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About the uprising of Ukrainian peasants under the leadership of the national hero Karmelyuk against landowners and Polish gentry. In the 1830s, Young more
About the uprising of Ukrainian peasants under the leadership of the national hero Karmelyuk against landowners and Polish gentry. In the 1830s, Young Count Piglovsky returns to his estate from Paris. The carriage in which he is riding is surrounded by rebellious peasants. Their attempt to hang the master is canceled almost at the last moment, because it is not the count in the carriage, but his lackey - Ustym Karmelyuk. Ustym really serves as a lackey in the count's house and at the same time leads a peasant uprising. The government sends the army. In a fierce fight, Karmelyuk is almost captured, but he is saved by one of the serfs. close
Konstantin Skorobogatov (“Hot Heart”) and Vladimir Gardin (“Peter the First”) in the historical drama “Pugachev”. 1773. The film tells about one of the more
Konstantin Skorobogatov (“Hot Heart”) and Vladimir Gardin (“Peter the First”) in the historical drama “Pugachev”. 1773. The film tells about one of the strongest shocks of the Russian Empire, the uprising of the Cossacks under the leadership of Emelian Pugachev, which grew into a civil war for the tsarist throne, where Pugachev is already Peter III. close
Biographical film "Youth of the poet", dedicated to Pushkin-Lyceum student. At the 1937 world exhibition in Paris, the film was awarded a gold medal. more
Biographical film "Youth of the poet", dedicated to Pushkin-Lyceum student. At the 1937 world exhibition in Paris, the film was awarded a gold medal. The Director managed to accurately recreate the historic era, to convey the atmosphere of the Tsarskoye Selo Lyceum in the years of the formation of the poetic genius of Pushkin. close
1829. Craved by the secret supervision of the chief of gendarmes Benkendorf, Pushkin leaves Imperial St. Petersburg and goes to the Caucasus, in the active more
1829. Craved by the secret supervision of the chief of gendarmes Benkendorf, Pushkin leaves Imperial St. Petersburg and goes to the Caucasus, in the active army. He stops in Tiflis, waiting for permission to enter the war zone. Pushkin receives an invitation to the house of one of the Georgian princes. The poet is surrounded by honor and attention. Here Pushkin gets acquainted with the wonderful Georgian songs and poems of Shota Rustaveli. close
This, the first Soviet depiction of Peter the Great, set the stage for what would become the post-Revolutionary line concerning the early Romanovs. Rulers more
This, the first Soviet depiction of Peter the Great, set the stage for what would become the post-Revolutionary line concerning the early Romanovs. Rulers like Ivan the Terrible and Peter the Great were widely admired for their dedication to Russia and their absolute determination to enhance her position in the world. But praise for the hated later Romanovs conflicted too heavily with the very beliefs that had brought about the Revolution in 1917. close
When German knights invade Russia, Prince Alexander Nevsky must rally his people to resist the formidable force. After the Teutonic soldiers take over more
When German knights invade Russia, Prince Alexander Nevsky must rally his people to resist the formidable force. After the Teutonic soldiers take over an eastern Russian city, Alexander stages his stand at Novgorod, where a major battle is fought on the ice of frozen Lake Chudskoe. While Alexander leads his outnumbered troops, two of their number, Vasili and Gavrilo, begin a contest of bravery to win the hand of a local maiden. close
Young Maxim grows up under the czarist regime with his grandparents as guardians. Continually demeaned by his martinet grandfather, Maxim is drawn to more
Young Maxim grows up under the czarist regime with his grandparents as guardians. Continually demeaned by his martinet grandfather, Maxim is drawn to his warm-hearted grandmother, who instills in him the willingness to pursue his writing muse. close
Second entry in Ukrainian director Mark Donskoy's "Maxim Gorki" trilogy. Picking up where 1938's My Childhood left off, the story covers the years in more
Second entry in Ukrainian director Mark Donskoy's "Maxim Gorki" trilogy. Picking up where 1938's My Childhood left off, the story covers the years in Gorki's life when the future writer (Alexei Lyarsky) was on his own, looking for a purpose and place in life. close
On the struggle of serfs and soldiers of Right-Bank Ukraine led by the national hero Karmelyuk (Ustim Karmalyuk 1787 - 1835) with the haiduks of Podolia and the pan yoke.
On the struggle of serfs and soldiers of Right-Bank Ukraine led by the national hero Karmelyuk (Ustim Karmalyuk 1787 - 1835) with the haiduks of Podolia and the pan yoke. close
The year is 1919. German troops retreat from Ukraine. The Directory, the Ukrainian national government lead by Symon Petliura, takes control of Kyiv. more
The year is 1919. German troops retreat from Ukraine. The Directory, the Ukrainian national government lead by Symon Petliura, takes control of Kyiv. Meanwhile, the Bolshevik division commanded by Mykola Shchors is marching on the capital. The Bolsheviks capture the cities of Vinnytsia, Zhmerynka, and others one by one, but lose Berdychiv to Petliura’s forces. They are demoralized by the defeat. By his personal example of courage and military skill, Shchors inspires the retreating Red troops and leads them to victory over the enemy. close
The 1930s and 1940s were the period when Soviet cinema produced historical heroic films. The country needed heroes with high ideals, capable of rallying more
The 1930s and 1940s were the period when Soviet cinema produced historical heroic films. The country needed heroes with high ideals, capable of rallying the people before a great threat and entrusting their lives to strong leaders. That is why at this time they filmed Minin and Pozharsky, Alexander Nevsky, Admiral Nakhimov, Bogdan Khmelnitsky and Peter I.
Heroic past of Russia
The film “Minin and Pozharsky”, directed by Mikhail Doller and Vsevolod Pudovkin, tells about one of the most dramatic periods in Russian history: the very existence of the Russian state was threatened. In the autumn of 1610, when the Polish army deceived into the Kremlin, the butcher-merchant Kuzma Minin (Alexander Khanov) toured the Russian villages, which lie in ruin. Being a member of the Alyabievsk People’s Militia, he sees how scattered and few are the opponents of False Dmitry II and how despicable and dangerous it is to leave Mother Russia to the flow and plunder.
At the same time, Dmitry Pozharsky (Boris Livanov), a prince of the Suzdal family, is fighting the enemy in the first Nizhny Novgorod militia, which fails because of betrayal at the very top. The crushing defeat because of the atamans Zarutsky, Trubetsky (Sergei Komarov) and Lyapunov only in the hands of Khodkevich (Anatoly Goryunov), Orlov (Lev Sverdlin) and the Polish king Sigismund III (Mikhail Astangov).
In the summer of 1611, Minin reaches Nizhny Novgorod, finds Pozharsky and delivers a fiery speech, which is designed to assemble a new militia and drive the Russian enemy from the ground. All the gathered cheerfully supported the idea and chose the merchant as the leader, but money was needed for the uniform and maintenance of the whole army, which nobody carried. Then Kuzma cheated, offering to appoint a ransom for the wives of eminent citizens, after which the rich Nizhny Novgorod paid money, as long as their noble relatives were not taken into bondage.
The second militia was recruited and moved to Moscow, where in August 1612 the interventionists were defeated on the head. To prevent the expulsion of the Poles from the country, the traitors send to the Fireman, who managed to neutralize, otherwise it is unknown how history would have turned. The finale of the film has long been known from history books. The film is distinguished by meticulous adherence to historical facts, so unexpected directorial moves were not supposed here.
Epic sweep in severe conditions
The film was shot at a difficult time, so the artistic means available to directors and operators were extremely poor. However, they managed to make a large-scale film, which involved hundreds of extras for battle scenes. The most significant episodes are accompanied by choral singing and orchestral music. There was nothing to build and decorate expensive pavilions or restore the appearance of Moscow in the early 17th century, so most of the scenes in the capital were filmed in Rostov the Great.
For the contribution to the development of Soviet cinema and the correct interpretation of events, the directors of the film Minin and Pozharsky were awarded the Stalin Prize of the I degree. close
My Universities (Moi universiteti) is the last installment of Russian director Mark Donskoy's "Maxim Gorki" trilogy. Having endured a painful youth in more
My Universities (Moi universiteti) is the last installment of Russian director Mark Donskoy's "Maxim Gorki" trilogy. Having endured a painful youth in My Childhood and a torturous sojourn as a serf in My Apprenticeship, future writer Gorki reaches maturity with an insatiable desire for personal and artistic freedom. The "university" of the title is actual the school of Hard Knocks, as Gorky goes to work in the shipyards and commisserates with the hard-drinking, philosophical dockworkers. close
Primarily a biographical documentary about the military career of Alexander Vasilvich Suvorov, who was Field Marshal of the armies of Catherine the Great more
Primarily a biographical documentary about the military career of Alexander Vasilvich Suvorov, who was Field Marshal of the armies of Catherine the Great and Czar Paul I. After many military successes during the reign of Catherine, General Suvorov broke with her successor, Paul I, the Mad Emperor, over questions regarding army policy. He went into retirement and wrote "The Science of Victory," containing maxims such as "Swiftness of movement accompanies victory," and "the real general is he who defeats the enemy before reaching him." The czar recalled Suvorov to become the leader of the joint armies of Russia and Austria against Napoleon. close
The film is based on the biography of Valeri Chkalov (1904 - 1938), a Russian pilot, who set several long distance flight records. Chkalov and his co-pilots more
The film is based on the biography of Valeri Chkalov (1904 - 1938), a Russian pilot, who set several long distance flight records. Chkalov and his co-pilots Baidukov and Belyakov together had accomplished several non-stop long-distance flights. In June of 1937 Chkalov set the world record, covering 12000 kilometers in 63 hours of non-stop flight from Moscow to Vancouver, Washington, flying over the North Pole. close
Year 1648. Ukraine under the oppression of Poland. Polish nobility committing outrage, burning villages one after another. Hetman of Zaporozhian Cossacks more
Year 1648. Ukraine under the oppression of Poland. Polish nobility committing outrage, burning villages one after another. Hetman of Zaporozhian Cossacks Bogdan Khmelnitsky gathers the army of defenders of the motherland... close
A historical and biographical film about the life of Ivan Fedorov, the creator of the first printing house in Russia. Printed books published during the more
A historical and biographical film about the life of Ivan Fedorov, the creator of the first printing house in Russia. Printed books published during the reign of Ivan the Terrible seemed to be witchcraft. Fedorov was accused of heresy. . close
This is the second part of a projected three-part epic biopic of Russian Czar Ivan Grozny, undertaken by Soviet film-maker Sergei Eisenstein at the behest more
This is the second part of a projected three-part epic biopic of Russian Czar Ivan Grozny, undertaken by Soviet film-maker Sergei Eisenstein at the behest of Josef Stalin. Production of the epic was stopped before the third part could be filmed, due to producer dissatisfaction with Eisenstein's introducing forbidden experimental filming techniques into the material, more evident in this part than the first part. As it was, this second part was banned from showings until after the deaths of both Eisenstein and Stalin, and a change of attitude by the subsequent heads of the Soviet government. In this part, as Ivan the Terrible attempts to consolidate his power by establishing a personal army, his political rivals, the Russian boyars, plot to assassinate him. close
Documentary about Front-line Cameraman Vladimir Sushchinsky. He died on February 22, 1945 when the Soviet army liberated the Polish city of Breslau (now more
Documentary about Front-line Cameraman Vladimir Sushchinsky. He died on February 22, 1945 when the Soviet army liberated the Polish city of Breslau (now Wrocław) from the Nazi invaders. Sushchinsky's funeral was filmed by his comrade in the front-line film group, cameraman Nikolay Bykov (died March 18, 1945). The film includes the last shots taken by Boris Pumpyansky, who died near Uzhgorod on December 26, 1944. During the 1418 days of the war, at the risk of their own lives, Front-line Cameraman shot 3.5 million meters of film, more than 500 issues of Newsreels, and 101 Documentaries. It is to them that we owe our living memory of that war. The course of combat battles on all fronts was filmed by 252 Cameraman of the Central Studio of Documentaries. One in five died at the front. close