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In the spring of 1992, the director Stanislav Govorukhin came to Vermont, where for several days he communicated with the famous writer Alexander Solzhenitsyn and members of his family.
In the spring of 1992, the director Stanislav Govorukhin came to Vermont, where for several days he communicated with the famous writer Alexander Solzhenitsyn and members of his family. close
The office of the President of Lithuania, 1990. Inside, silence reigns, contrasting to the shouting of the crowds outside the windows of the governmental more
The office of the President of Lithuania, 1990. Inside, silence reigns, contrasting to the shouting of the crowds outside the windows of the governmental building. At the same time, this silence is mirrored by the intense silence of several women, whose faces remain on the screen for a long time. The silence is broken by music. The President plays the piano. close
The sequel of feature-publicistic film «You Can’t Live Like That». Showing the countrymen charmless and sometimes scaring life picture of once great power more
The sequel of feature-publicistic film «You Can’t Live Like That». Showing the countrymen charmless and sometimes scaring life picture of once great power with pain and anger, the author tries to uncover the reason of the country’s and nation’s tragedy. close
The second film by Sokurov featuring Boris Yeltsin as the principal character. Now he is the President of Russia, invested with power, bearing the full more
The second film by Sokurov featuring Boris Yeltsin as the principal character. Now he is the President of Russia, invested with power, bearing the full responsibility for the destinies of his distant compatriots as well as his closest kin and friends. close
The author's view of the events of the history and modernity of Russia is a continuation of the journalistic cycle, which began with the film "You can't live like that".
The author's view of the events of the history and modernity of Russia is a continuation of the journalistic cycle, which began with the film "You can't live like that". close
The provincial Russian town of Nerekhta is celebrating its 775th anniversary. The basis of the holiday is the legend about the local craftsman Krikutny, more
The provincial Russian town of Nerekhta is celebrating its 775th anniversary. The basis of the holiday is the legend about the local craftsman Krikutny, who was the first in the world in 1731 to fly in a balloon. Was there really the balloonist Krikutny, or was this story invented by the provincial official Sulukadzev? Whom to believe? To the text of the charter for the first ballooning or to historians who refute the reality of this event? close
These images and sounds are poetic metaphors that transform “Elegy from Russia” into a document that provides a emotional–historical “memory bank” for all.
These images and sounds are poetic metaphors that transform “Elegy from Russia” into a document that provides a emotional–historical “memory bank” for all. close
The film contains unique documentary footage: - court hearing in the case of A.R. Chikatilo, the imposition of the death sentence;
- the last interview more
The film contains unique documentary footage:
- court hearing in the case of A.R. Chikatilo, the imposition of the death sentence;
- the last interview with Chikatilo, who is already on death row;
- Record from the investigation in the case of Boris Serebryakov and other documents;
- there is a fragment of the examination of the tortured girl, music videos.
The documentary is made in the style of post-Soviet art house. . .
Melancholy black and white avant-garde rarity, the USSR is felt. close
The picture is about the anti-Hitler coalition of the USSR, England and America, which developed as a counterweight to the aggressive policy of Nazi Germany more
The picture is about the anti-Hitler coalition of the USSR, England and America, which developed as a counterweight to the aggressive policy of Nazi Germany during the Second World War. The unique newsreel footage of these years, shot by operators of different warring countries, is connected with today's thoughts of the author about the fate of the post-war world, about the humanitarian losses of both sides and about gaining unstable hopes for the unity of the world in countering evil. close
The reburial of great Russian singer Feodor Chaliapin from Les Batignolles cemetery in Paris to Novo–Devitchye cemetery in Moscow. The daughters from more
The reburial of great Russian singer Feodor Chaliapin from Les Batignolles cemetery in Paris to Novo–Devitchye cemetery in Moscow. The daughters from Chaliapin’s second marriage travel to the Soviet Union for the ceremony. close
A free film adaptation of the director's memoirs. In form, this is the "stream of consciousness" that attracted Sergei Eisenstein after getting acquainted more
A free film adaptation of the director's memoirs. In form, this is the "stream of consciousness" that attracted Sergei Eisenstein after getting acquainted with the experiments of James Joyce. The outer outline of the film is a long foreign trip of the director, which began in 1929, during which he recalls his past life and considers creative ideas. The film is constructed as a free alternation of reality, dreams, and fantasies. The material for it is fragments from the films of Sergei Eisenstein and his fellow contemporaries, documentary footage depicting the director and his time. The wide coverage of the faces and events reflected in the film shows the special role of Sergei Eisenstein in the culture of the twentieth century… close
Set to readings of Thomas Mann's 'The Magic Mountain', a collage of medical, art and found footage, exploring various medical cases, including reconstructing more
Set to readings of Thomas Mann's 'The Magic Mountain', a collage of medical, art and found footage, exploring various medical cases, including reconstructing the damaged human body, the separation of Siamese twins, and Cold War era attempts to create superhumans. close
As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date more
As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date of the final edition and legal public screening. The film consists of German and Soviet archive footage of the World War II — to be exact, from the end of the war. An attempt to make a large–scale documentary on this subject had been undertaken in the Soviet cinema of the 1960s: the film — “Ordinary Fascism” — by the outstanding Soviet film–maker Mikhail Romm had become a classic retrospective investigation of fascism. But Sokurov uses the expressive power of the documentary image in an absolutely different way. He does not amass materials for a large–scale picture of Nazi crimes. close
The manifestation and fireworks on the 1st of May, one of the ritual celebrations of Soviet times, as a gathering of tired participants of a mass scene more
The manifestation and fireworks on the 1st of May, one of the ritual celebrations of Soviet times, as a gathering of tired participants of a mass scene falling into pieces without the director's orders and without any aims. close
Roman Viktyuk either hate or adore. But the eccentricity, the dissimilarity to everything of his work is recognized by everyone. The film by Alexei Uchitel more
Roman Viktyuk either hate or adore. But the eccentricity, the dissimilarity to everything of his work is recognized by everyone. The film by Alexei Uchitel - illustration for the life of the scandalous maestro. Unique shots from rehearsals, a trip to Lviv and New York, young actors, now stars - once opened by Viktyuk, scenes from the director's most striking and challenging performances. And Roman Viktyuk himself, ironic, funny, sincere . close
The main characters of the film are members of the group "Nastya" Nastya Poleva and Yegor Belkin. The half-hour half-documentary tape included footage more
The main characters of the film are members of the group "Nastya" Nastya Poleva and Yegor Belkin. The half-hour half-documentary tape included footage taken by Balabanov in 1985-1990. In addition to the main characters, the documentary footage captured many prominent figures of Sverdlovsk rock club, in particular Vyacheslav Butusov, Leonid Porokhnyu, and local actors. close
In 1880, in southern India, near Madras, a plot of land was bought by a Russian woman. She dreamed that people all over the world, seeking wisdom, could more
In 1880, in southern India, near Madras, a plot of land was bought by a Russian woman. She dreamed that people all over the world, seeking wisdom, could gather here under one roof, gain the strength to serve humanity, reduce its suffering. Woman close
The film “Maria” is a requiem in memory of the Russian peasant Maria Semenovna Voynova. Maria Semyonovna grew flax all her life. It is possible that with more
The film “Maria” is a requiem in memory of the Russian peasant Maria Semenovna Voynova. Maria Semyonovna grew flax all her life. It is possible that with her life, important peasant secrets of working in the field have gone. Transferred to her at one time by inheritance techniques of agricultural engineering in her family to pick up no one. The son tragically died, the daughter will not work in the field, most likely she will completely leave the village.
The film consists of two chapters. The first is a color summer impression of Maria Semyonovna. Haymaking, bathing in the river, work on linen fields, vacation to the Crimea, which happens in the life of a peasant (especially in summer) is extremely rare - the very first impressions of a city man, who was the author of the film. The task is to create an impression, to immerse the viewer in pastoral emotion. The second part is a sad “gift” of fate. It's been nine years. These years have brought change. There were not some, there were others. The second chapter is a black and white image with a story about how the fate of Maria Semyonovna ended. It's a sad, elegiac narrative. The director intended to give a panorama of the fate of a particular person in specific circumstances.”
Alexander Sokurov (from the author's abstract) close
On the banks of the Obvodny Canal in St. Petersburg there are three crazy houses, three Houses of Culture, a spiritual academy, a pub ... This movie is more
On the banks of the Obvodny Canal in St. Petersburg there are three crazy houses, three Houses of Culture, a spiritual academy, a pub ... This movie is a cut-off of the era, watching our life, and those around us. Thinking about where the line between reality and insanity lies. close
At the center of the film is a man in a monkey mask inhabiting various anthropogenic spaces, such as a zoo, city streets and a farmyard. But the attributes more
At the center of the film is a man in a monkey mask inhabiting various anthropogenic spaces, such as a zoo, city streets and a farmyard. But the attributes inherent in human life (work, marriage, military service, leisure) do not release him from an animal form. close
This film is made up from archive footage from the early years of the twentieth century covering the years from 1900 to 1920. The footage, often unique, more
This film is made up from archive footage from the early years of the twentieth century covering the years from 1900 to 1920. The footage, often unique, was filmed by different people and groups the world over, and is united to give a wide overview of the fate of European civilization. close
The film in a metaphorical form demonstrates a model of self-devouring in a closed spiritual system, it explores intermediate state between a human and more
The film in a metaphorical form demonstrates a model of self-devouring in a closed spiritual system, it explores intermediate state between a human and a non-human: a subhuman deprived of a divine spark. close
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