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XIX century. Orphan Pedro da Silva is raised under the care of her father Denis. The child grew up, became a priest, and then he begins to learn the secrets surrounding the history of his birth.
XIX century. Orphan Pedro da Silva is raised under the care of her father Denis. The child grew up, became a priest, and then he begins to learn the secrets surrounding the history of his birth. close
Documentary about humans dealing with changing technology, the basic concepts of communication, cinema, and Akerman's mother, seen in her Brussels apartment.
Documentary about humans dealing with changing technology, the basic concepts of communication, cinema, and Akerman's mother, seen in her Brussels apartment. close
The last queen of France could not boast of happiness. The lavish luxury of her exquisite toilets and apartments, the rabid sums of money wasted on purely more
The last queen of France could not boast of happiness. The lavish luxury of her exquisite toilets and apartments, the rabid sums of money wasted on purely royal whims like the farm at Trianon, did not atone for the tears wept at the beginning of her crowned marriage, nor the blood shed at its end. Personal life, which failed at first, later lost the usual warmth and was not compensated by the pleasure of royal greatness.
The drama Marie-Antoinette (2006, Canada, France) is a chamber film based on the script Jean-Claude Career about the personal life of the Queen, filmed against the background of luxurious interiors and garden landscapes, marked by excellent acting. close
Before immigrating to the West, Abdallah travels to the coastal city of Nouadhibou, Mauritania, to visit his mother. Although he grew up there, Abdallah more
Before immigrating to the West, Abdallah travels to the coastal city of Nouadhibou, Mauritania, to visit his mother. Although he grew up there, Abdallah feels anything but at home in his old neighborhood: He can no longer speak the local dialect, and he wears western clothes that immediately cast him as an outsider. But, as Abdallah spends time with a young boy and an elderly electrician, he can't help but feel a sense of loss for the life he's abandoning. close
João Vuvu, lives alone in a house that requires regeneration but due to being alone he is unable to do the work. On his son's release from prison and more
João Vuvu, lives alone in a house that requires regeneration but due to being alone he is unable to do the work. On his son's release from prison and João's ensuing deception triggers a series of somber events. close
After Prisoners of the war and On the Heights all is Peace, this film concludes Yervant Gianikian and Angela Ricci Lucchi's trilogy on the first world more
After Prisoners of the war and On the Heights all is Peace, this film concludes Yervant Gianikian and Angela Ricci Lucchi's trilogy on the first world war. From the emblem of totalitarianism to individual physical suffering, the directors use this representation of man's rampaging violence to draw up an anatomical inventory of the damaged body and examine the consequences of the conflict on children, from 1919 to 1921. From the deconstruction to the artificial reconstruction of the human body, they try to understand how humanity can forget itself and perpetuate these horrors. close
Finding himself in a house in the north of Iran by the Caspian Sea, the director picked up his handheld DV camera and began filming the seemingly anodyne more
Finding himself in a house in the north of Iran by the Caspian Sea, the director picked up his handheld DV camera and began filming the seemingly anodyne events happening on the 500 metres of beach in front of his house—a piece of wood toyed with by the waves, people walking by the sea, indistinct shapes on a wintry beach or noisy ducks. close
Spanish filmmaker Víctor Erice talks about the first movie he probably ever saw, Roy William Neill's The Scarlet Claw (1944), starring Basil Rathbone more
Spanish filmmaker Víctor Erice talks about the first movie he probably ever saw, Roy William Neill's The Scarlet Claw (1944), starring Basil Rathbone as Sherlock Holmes. The remembrances of such a formative cinematic experience leads him to recall the dark days after the end of the Spanish Civil War, to confess the many fears stalking children and to reflect on the nature of memory itself. close
Theres and Kenneth are both young when they first meet whilst on holiday. They fall in love but are unable to prevent themselves from losing each other. more
Theres and Kenneth are both young when they first meet whilst on holiday. They fall in love but are unable to prevent themselves from losing each other. Thirty years later, in another country, another couple: Ariane leaves her husband David because she no longer loves him. The paths they both take lead them to Kenneth and Theres. close
Buenos Aires. Exe, 25 years old, has just lost his job and is not looking for another one. His neighbors and friends seem as odd to him as they always more
Buenos Aires. Exe, 25 years old, has just lost his job and is not looking for another one. His neighbors and friends seem as odd to him as they always do. Online, he meets Alf, a boy from Mozambique who is also bored with his job and who is about to follow Archie, another boy who has run away into the jungle. Through the dense vegetation of the forest, Archie tracks ants back to their nest. One of them wanders off course and comes across Canh, a Filipino, sitting on top of a giant heap of earth and who is about to go back to his strange, beautiful home town, where he too has a miserable job. close
For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. more
For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water. close
Chad, 2006. After a forty-year civil war, the radio announces the government has just amnestied the war criminals. Outraged by the news, Gumar Abatcha more
Chad, 2006. After a forty-year civil war, the radio announces the government has just amnestied the war criminals. Outraged by the news, Gumar Abatcha orders his grandson Atim, a sixteen-year-old youth, to trace the man who killed his father and to execute him. Atim obeys him and, armed with his father's own gun, he goes in search of Nassara, the man who made him an orphan. It does not take long before he finds him. Nassara, who now goes straight, is married, goes to the mosque and owns a small bakery. After some hesitation Atim offers him his services as an apprentice. He is hired then it will be easy for him to gun down the murderer of his father. At least, that is what he thinks... close
Germany's economic movers and shakers get a thorough going-over in Friedl's docu-fiction hybrid, which doesn't hesitate to point fingers at those partially responsible for Europe's financial woe.
Germany's economic movers and shakers get a thorough going-over in Friedl's docu-fiction hybrid, which doesn't hesitate to point fingers at those partially responsible for Europe's financial woe. close
Commissioned by the heads of the 2000 Cannes Film Festival to make an opening-night short commemorating cinema as it enters its second full century, Godard more
Commissioned by the heads of the 2000 Cannes Film Festival to make an opening-night short commemorating cinema as it enters its second full century, Godard instead offers up a 17-minute barrage of re-edited footage of wars and Nazi atrocities, interspersed with clips of Maurice Chevalier in "Gigi" and Godard's own "À bout de souffle." close
Pietro Marcello directs this genre-defying Italian docudrama that follows mustachioed ex-con Enzo as he returns to Genoa after a long stint in prison, more
Pietro Marcello directs this genre-defying Italian docudrama that follows mustachioed ex-con Enzo as he returns to Genoa after a long stint in prison, only to find that the city he once loved has changed almost beyond recognition. But as he combs the seaside town for hints of his past, he finds solace in the arms of Mary, his faithful lover and a transsexual who embodies the mysterious allure of Genoa itself. Mary Monaco and Vincenzo Motta star. close
With the strange disappearance of Laura, two colleagues, her older boyfriend, Rafael, and Ezequiel, learn of their recent discoveries, which may help more
With the strange disappearance of Laura, two colleagues, her older boyfriend, Rafael, and Ezequiel, learn of their recent discoveries, which may help them locate her. However, the story is bigger and stranger than they could imagine. close
This is the story about Setyo, Siti and Ludiro, who were the performer of Javanese Ramayana's Wayang Wong. Setyo and Siti are spouse who live in a village more
This is the story about Setyo, Siti and Ludiro, who were the performer of Javanese Ramayana's Wayang Wong. Setyo and Siti are spouse who live in a village by selling earthenware products. In the village, live as well Ludiro, the head of the stockyard, who is very wealthy and secretly in love with Siti. Conflicts arrived as Setyo's earthenware company is going bankrupt and Siti started to took notice in Ludiro's desire to win her love. These triangle love transform into a civil war in the village that brings not only extremity and injustice, but also the death of the loved ones. close
When Áila encounters a young Indigenous woman, barefoot and crying in the rain on the side of a busy street, she soon discovers that this young woman, more
When Áila encounters a young Indigenous woman, barefoot and crying in the rain on the side of a busy street, she soon discovers that this young woman, Rosie, has just escaped a violent assault at the hands of her boyfriend. Áila decides to bring Rosie home with her and over the course of the evening, the two navigate the aftermath of this traumatic event. close
An impossible love. Two young people who love each other. Vera and João can’t find in this life the space, time, or identity to resolve their love story.
An impossible love. Two young people who love each other. Vera and João can’t find in this life the space, time, or identity to resolve their love story. close
A searing examination of the unrelenting Chechen conflict, observed through the prisms of a Russian military boys academy, a war-torn town and a children's refugee camp.
A searing examination of the unrelenting Chechen conflict, observed through the prisms of a Russian military boys academy, a war-torn town and a children's refugee camp. close
A film director and her muse who was a student activist in the 1970s, a waitress who keeps changing jobs, an actor and an actress, all live loosely connected more
A film director and her muse who was a student activist in the 1970s, a waitress who keeps changing jobs, an actor and an actress, all live loosely connected to each other by almost invisible threads. The narrative sheds its skin several times to reveal layer upon layer of the complexities that make up the characters' lives. close
Abandoned at birth in the Greek mountains on a stormy night, Jon is taken in and adopted, without having known his father or mother. As a young man, he more
Abandoned at birth in the Greek mountains on a stormy night, Jon is taken in and adopted, without having known his father or mother. As a young man, he meets Iro, a warden in the prison where he is incarcerated after a deadly tragic accident. She seems to seek out his presence, takes care of him, records music for him. Jon’s eyesight begins to fail … From then on, for every loss he suffers, he will gain something in return. Thus, in spite of going blind, he will live his life more fully than ever. close
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