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A thug accosts a girl as she leaves her workplace but a man rescues her. The thug vows revenge and, with the help of two friends, attacks the girl and more
A thug accosts a girl as she leaves her workplace but a man rescues her. The thug vows revenge and, with the help of two friends, attacks the girl and her rescuer again as they're going for a walk. This time they succeed in kidnapping the rescuer. The girl runs home and gets help from several neighbors. They track the ruffians down to a cabin in the mountains where the gang has trapped their victim and set the cabin on fire. close
The human eye, the human form, the human face: these are the three central images of this avant-garde collage and kaleidoscope of shifting and fractured more
The human eye, the human form, the human face: these are the three central images of this avant-garde collage and kaleidoscope of shifting and fractured images, changing colors, and pulsing rhythms. Near the end, a tree appears briefly, and birds fly - first white, then red and blue. Celtic knots morph from one to another. The images become Rorschach tests although the mood, driven by the rapid changing images and the soundtrack, remains frantic. close
Robert Breer’s What Goes Up... continues his “kitchen sink” approach of including as many different kinds of things as possible. Central to his art are more
Robert Breer’s What Goes Up... continues his “kitchen sink” approach of including as many different kinds of things as possible. Central to his art are a series of tensions. Rather than using animation to produce seamless illusions, his films reveal cinema’s dual nature as both an illusion of movement and a succession of stills. The ultimate effect of his work is ecstatic: by combining various rhythmic patterns, abstract and photographed shapes, and flatness mixed with depth illusions, Breer energizes ordinary eyesight. The whole world can seem more alive, alive with rhythms and colors and shapes and textures as well, after seeing one of his films. But Breer’s films also often have a theme of failure, of failed movements and failed aspirations, and the title What Goes Up..., in referencing the idiom “What goes up must come down”, refers to his childhood dreams of flying (illustrated here as in many of his films with airplanes) as well as to the limpness that follows orgasm for males. close
Presented as loosely autobiographical, Hold Me While I’m Naked centres on the tribulations of an independent filmmaker, frustrated at every turn as he more
Presented as loosely autobiographical, Hold Me While I’m Naked centres on the tribulations of an independent filmmaker, frustrated at every turn as he tries to make a film that pretends to artistic merit. close
After her mother's death, Ruth struggles to support herself as a seamstress. While Ruth delivers shirts to the factory owner, the owner's son steals some more
After her mother's death, Ruth struggles to support herself as a seamstress. While Ruth delivers shirts to the factory owner, the owner's son steals some money and Ruth is accused of the crime. She flees the ghetto of New York's Lower East Side and hides in the country where she meets a young farmer. close
In a typical traveling circus, all the workers have problems over their heads; A puppeteer named Magnus controls his troupe like marionettes until a good more
In a typical traveling circus, all the workers have problems over their heads; A puppeteer named Magnus controls his troupe like marionettes until a good clown arrives on the scene to help relieve them of their burdens. close
In the center of a monotonous suburban existence, Sarah lives silently and in subservience to her icy husband Patrick. They have been together far too more
In the center of a monotonous suburban existence, Sarah lives silently and in subservience to her icy husband Patrick. They have been together far too long, and Patrick's affections for his wife have all but vanished. Instead, his sexual urges are tempting him to lust after their own son. Realizing how far gone her husband is, Sarah undertakes drastic, shockingly sickening measures to salvage some sense of her life and purge her years of festering resentment. close
This labor advocacy film is about diseases plaguing miners in Kansas, Missouri and Oklahoma. Sponsored by the Tri-State Survey Committee, "Men and Dust" more
This labor advocacy film is about diseases plaguing miners in Kansas, Missouri and Oklahoma. Sponsored by the Tri-State Survey Committee, "Men and Dust" is a stylistically innovative documentary and a valuable ecological record of landscapes radically transformed by extractive industry. close
While listening to a tedious lecture on the Soviet threat, Wisconsin Dells’ Tuesday Club members fall asleep and find themselves laboring in an all-women more
While listening to a tedious lecture on the Soviet threat, Wisconsin Dells’ Tuesday Club members fall asleep and find themselves laboring in an all-women collective in Russia under the unflinching eye of the Soviet special police close
A bored Lady Helen goes slumming as a domestic in a boarding house. There she falls in love with a sensitive young musician. The other women in the house more
A bored Lady Helen goes slumming as a domestic in a boarding house. There she falls in love with a sensitive young musician. The other women in the house are jealous, and accuse her of trying to steal the musician's violin. Lady Helen retreats to her own home, and arranges a position for the musician which allows them to be together. close
In the film, Jean-Luc Godard addresses members of the Swiss Federal Office of Culture, responding to the award awarded to him in the director’s inherent more
In the film, Jean-Luc Godard addresses members of the Swiss Federal Office of Culture, responding to the award awarded to him in the director’s inherent manner: using a language game, cultural references and other allusions. close
Serene Velocity stares down the center of an empty institutional hallway while shifting the focal length of a stationary zoom lens, transforming the basement more
Serene Velocity stares down the center of an empty institutional hallway while shifting the focal length of a stationary zoom lens, transforming the basement corridor into a nexus of visual and conceptual energy. close
A woman goes to the dentist for a toothache and is given gas. On her way home on the subway she can't stop laughing, and every other passenger catches the laughter from her.
A woman goes to the dentist for a toothache and is given gas. On her way home on the subway she can't stop laughing, and every other passenger catches the laughter from her. close
The first scene presents before the astonished eyes of the spectators a solid piece of marble, which the minute it is placed on a table seems to take more
The first scene presents before the astonished eyes of the spectators a solid piece of marble, which the minute it is placed on a table seems to take life, and one can follow a snake-like line branding on the polished face of the stone the name of the house of Pathé Frères. As soon as this stone has been engraved, as by magic, a handsome young lady appears with a huge lump of clay covered with a cloth. As soon as the cloth is removed from the soft mass it starts whirling and turning as if stricken mad, and one is asking one's self what all the contentions are going to lead to, when the vague shape of an animal not yet discernible seems to appear, and before one has time to make one's mind as to the category of brutes to which it belongs one sees the form of a remarkably well made orang-utan modelled out of the clay, who calmly smokes his pipe. Then the statue is removed by the same winning young lady and another covered block of the same substance is carried forward. close
Jean-Marie Straub's first film after the death of Danièlle Huillet is a love poem to her. Le Genou d'Artémide is based on Cesare Pavese's "Dialogues of more
Jean-Marie Straub's first film after the death of Danièlle Huillet is a love poem to her. Le Genou d'Artémide is based on Cesare Pavese's "Dialogues of Leuco", which had already been adapted by Straub et Huillet as Ces Rencontres Avec Eux (2006). close
At Stamford Road in Dalston Junction of east London, the camera follows pedestrians, cars and birds while a narrator, who appears to be the director behind more
At Stamford Road in Dalston Junction of east London, the camera follows pedestrians, cars and birds while a narrator, who appears to be the director behind the camera, seems to instruct the objects. close
Bruce Conner’s most celebrated film for a reason: it takes historical moments that were replayed over and over on television—chilling repetition of Kennedy more
Bruce Conner’s most celebrated film for a reason: it takes historical moments that were replayed over and over on television—chilling repetition of Kennedy assassination coverage—and repurposes them into a meditation on how the media tries to exert authority and apply a sense of order to the anarchic. And though it may sound perverse to say so, the film is also—not incidentally—a thrill to watch. -- The A.V. Club close
An indictment of the evils of child labor, the film was controversial in its time for its use of actual footage of children employed in a working mill.
An indictment of the evils of child labor, the film was controversial in its time for its use of actual footage of children employed in a working mill. close
A down-on-his-luck photographer determined to capture visual magic and fame. He concocts an intricate plot to blow up the Statue of Liberty and sets his more
A down-on-his-luck photographer determined to capture visual magic and fame. He concocts an intricate plot to blow up the Statue of Liberty and sets his camera to record the exact moment of its destruction. close
A slapstick comedy centered around two neighboring republics, Crogandia and Miremia, and the various disasters that befall the ceremonial unveiling of more
A slapstick comedy centered around two neighboring republics, Crogandia and Miremia, and the various disasters that befall the ceremonial unveiling of a statue, the launching of a ship, and the crash-landing of a Miremian pilot in Crogandian territory. close
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