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This film is a poetic endeavor about Life and Death. A brown hen was selected to convey motion. The soundtrack is a collage of approximately 200 beginnings more
This film is a poetic endeavor about Life and Death. A brown hen was selected to convey motion. The soundtrack is a collage of approximately 200 beginnings and endings of different musical pieces. close
A bassist shows up early for the betrothal ball of a beautiful princess, and whiles away the time having a dip in the river. The princess is doing the more
A bassist shows up early for the betrothal ball of a beautiful princess, and whiles away the time having a dip in the river. The princess is doing the same, unbeknownst to the bass player, but when someone steals their clothes, the bass player helps the princess to preserve her dignity by transporting her back to the castle in his bass case, and along the way they discover they have feelings for each other. Based on a short story by Anton Chekhov. close
A Southern soldier in the American Civil War is sent to reconnoiter the enemy positions and becomes trapped beneath a huge pile of rubble by Northern more
A Southern soldier in the American Civil War is sent to reconnoiter the enemy positions and becomes trapped beneath a huge pile of rubble by Northern cannon fire. His loaded gun is left pointing precariously at him and he is faced with imminent death. close
De Düva is a 1968 Oscar-nominated American short film that parodies the films of Swedish director Ingmar Bergman, including Wild Strawberries and The more
De Düva is a 1968 Oscar-nominated American short film that parodies the films of Swedish director Ingmar Bergman, including Wild Strawberries and The Seventh Seal. The film borrows heavily from the plot lines of some of Bergman's most famous films. The dialogue, seemingly in Swedish, is actually a Swedish-accented fictional language based on English, German, Latin, and Swedish, with most nouns ending in "ska." The film was nominated for an Oscar for Best Live Action Short Film. close
The first attempt to translate Wonder Woman to the small screen in 1967. Diana lives with her mother close to a United States Air Force base. Much of more
The first attempt to translate Wonder Woman to the small screen in 1967. Diana lives with her mother close to a United States Air Force base. Much of the film consists of her mother berating Diana about not having a boyfriend. When her mother leaves the room, Diana changes into her Wonder Woman costume and admires her reflection in a mirror. What she sees is not Diana Prince, but rather a sexy super-heroic figure (played by Linda Harrison) who proceeds to preen and pose as the song "Oh, You Beautiful Doll" plays on the soundtrack. close
Welcome to the Secret Cinema, now featuring a series of films on the real-life misadventures of Jane, a New York City office secretary. See Jane being more
Welcome to the Secret Cinema, now featuring a series of films on the real-life misadventures of Jane, a New York City office secretary. See Jane being sexually harassed by her boss, Mr. Troppogrosso. See Jane get dumped by her boyfriend, Dick. See Jane humiliated in lots of ways. And here's the kicker: Jane doesn't know that her life is being filmed, or that she's being set up by some of the people closest to her. But she's starting to have her suspicions. close
A commentary on the destructive expectations of females in a male dominated society, Marilyn Times Five was made from an old stag film called "The Apple-Knockers, more
A commentary on the destructive expectations of females in a male dominated society, Marilyn Times Five was made from an old stag film called "The Apple-Knockers, and the Coke"(1948) these sections of the film were set to Marilyn Monroe's song "I'm Through With Love". The film depicts a Marilyn Monroe look-a-like slowly taking her clothes off for the camera (the viewer). The woman's actions are looped several times which gives the audience a sensation of exhaustion. That exhaustion keeps building until the very end where the woman is shown crumpled on the floor in an awkward position, which makes it appear as if she is lifeless. close
At the Gotham City library, Barbara Gordon helps Bruce Wayne find a book on butterflies so he can prove a point to a friend, a millionaire explorer. As more
At the Gotham City library, Barbara Gordon helps Bruce Wayne find a book on butterflies so he can prove a point to a friend, a millionaire explorer. As Bruce and his youthful ward, Dick Grayson, are leaving they spot the villainous Killer Moth and three of his henchmen and, suspecting they are up to no good, determine to return as their superhero alter-egos, Batman and Robin. While the Caped Crusaders are donning their costumes, the criminal quartet knock out the millionaire, lock Barbara in an alcove and prepare to spirit their victim away. When the Dynamic Duo attempt to capture the crooks, they are encased in Killer Moth's silk cocoon. Is this the end of our Gotham City heroes? And why does a beautiful librarian have a cowl and a cape hanging in a convenient closet? close
A 1968 British musical short film (30 mins) starring Judy Huxtable and Anthony May. It was directed by Douglas Hickox. It tells the story of a young man more
A 1968 British musical short film (30 mins) starring Judy Huxtable and Anthony May. It was directed by Douglas Hickox. It tells the story of a young man (May) cycling around the Hampstead (NW3) area of London on a Raleigh RSW16. After crashing into a billboard he falls in love with a fashion model (Huxtable) depicted on it. Despite the title, the Belsize Park area does not actually feature. There is almost no spoken dialogue, and the soundtrack to the film is musical virtually throughout. The title song of the film has been a hit for Mireille Mathieu and Engelbert Humperdinck (a top ten hit in the UK and a top 40 hit in the USA) amongst others. The title is derivative of the French film, Les Parapluies de Cherbourg; apart from a musical theme there is no other obvious link. close
Serene Velocity stares down the center of an empty institutional hallway while shifting the focal length of a stationary zoom lens, transforming the basement more
Serene Velocity stares down the center of an empty institutional hallway while shifting the focal length of a stationary zoom lens, transforming the basement corridor into a nexus of visual and conceptual energy. close
The human eye, the human form, the human face: these are the three central images of this avant-garde collage and kaleidoscope of shifting and fractured more
The human eye, the human form, the human face: these are the three central images of this avant-garde collage and kaleidoscope of shifting and fractured images, changing colors, and pulsing rhythms. Near the end, a tree appears briefly, and birds fly - first white, then red and blue. Celtic knots morph from one to another. The images become Rorschach tests although the mood, driven by the rapid changing images and the soundtrack, remains frantic. close
A sunny summer day in the Quebec Laurentiens. All is quiet in the forest, only birds can be heard in the absence of women and men. Yet, an undeniably more
A sunny summer day in the Quebec Laurentiens. All is quiet in the forest, only birds can be heard in the absence of women and men. Yet, an undeniably eerie presence can be felt within the woods, one that has been lurking from civilization since the dawn of time close
A 26-second documentary filmed by Abraham Zapruder in Dallas on the day of the assassination of John F. Kennedy on November 22, 1963. The film shows the more
A 26-second documentary filmed by Abraham Zapruder in Dallas on the day of the assassination of John F. Kennedy on November 22, 1963. The film shows the movement of the presidential motorcade and the hit of two shots in the neck and head of Kennedy. close
This improvised film is based on the true-life suicide of TV personality Art Linkletter's daughter, Diane. Mr. and Mrs. Linkletter fret about their daughter's more
This improvised film is based on the true-life suicide of TV personality Art Linkletter's daughter, Diane. Mr. and Mrs. Linkletter fret about their daughter's recent behaviour, which includes taking drugs and dating a lowlife named Jim. Eventually, the parents confront Diane… with tragic consequences. close
One camera in one setting, one attic and eight young directors – the result is a unique Dadaistic collage of seven short sketches. The original task for more
One camera in one setting, one attic and eight young directors – the result is a unique Dadaistic collage of seven short sketches. The original task for each filmmaker was to keep each short under three minutes, to set it in one hotel room, and to include the sentence “I miss Sonja Henie." This experimental film was shot over a single night at the international film festival FEST in Beograd in 1971. close
"'Mis-takes' give birth to 'shape' (which, in this work, is 'matter,' subject and otherwise) amidst a weave of thought: ... the 'dream' of Eden will speak more
"'Mis-takes' give birth to 'shape' (which, in this work, is 'matter,' subject and otherwise) amidst a weave of thought: ... the 'dream' of Eden will speak for itself." The second part of the of The Weir-Falcon Saga trilogy. close
Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as more
Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as the end comes closer, he starts to walk in zigzag. Is he hurt? close
Essentially a dizzying montage of quirky shots of legendary Beat Generation writer William S. Burroughs and noted surrealist artist Brion Gysin, this more
Essentially a dizzying montage of quirky shots of legendary Beat Generation writer William S. Burroughs and noted surrealist artist Brion Gysin, this nearly 20 minute avant-garde short features repeated articulations of such random things as "Hello," "Where are we now?," and "Look at that picture" instead of music or standard dialogue. The narrative is decidedly nonlinear and perplexing, with no discernible plot whatsoever as we see images of Gysin working on his paintings and calligraphic designs and Burroughs rummaging through draws, packing a suitcase, giving a young man a physical, making a call in a phone booth, and waiting on a platform for a subway train. close
The film is made up of one single take. The camera pans to the left, focusing on a dilapidated fence in a rural field, as Ella Fitzgerald's "All My Life" more
The film is made up of one single take. The camera pans to the left, focusing on a dilapidated fence in a rural field, as Ella Fitzgerald's "All My Life" plays on the soundtrack. At the end of the 3 minute film, the camera tilts up to the blue sky just as the song ends. close
On an overcast day late in the summer of 1966, Syd first tripped on mushrooms while film student/friend Nigel Gordon captured the event on 8mm film. This more
On an overcast day late in the summer of 1966, Syd first tripped on mushrooms while film student/friend Nigel Gordon captured the event on 8mm film. This marked a major turning in Syd's life; The man that entered the Gog Magog hills that day would not be the same entity that returned. close
A visualization of the inner world of foetal beginnings, the infant, the baby, the child - a shattering of the "myths of childhood" through revelation more
A visualization of the inner world of foetal beginnings, the infant, the baby, the child - a shattering of the "myths of childhood" through revelation of the extremes of violent terror and overwhelming joy of that world darkened to most adults by their sentimental remembering of it ... a "tone poem" for the eye - very inspired by the music of Oliver Messiaen. close
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