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The German conquerors are above nothing, not even the slaughter of small children, to break the spirit of their Soviet captives. Suffering more than most more
The German conquerors are above nothing, not even the slaughter of small children, to break the spirit of their Soviet captives. Suffering more than most is Olga (Nataliya Uzhviy), a Soviet partisan who returns to the village to bear her child, only to endure the cruelest of arbitrary tortures at the hands of the Nazis. Eventually, the villagers rise up against their oppressors-but unexpectedly do not wipe them out, electing instead to force the surviving Nazis to stand trial for their atrocities in a postwar "people's court." (It is also implied that those who collaborated with the Germans will be dealt with in the same evenhanded fashion). close
According to the eponymous vaudeville by A.P. Chekhov. Petty bourgeois Zhigalovs, whose daughter-in-law Dasha is being extradited, find out to their horror more
According to the eponymous vaudeville by A.P. Chekhov. Petty bourgeois Zhigalovs, whose daughter-in-law Dasha is being extradited, find out to their horror that the official Aplombov, who has been caring for Dasha all summer, has dined every day with them and has proved himself to be his bridegroom, is not going to marry at all. close
Designed as a successor to "They Met In Moscow", with the same director, star and composer, "Six P. M." (1946 American release title) has two artillery more
Designed as a successor to "They Met In Moscow", with the same director, star and composer, "Six P. M." (1946 American release title) has two artillery officers meeting an attractive girl in Moscow between battles. One falls in love with her and they vow to meet in Moscow on a bridge at Six P.M. when the war ends. The war puts them on diverse trails, but the pledge is fulfilled against a setting of Moscow's famous fireworks displays. close
Woven around the daily lives of two children, nine-year-old Nastenka and five-year-old Katia, this is a story of the 17 months' siege of Leningrad and more
Woven around the daily lives of two children, nine-year-old Nastenka and five-year-old Katia, this is a story of the 17 months' siege of Leningrad and of the people and families shattered by the war, their homes bombed and destroyed, their lives in a constant anticipation of the advancing German army and air raids. close
Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. more
Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether. close
A beautiful maiden, Marya Morevna, gives her prospective husband, the mighty warrior Nikita Kozhemyaka, three riddles to solve before she'll marry him. more
A beautiful maiden, Marya Morevna, gives her prospective husband, the mighty warrior Nikita Kozhemyaka, three riddles to solve before she'll marry him. Before he can tell her the answers, the Russian land is invaded by the armies of Kashchei the Immortal, in whose footsteps death and destruction follow. Marya is abducted by Kashchei, and Nikita finds his home in ashes. Nikita meets a kindly wizard who gives him a cap of darkness. With it, the hero will find a way to save his bride and rout Kashchei. close
This is the second part of a projected three-part epic biopic of Russian Czar Ivan Grozny, undertaken by Soviet film-maker Sergei Eisenstein at the behest more
This is the second part of a projected three-part epic biopic of Russian Czar Ivan Grozny, undertaken by Soviet film-maker Sergei Eisenstein at the behest of Josef Stalin. Production of the epic was stopped before the third part could be filmed, due to producer dissatisfaction with Eisenstein's introducing forbidden experimental filming techniques into the material, more evident in this part than the first part. As it was, this second part was banned from showings until after the deaths of both Eisenstein and Stalin, and a change of attitude by the subsequent heads of the Soviet government. In this part, as Ivan the Terrible attempts to consolidate his power by establishing a personal army, his political rivals, the Russian boyars, plot to assassinate him. close