Deep preoccupation with real Russian reality and intravenous infusions of fresh blood of Kafkaesque grounded space
In the absurdistic claustrophobic vector, the authors of this complex and at the same time simple cinema are trying to convey to us. Theatre
The play of the same name by Dmitry Danilov was transferred to a completely different - logically verified film language. Intonational film, of course, strongly
hyperbolized, but at the same time satirically - feuilleton - folklore sustained. Here it is important to catch Gogol's irony
and sur Lynch under the "drift" transitioning from social paradoxical comedy to existential dramatic production.
The dialogues are amazing.
Clear and extremely decorated, the cameraman's work is strong in each scene, the "smooth work" of the camera is visible. And acting is also fascinating.
sensory sense. Victoria Isakova is a real Shamakhan queen with her eternal... graceful plastic panther before jumping. Vladimir
Meisinger is an intelligent and consistent, principled image of what (possibly?) a real elite police officer should be.
Finally, Vadim Korolev himself played, albeit brightly, but somewhat clamped, maybe there was such a director's installation.
The film as a whole leaves a very decent layer of cinematic emotions behind. It is sadness and regret and disappointment and delight.
Cinema, as it is impossible to urgently released in 2020 with its emotional experiences, and leaves in the heart and in a visual format -
It’s an element of the original.I’m delighted. Undoubtedly, the highest score and my recommendations for viewing. Don't miss it. Very fresh and necessary. Yeah. 🕶
Review written: April 16, 2021, Olya Grinevskaya (Alenushka)