And in return, you get an undeniably cool, but still a movie. Which, besides, as in that joke / read this your "Woe from wit", only quotes! /. How many allusions (in the cinema there is no special term about this?) I met on this film. Most of them, of course, are very bad. As a result, a cool movie turns out to be a strangely faceless must see. Which is consciously driven into the role of something original, without which you will not understand further development. In the history of literature, this is the role of antiquity. Mostly wildly boring, but without her kind of nowhere. How do you do this without the high expectations?
But how cool in 2016 to plunge into the pleasant slowness of the narrative. Not artificially created by our festival authors. Beautiful people, beautiful people, in the best sense. Music (even if it's not stuck for a week). The atmosphere for which you watch older movies. Great acting, when you just feel really the work of Marlon Brando (who, frankly, we look at as an icon) and the incomparable Al Pacino, when you understand the image by one look, facial expressions, gesture. No wonder it became a common place of many parodies. The plot, which is not about gangster showdowns (from which we have long been sick, thanks to modern “cinema” and cinema), but about family, responsibility, duty and other things, albeit in an unexpected, controversial context. I advise you to learn before watching the faces of Italian men. I was confused about who was who the whole movie was. Coupled with my short memory of foreign names, it almost became a problem.
8 out of 10
Original
