The night station theme a year earlier brightly and cinematographically depicted Ryazanov in his masterpiece “Station for two”, and here it is solved more opasmur. Everyday, some kind of neo-optimistic - and I want to escape at least to Riga - life accidentally intersecting with each other late Soviet citizens of the early 80s, about the construction of communism have forgotten completely.
The first role in the movie is young Evgenia Dobrovolskaya, and in the frame she holds naturally, her partner, Vyacheslav Baranov, fits her; on the set of this film they found each other and in life. The spectacular moment is when the main character, along with the station porter (in this role, it seems, the winding-up – unexpectedly full-bodied Alexander Konyashin), lights up in a spontaneously energetic dance to music that broke through the chaos of station sounds. In the episodes, characteristically Baltic Audris Hadaravicius and Velta Zhigure are noticeable.
Minor film, shot in a deaf-“stagnant” 1983, looking like a harbinger of a characteristic “black” “perestroika” movie, which began to appear a few years later.