozov, who gave the authorities his father, the chairman of the village council. And the film itself and its condemnation resulted in a large-scale political campaign became the largest events in the cinematic life of the 30s. The material of the film is not preserved. According to the conventional version, the only copy of the second version died on the Mosfilm during the bombing in 1941. The rest of the material is gone. According to the cuts saved by the editor E. Tobak in 1968, N. I. Kleiman mounted a photo film containing the main points of both options from them. - E. Margolith V. Shmyrov (Extracted Cinema). 1924-1953. Moscow Double-D 1995. close
At a masquerade in a provincial city, someone in a mask is fighting over people. Outraged holidaymakers tear off their mask and recognize their millionaire benefactor in mockery.
At a masquerade in a provincial city, someone in a mask is fighting over people. Outraged holidaymakers tear off their mask and recognize their millionaire benefactor in mockery. close
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