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Film about the third 'Weltfestspiele der Jugend und Studenten für den Frieden' in East Berlin, 1951. West Germany is represented as a degenerate country more
Film about the third 'Weltfestspiele der Jugend und Studenten für den Frieden' in East Berlin, 1951. West Germany is represented as a degenerate country which has been occupied by the Americans and is still inclined to fascism. We see the construction of the stadium, the departure and arrival of the delegations, the opening and closing by Enrico Berlinguer, a sports event, the parade of the delegations, a visit to Potsdam, folk dancing, and police violence against youngsters from West Berlin who want to visit East Germany because of the games. The film is interlaced with shots from the Korean War and a parade by NATO-troops in West Germany. Featuring Robert Montgomery, Konrad Adenauer, Wilhelm Pieck, Dwight Eisenhower, Robert Leer and Erich Honecker. The crew comprised no less than 24 cameramen. This project was the first great colour film Ivens co-operated in. close
The film consists of a documentary essay and two novels: "English anti-aircraft gunners." The documentary tells about the work of anti-aircraft artillery more
The film consists of a documentary essay and two novels:
"English anti-aircraft gunners." The documentary tells about the work of anti-aircraft artillery in London in the early days of World War II.
"Courage." Sergeant Sharov with a group of volunteers goes to reconnaissance to locate the enemy pillbox, shelling the Soviet units. A detachment of brave scouts, having discovered a skillfully disguised dot, throws grenades at him and seizes him. Against the brave move fascist tanks and infantry. .
"Antosha Rybkin." During the war, the kolkhoz chef Antosha Rybkin was called up to join the Soviet Army. Saying goodbye, Rybkin’s beloved asks him to change his “non-heroic” profession. At the recruitment point, Antosha is busy enrolling in scouts. However, the military commissar decides to use the civil specialty of Antosha. At the front, depending on the situation, Rybkin has to change the noise for a rifle - cook food and beat the enemy. close
The film collection consists of three novels. The British Navy. A documentary chronicle of the English Navy. "Patriot." The Great Patriotic War. One of more
The film collection consists of three novels.
The British Navy. A documentary chronicle of the English Navy.
"Patriot." The Great Patriotic War. One of our armored cars, having received a hole in the gas tank, fails. The shooter of the crew goes to the nearest settlement for fuel. Along the way, the hero meets a young tractor driver. The girl reports that the Germans dropped an airborne landing and drove the entire population to build a landing pad. She's going to bring the gas herself.
"Order executed." During the battle, the communication of one of the Soviet units with the headquarters was broken. The commander ordered the Red Army soldier Bakov to reach the headquarters and report that the ammunition was running out. Performing the task, Bakov established that the Nazis managed to surround the unit. close
The film is dedicated to the first flight of a Soviet man in space. Interview with friends and relatives of Yuri Gagarin three years after the tragic more
The film is dedicated to the first flight of a Soviet man in space.
Interview with friends and relatives of Yuri Gagarin three years after the tragic death of the first cosmonaut of the planet. Memories recreate the lifetime image of Yuri Alekseevich Gagarin. close
This communist history film recalls the heroism of Soviet soldiers fighting the Nazis in World War II. Forty of the 236 cameramen used for the feature more
This communist history film recalls the heroism of Soviet soldiers fighting the Nazis in World War II. Forty of the 236 cameramen used for the feature were killed during their mission filming the Red Army. close
Kulikovo field is a sacred place for every Russian, where on September 8 there was a historic battle of Russian squads led by Dmitry Donskoy with the Mongol-Tatar hordes of Mamai.
Kulikovo field is a sacred place for every Russian, where on September 8 there was a historic battle of Russian squads led by Dmitry Donskoy with the Mongol-Tatar hordes of Mamai. close
The streets of Moscow. People's vigilantes detain drunkards, hooligans, traders with sound records of their own production, a beggar. Violators are brought to the headquarters of the squad.
The streets of Moscow. People's vigilantes detain drunkards, hooligans, traders with sound records of their own production, a beggar. Violators are brought to the headquarters of the squad. close
"Though not given a New York showing until 1935, V. I. Pudovkin's Mechanics of the Brain (Mekhanika Golovnovo Mozga) was written and directed by Pudovkin more
"Though not given a New York showing until 1935, V. I. Pudovkin's Mechanics of the Brain (Mekhanika Golovnovo Mozga) was written and directed by Pudovkin in 1926. A full year in the making, this scientific documentary concentrates on the behavioral studies conducted by Prof. Ivan Pavlov. The laboratory dogs used in Pavlov's research don't seem too happy about it, and as a result this film might be hard to take for the more sensitive viewers (the vivisection sequence is particularly rough). The progress of the research is detailed with charts and graphs, hardly the "cinematic" touches one might expect from Pudovkin. Interestingly, Mechanics of the Brains was released two years before the results of Pavlov's studies were printed in book form." close
“Vladimir Vysotsky. Self-portrait is a kind of confession of a poet, artist, personality, created on the basis of his revelations alone with a movie camera. more
“Vladimir Vysotsky. Self-portrait is a kind of confession of a poet, artist, personality, created on the basis of his revelations alone with a movie camera. Vladimir Semenovich has repeatedly said that if you take his work in film, television, radio, theater and put on one bowl of imaginary scales, and on the other - the poems he creates, then the second will prevail.
Poetic creativity Vysotsky is a colossal work, by his own admission, but his compositions are perceived in one breath: perhaps, thanks to his mastery honed to perfection. Don’t talk about the poet, it’s better to hear him. close
Igor Ilyinsky talks about his creative path in theater and cinema. The film includes fragments from the films of the silent and sound periods: "The cutter more
Igor Ilyinsky talks about his creative path in theater and cinema. The film includes fragments from the films of the silent and sound periods: "The cutter from Torzhok" "Aelita" "Mistress from Mosselprom" "Miss Mend" "When the dead wake up" "The process of three million" "Doll with millions" "Volga-Volga" "Carnival Night" and others. as well as from the performances of the Small Theater of the USSR. close
A film about urban reform in the USSR, in the early sixties began to appear “Khrushchev”, Soviet people, decades living in communal apartments, finally more
A film about urban reform in the USSR, in the early sixties began to appear “Khrushchev”, Soviet people, decades living in communal apartments, finally could get separate apartments. Today, for many of us who live in houses that are already half a century old, the process of building houses of those years, when the method of high-speed construction was used, is also important. The urban reform of the 60s left a legacy not only of the so-called “Khrushchev”, but also of the infrastructure of cities and microdistricts. close
March 9th, 1953. A gray, sad day. Clouds float low over the Kremlin towers. A city that unrecognizably grew, prettier and matured - this Moscow froze more
March 9th, 1953. A gray, sad day. Clouds float low over the Kremlin towers. A city that unrecognizably grew, prettier and matured - this Moscow froze in solemn grief. The country escorts its father and leader, Joseph Stalin. close
Following an introduction by Bing Crosby, the Cinerama screen widens for scenes of landscapes, cities, peoples, and entertainments of the Soviet Union. more
Following an introduction by Bing Crosby, the Cinerama screen widens for scenes of landscapes, cities, peoples, and entertainments of the Soviet Union. Highlights include the historic buildings and churches of Moscow, as the Kremlin; its subway and streets, a spring carnival, the seaside resorts on the Black Sea, a trip down the Volga River, skiers, a troika racing along a snow-covered road, a helicopter view of the North Pole, an Antarctic whale hunt, the capture of a wild boar in the Moyun-Kum of Central Asia, a race by reindeer-drawn sleds, divers in the Sea of Okhotsk, battling an octopus, the capture of antelopes, rafting logs down the Tisza River, and the development of new towns in Siberia. Other scenes include a visit to the Moscow Circus, where the renowned clown Oleg Popov performs, the dancing of the Moiseyev and Piatnitsky companies, and excerpts from the repertoire of the Bolshoi Theater Ballet. close
The first film made following the nuclear meltdown accident at the Chornobyl Nuclear Power Plant, reactor 4, near Pripyat, Ukrainian SSR, Soviet Union, more
The first film made following the nuclear meltdown accident at the Chornobyl Nuclear Power Plant, reactor 4, near Pripyat, Ukrainian SSR, Soviet Union, on the 26 April 1986, focuses on the immediate aftermath of the disaster and the cleanup effort. close
Depicts life in the Solovki prison camp as a vacation at a holiday resort, pointing at the authorities’ efforts to humanise the re-education of criminals via an aesthetics of normalcy.
Depicts life in the Solovki prison camp as a vacation at a holiday resort, pointing at the authorities’ efforts to humanise the re-education of criminals via an aesthetics of normalcy. close
The television epic, which in detail, year after year, considers the most important events in the life of our state for fifty-one years, starting with 1917.
The television epic, which in detail, year after year, considers the most important events in the life of our state for fifty-one years, starting with 1917. close
Documentary about the difficult fate of the chairman of a large collective farm Praskovye Malinina
The theme of the heroes of labor was the canonical more
Documentary about the difficult fate of the chairman of a large collective farm Praskovye Malinina
The theme of the heroes of labor was the canonical theme of Soviet art. The film about the chairman of the collective farm "XII October" of the Kostroma region Praskovje Andreevna Malinina, three times Hero of Socialist Labor, destroyed the usual idea of films of this official genre. The film “Chairman Malinin” is one of the most famous (of course, how well-known a documentary can be). It's a portrait film. The main character is a typical image of Soviet propaganda, based on the idea of a cook who can run the state. May Chairman Malinina not be a cook, but a milkmaid. And let the collective farm “October 12” of the Kostroma region is not a state, but a large collective farm is also a lot. Malinin was regularly shown in film magazines, a lot was written about her. And not surprisingly, she is a great person by Soviet standards: laureate of the State Prize, twice Hero of Socialist Labor, "innovator of kolkhoz production." Traditionally, such people were filmed exclusively in production and in the stands, a cheerful announcer commented on their outstanding achievements. And where do we see Chairman Malinina at Obukhovich? Where the very place of the Hollywood vertigotail - in the hairdresser, the stylist. I think that beginning was enough to make the film legendary. The ridiculous scene is a simple village aunt in a fashionable Moscow hairdresser’s shop. Does she want it? Of course we do. After all, she is a “star” of Soviet propaganda and came to a regular congress. The episode is poignantly memorable. On the one hand, the director immediately explains to us, and not in words, the essence of the phenomenon: the propaganda machine operates according to the same rules as any advertising, and the Soviet “hero” is not just a person, but a PR company. On the other hand, while the chairman is combed, you can have time to think about her, how she lives, what she thinks, feels what her life really is. The scene “artist in the dressing room” is traditional for many films about artists, but it is here, with a simple aunt chair, it really works, in my opinion. The director brilliantly combined two incompatible stamps and received a masterpiece. And everything that Nikolai Obukhovich shows in the film is perceived against this background and the intonation of this scene.
No other “kitchen” of creating a heroic image Obukhovich in this film does not reveal. There is no direct contrast between the “screen image” and real life, as in “Our Mother is a Hero”, either. We learn little about the behind-the-scenes life of Chairman Malinina, almost nothing, only slight hints that perhaps everything is not so glossy smooth. The director remains respectful of heroin. He's not trying to shake her pedestal, he's just offering to look at it from a slightly different angle.
Maria Volchan
"Chairman and directors" close