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A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching more
A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen. close
On a winter's day, a woman stretches near a window then sits in a bathtub of water. She's happy. Her lover is nearby; there are close ups of her face, more
On a winter's day, a woman stretches near a window then sits in a bathtub of water. She's happy. Her lover is nearby; there are close ups of her face, her pregnant belly, and his hands caressing her. She gives birth: we see the crowning of the baby's head, then the birth itself; we watch a pair of hands tie off and cut the umbilical cord. With the help of the attending hands, the mother expels the placenta. The infant, a baby girl, nurses. We return from time to time to the bath scene. By the end, dad's excited; mother and daughter rest. close
A woman lies on the sand, left there by the tides and waves (and in a pose that would be copied in From Here to Eternity). She reaches up across tree more
A woman lies on the sand, left there by the tides and waves (and in a pose that would be copied in From Here to Eternity). She reaches up across tree roots and makes a difficult climb. Only to discover herself climbing horizontally along a long dinner table as bourgeoise black-tie guests chat and drink and smoke, oblivious to her. At the top of the table, a man is playing chess but abandons the game. Fascinated, she gazes at board, the pieces moving unaided. The woman chases a pawn as it falls to the floor. Falls down a waterfall. Is lost. close
The story involves two newlyweds, Keaton and Seely, who receive a build-it-yourself house as a wedding gift. The house can be built, supposedly, in "one more
The story involves two newlyweds, Keaton and Seely, who receive a build-it-yourself house as a wedding gift. The house can be built, supposedly, in "one week." A rejected suitor secretly re-numbers packing crates. The movie recounts Keaton's struggle to assemble the house according to this new "arrangement." close
An isolated house is too remote for a lone servant, who leaves a note, quietly exits the back door, and puts the key under the mat. Left alone in the more
An isolated house is too remote for a lone servant, who leaves a note, quietly exits the back door, and puts the key under the mat. Left alone in the house is a mother and her infant. A tramp has watched the servant leave and begins to skulk. When the lady of the house sees him outside as he discovers the key, she's terrified and desperately phones her husband, who's at work in town. He jumps into a car that's idling in front of his office and races toward home, the car's owner, and police, in hot pursuit. close
A complex visual study of the women of rural Senegal. Through a complicity of interaction between film and spectator, Reassemblage reflects on documentary more
A complex visual study of the women of rural Senegal. Through a complicity of interaction between film and spectator, Reassemblage reflects on documentary filmmaking and the ethnographic representation of cultures. close
The 1945 atomic-bomb explosion at Bikini Atoll becomes a thing of terrible beauty and haunting visual poetry when shown in extreme slow motion, shown more
The 1945 atomic-bomb explosion at Bikini Atoll becomes a thing of terrible beauty and haunting visual poetry when shown in extreme slow motion, shown from 27 different angles, and accompanied by avant-garde Western classical music composed for electric organ by Terry Riley. close
A reflection on Jafa's desire to craft a "black cinema" that is responsive to the "existential, political, and spiritual dimensions" of Black life. Comprised more
A reflection on Jafa's desire to craft a "black cinema" that is responsive to the "existential, political, and spiritual dimensions" of Black life. Comprised of found footage sampled from films, newscasts, sporting events, music videos, and citizen videos, all of it downloaded from the Internet, the clips have been woven together and set to Kanye West's anthem "Ultralight Beam." Together the images and music make for an intense, poignant meditation on African American life in the twentieth-century. This history is also the history, by necessity, of racism and prejudice. close
Buster Keaton gets involved in a series of misunderstandings involving a horse and cart. Eventually he infuriates every cop in the city when he accidentally interrupts a police parade.
Buster Keaton gets involved in a series of misunderstandings involving a horse and cart. Eventually he infuriates every cop in the city when he accidentally interrupts a police parade. close
Occult magicians who gather gods and idols around them perform rituals calling them. Appeared deities of various dark beliefs from all pagan religions more
Occult magicians who gather gods and idols around them perform rituals calling them. Appeared deities of various dark beliefs from all pagan religions perform actions designed to curse the souls worshipping them. Among those who came to the ceremony are Olympic deities, representatives of the celestial Indian pantheon, ancient Lilith (Renata Druks), Cesare somnambula (Curtis Harrington). All these characters gathered in the wild Dionysian fun and take various alcoholic, narcotic and other harmful substances.
Kenneth Anger’s short film “The Grand Opening of the Temple of Pleasure” is one of the first psychedelic experiments in cinema, mixed with the director’s passion for the occult sciences and experiments in drug use. close
A 16mm Warhol film of Edie Sedgwick sitting in front of a television monitor on which is playing a prerecorded videotape of herself. On the videotape, more
A 16mm Warhol film of Edie Sedgwick sitting in front of a television monitor on which is playing a prerecorded videotape of herself. On the videotape, Edie is positioned on the left side of the frame, facing right; she is talking to an unseen person off-screen to our right. In the film, the “real” or “live” Edie Sedgwick is seated on the right side of the film frame, with her video image behind her, and she is talking to an unseen person off-screen to our left. The effect of this setup is that it sometimes creates the rather strange illusion that we are watching Edie in conversation with her own video image. close
Artists Peter Fischli and David Weiss create the ultimate Rube Goldberg machine. The pair used found objects to construct a complex, interdependent contraption more
Artists Peter Fischli and David Weiss create the ultimate Rube Goldberg machine. The pair used found objects to construct a complex, interdependent contraption in an empty warehouse. When set in motion, a domino-like chain reaction ripples through the complex of imaginative devices. Fire, water, the laws of gravity, and chemistry determine the life-cycle of the objects. The process reveals a story concerning cause and effect, mechanism and art, and improbability and precision, in an extended science project that will mesmerize the mind. close
A scientific film essay, narrated by Phil Morrison. A set of pictures of two picnickers in a park, with the area of each frame one-tenth the size of the more
A scientific film essay, narrated by Phil Morrison. A set of pictures of two picnickers in a park, with the area of each frame one-tenth the size of the one before. Starting from a view of the entire known universe, the camera gradually zooms in until we are viewing the subatomic particles on a man's hand. close
In Side/Walk/Shuttle, he takes to the glass elevator attached to San Francisco's Fairmont Hotel and rides its 24 stories up and down, constantly shifting more
In Side/Walk/Shuttle, he takes to the glass elevator attached to San Francisco's Fairmont Hotel and rides its 24 stories up and down, constantly shifting the orientation of his camera to offer images of the city as a site of flux, freed from gravity to rearrange itself in perpetuum. While the sensual and emotional experience of all these new views is enough to make one's life richer (the phrase "city symphony" has never seemed quite so apt), Gehr's film is also a deeply visceral reminder that the world contains so much more than we can ever know. -- Slant Magazine close
Ollie's house is a mess after a wild party from the previous night. Ollie receives a telegram from his wife (who is on vacation in Chicago), which tells more
Ollie's house is a mess after a wild party from the previous night. Ollie receives a telegram from his wife (who is on vacation in Chicago), which tells him that she is returning home in the afternoon. Fearing his wife's wrath he calls Stan over to help him clean up. Things go downhill and they make more mess not less. close
Experimental short uses Ray Charles' “What'd I Say” as accompaniment to constantly shifting collage of female nude, cartoons, and newsreels of atomic bomb explosions.
Experimental short uses Ray Charles' “What'd I Say” as accompaniment to constantly shifting collage of female nude, cartoons, and newsreels of atomic bomb explosions. close
Poetic Justice presents the viewer with an ordinary domestic scene: a stack of papers, a cup of coffee, and a potted cactus on a table. The sheets of more
Poetic Justice presents the viewer with an ordinary domestic scene: a stack of papers, a cup of coffee, and a potted cactus on a table. The sheets of paper compose a script that provides handwritten, frame-by-frame instructions for a film that unfolds only in the mind of the viewer. close
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits. close
Cutting and sewing as metaphors. Central to this work are the complex emotions surrounding love, separation, and the metonymic twinning of objects, including more
Cutting and sewing as metaphors. Central to this work are the complex emotions surrounding love, separation, and the metonymic twinning of objects, including that of edited image and saturated sound. close
Another short documentary of "Real Food, Roots Music, and People Full of Passion for what they do!", Spend It All is Les Blank's spirited look at the more
Another short documentary of "Real Food, Roots Music, and People Full of Passion for what they do!", Spend It All is Les Blank's spirited look at the French-speaking Cajun community of southwest Louisiana. close
Breakaway plays out like a visual symphony. A prototype for the best (but still, lesser) contemporary formalist music videos, like Peter Care’s “What’s more
Breakaway plays out like a visual symphony. A prototype for the best (but still, lesser) contemporary formalist music videos, like Peter Care’s “What’s the Frequency, Kenneth?” and “Drive” (both for REM), Conner’s movie is an experiment in the visual language of film. But no matter how powerful a formal analysis of his filmmaking process may be in suggesting how Conner’s rhythms affect us, there is much in Breakaway – in Basilotta’s brash and unbridled self-assertiveness, in Conner’s feverish camera style, and even in the uncomplicated honesty of Cobb’s catchy lyrics and tune – that defies verbalisation… and must simply be loved! -- Senses of Cinema close
"Even when we know the game is an illusion, the experience of Bleu Shut is entirely a pleasure: the ‘game’ is fun, the Nelson/Wiley debates, infectiously more
"Even when we know the game is an illusion, the experience of Bleu Shut is entirely a pleasure: the ‘game’ is fun, the Nelson/Wiley debates, infectiously funny; and Nelson’s choice of imagery, quirky and amusing. Bleu Shut reveals, and allows us to enjoy, our gullibility within the pervasive absurdity of modern life." –Scott MacDonald close
A musical horror story about two young women who are stalked through a shopping mall by a cannibal. He follows them home, and here the victims become the aggressors.
A musical horror story about two young women who are stalked through a shopping mall by a cannibal. He follows them home, and here the victims become the aggressors. close
While in San Francisco for the promotion of her last film in October 1967, Agnès Varda, tipped by her friend Tom Luddy, gets to know a relative she had more
While in San Francisco for the promotion of her last film in October 1967, Agnès Varda, tipped by her friend Tom Luddy, gets to know a relative she had never heard of before, Jean Varda, nicknamed "Yanco". This hitherto unknown uncle lives on a boat in Sausalito, is a painter, has adopted a hippie lifestyle and loves life. The meeting is a very happy one. close
A derelict, huddled under the steps of a missionary church, feels enlightened by the sermon of a passionate preacher and infatuated by the beauty of the more
A derelict, huddled under the steps of a missionary church, feels enlightened by the sermon of a passionate preacher and infatuated by the beauty of the congregation's pianist, in such a way that he tries to improve his life of poverty by becoming a policeman. His first assignment will be to patrol along Easy Street, the turf of a vicious bully and his criminal gang. close
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