The first thought after watching three episodes is schematic. Not a movie, not a play, but a comic book.
And if we talk about the content - everyone, well, just everyone, especially employees and law enforcement officers made stupid mistakes, as a result of which they died en masse throughout the series. In the second part, the act
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The first thought after watching three episodes is schematic. Not a movie, not a play, but a comic book. And if we talk about the content - everyone, well, just everyone, especially employees and law enforcement officers made stupid mistakes, as a result of which they died en masse throughout the series. In the second part, the act started. In each series, 2-3 corpses from iconic roles. It is strange that at the end of the day the living were still alive. Well, the finale, which declares the continuation of the series, or Stanislavsky intrigued but abandoned. Turned Haratyan, who appeared in the series less time than in the screensaver for all 12 episodes. Minus for the fact that the Crimea was filmed in Taganrog, and at the same time plus Taganrog for the entourage. First of all, we watched a movie to consolidate the impressions of a small trip to Taganrog. The lighthouse, of course, the Chekhov pharmacy and the Bristol hotel in which we lived (by the way, I recommend that the price / quality and compliance with the shown interiors in real life movies is absolute). As one of the commentators correctly noted, if this series is an example of tabloid art, it is done well. I'd say it's a comic book. It has to be simple and quick. But I'm not a fan of those shapes. If it were not for Yegor Beroev and Bogdanova, then there would be nothing to look at, except for the beautiful locations of the lighthouse in Merzhanovo and recognizing familiar places in Taganrog.
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