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North by Northwest, 1959
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7.79 149871 10
IMDb8.3 

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North by Northwest

1959 12+ 2 hours 16 min.
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It's a deadly game of "tag" and Cary Grant is "it"!
Advertising man Roger Thornhill is mistaken for a spy, triggering a deadly cross-country chase.
sanseb
sanseb
Festival in San Sebastian
1959
Silver sink
About movie show more Hide
Country:  USA
Genres:  Action Thriller Detective Adventure
Properties:
complex dinamic ambiguous cruel realistic
Director:  Alfred Hitchcock
Rating:  1000 Greatest Movies #56
additional information Show Hide
Screenwriter:  Ernest Lehman
Producers:  Herbert Coleman Alfred Hitchcock
Camerman:  Robert Burks
Music:  Bernard Herrmann
Studio:  Metro-Goldwyn-Mayer
Premiere: 01 July 1959
Budget:$4 000 000
Competitions: Oscar
Oscar
1960
NOMINATIONS
Best editing
Best artistic work (color films)
Best original screenplay
Festival in San Sebastian
Festival in San Sebastian
1959
Silver sink
Tags:  secret agent advertising sleeping car northwest train female agent restaurant climbing through the window original story Punch in the face spy thriller undercover agent Advertising Agency Manager train coupe restaurant car femme fatale looking out of the window sex Punch to the face spy divorce espionage detective murder mountain secretary architecture judge kidnapping 1950s taxi driver temptation government agent railway girl in distress police cold war passenger train professor jealousy auction valet false accusation new york courtroom traitor climbing out of the window forest shower west north undercover chicago illinois fugitive cliffhanger villain hospital hotel airport disguise kidnapping death mansion classified identity patrol eavesdropping pen foreplay mirror running shaving tanker escape train tunnel pajamas stretcher shooting from the hero's point of view laughter station pistol bus phone flashlight glasses survival chase Fire Indiana on the run fuel Kiss taxi protrusion microfilm camera Illinois deception MacGuffin lie apology cunning semi-trailer Knife statue betrayal train ride earrings arrest biplane hostage Cigarette photography paranoia liar fear rescue knocked out suspicion policeman San Sebastian Prize 1959 drunkenness rifle cafeteria newspaper handcuffs whistle shot pickup receptionist explosion gay piercing blockbuster telescope persecution theft Fight elevator library reversible plane car accident homosexual beauty person mistaken for another Blonde (blonde) homosexual overtones crash (accident) Firearms Manhattan New York police officer double cross corn field bottle of whisky reckless driving mount Rushmore bus stop pretending to be dead witty humor police car country estate hunted hero catastrophe Lighting a cigarette climbing the wall railway conductor phone call Smoking cigarettes pay phone fake death falling from a cliff sudden attack Scotch whisky telephone booth oedipus complex distraction identity crisis Throwing knives railway station locked door olive oil exploding plane newspaper headline drunk man keep at gunpoint bus greyhound proclamation of a toast Knife in the back walking on the ledge hotel lobby matchbox running from danger Fire inside shot in the chest reading newspaper unlikely hero homosexual villain Fist Fight alleged murder police station 26-year-old white house waving goodbye noisy quarrel attempted murder breaking and entering spy film damage to the vehicle Strike in the stomach Mercedes Benz crime wave car theft anticipation anxiety falling from height hotel room Camera strike South Dakota Shot in the back sports car sunglasses killer police chase car chase lost trust car theft Mercenary Assassin pursuit on foot marriage proposal relationship between husband and wife false accusation of murder mother-son relationship female spy famous melody in the film secret government organization drunk driving New York State airstrip Head of Marketing Department Washington DC United Nations Stabbing with a knife modified studio logo Stab in the back art auction is a set of mental images black comedy Impact leading to loss of consciousness male protagonist action is developing in our time Central Station of New York Cult director Shot from above Hidden camera Director's cameo Movie camera Large-format camera Ending a phone call without saying goodbye extramarital sex attempted murder (for hire or for political reasons) implied sex aircraft intended for spraying (fertilizers of insecticides, etc.) on the fields
Wiki
Cast:  Cary Grant Eva Marie Saint James Mason Jessie Royce Landis Leo G. Carroll Josephine Hutchinson Philip Ober Martin Landau Adam Williams Edward Platt Sara Berner David Cox Ed Binns Baynes Barron McVey Patrick Lawrence Dobkin Roger C. Carmel Stanley Adams Malcolm Atterbury Donna Douglas Patricia Cutts Philip Coolidge Bill Catching Jack Daly Les Tremayne Robert Ellenstein John Alban Frank Baker John Beradino Ken Lynch John Damler Andy Albin Ernest Anderson Tol Avery Brandon Beach Walter Coy John Albright Don Anderson Steve Carruthers Stephen Bolster Rama Bai Audrey Betz Jimmy Cross Anne Anderson Taggart Casey Lucille Curtis Boyd Cabeen Gordon Carveth Sam Bagley Bob Coe Charles Postal
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Reviews (2) Show Hide
26 December 2009
9
The story of Roger Thornhill, a successful advertising agent, who was mistaken by the bandits for secret agent Kaplan, they brought him to the house, drunk him, put him behind the wheel, hoped that he would crash, but everything worked out (for him, but not for the bandits) and he survived, but got into an even more
close

The story of Roger Thornhill, a successful advertising agent, who was mistaken by the bandits for secret agent Kaplan, they brought him to the house, drunk him, put him behind the wheel, hoped that he would crash, but everything worked out (for him, but not for the bandits) and he survived, but got into an even more deplorable situation. He was accused of drunk driving, and all attempts to prove something he was accused of new sins, and then he fled the police to get to the truth and find out who really is Kaplan.

One of the most innovative films of his time... Even before the release of the James Bond films, this is perhaps one of the first super-agent films. And one of his best representatives. Considering the super-agent's involuntarily here. The film reminds me of a series of adventure films about Indiana Jones, only where everything can be done not so exciting (although this is also a controversial issue), but what is much smarter is the fact. It's a great script. Even though I didn't like it. How can you be mistaken for someone you've never seen? I can't understand that. But the rest is great. There are many interesting plot twists, moderate, restrained, in the style of Hitchcock, without any sharpness, but nevertheless forcing to look at what is happening from the other side, to assess the actions of the main characters. To penetrate into the plan of Hitchcock, who clearly draws parallels with war times, which the characters of the film talk about.

There are some brilliant scenes in the film, and with the development of technology at the time, it is simply amazing. I am, of course, first of all talking about the scene of the confrontation between Cary Grant and the Cornman. Although in our time it looks a little old, but not as godlessly outdated as the scenes of the attack of birds in the film of the same director “Birds”. And of course, the lasagna scene on Mount Rushmore. Although it can be seen from some angles that this is a dummy, and that when shooting the image is greatly enlarged, while the actors in their former height were filmed, but still at those times it definitely looks cool.

What a super-agent movie without a cool actor. Cary Grant. After that film, he became one of my favorite actors, and one of my favorite actors of the time. I read somewhere that James Stewart, also one of my favorite actors, was originally cast for this role, but Hitchcock didn’t like the way he played Vertigo and so he put Cary Grant in. I like Cary Grant better, but Stewart did a great job in Vertigo. But it all happened as it happened, and I don't think anyone would have been better suited for the role than Cary Grant. The perfect image of a secret agent. He can play great both comedic and dramatic moments. In general, if Hitchcock had put Stewart in his place, the film would have lost both half of its charm and the atmosphere that Grant created throughout the film.

Well, this movie would be my first Grant movie and my second Hitchcock movie. Now I have 13 Grant films and 12 Hitchcock films, and I’m sure that’s not the limit, but North by Northwest will forever remain in my heart as one of the decisive turns in choosing the films I’m watching right now, and most likely without it there would not be such big numbers as there are now.

Original

close
Maksim
26 December 2009
9
The story of Roger Thornhill, a successful advertising agent, who was mistaken by the bandits for secret agent Kaplan, they brought him to the house, drunk him, put him behind the wheel, hoped that he would crash, but everything worked out (for him, but not for the bandits) and he survived, but got into an even more
close

The story of Roger Thornhill, a successful advertising agent, who was mistaken by the bandits for secret agent Kaplan, they brought him to the house, drunk him, put him behind the wheel, hoped that he would crash, but everything worked out (for him, but not for the bandits) and he survived, but got into an even more deplorable situation. He was accused of drunk driving, and all attempts to prove something he was accused of new sins, and then he fled the police to get to the truth and find out who really is Kaplan.

One of the most innovative films of his time... Even before the release of the James Bond films, this is perhaps one of the first super-agent films. And one of his best representatives. Considering the super-agent's involuntarily here. The film reminds me of a series of adventure films about Indiana Jones, only where everything can be done not so exciting (although this is also a controversial issue), but what is much smarter is the fact. It's a great script. Even though I didn't like it. How can you be mistaken for someone you've never seen? I can't understand that. But the rest is great. There are many interesting plot twists, moderate, restrained, in the style of Hitchcock, without any sharpness, but nevertheless forcing to look at what is happening from the other side, to assess the actions of the main characters. To penetrate into the plan of Hitchcock, who clearly draws parallels with war times, which the characters of the film talk about.

There are some brilliant scenes in the film, and with the development of technology at the time, it is simply amazing. I am, of course, first of all talking about the scene of the confrontation between Cary Grant and the Cornman. Although in our time it looks a little old, but not as godlessly outdated as the scenes of the attack of birds in the film of the same director “Birds”. And of course, the lasagna scene on Mount Rushmore. Although it can be seen from some angles that this is a dummy, and that when shooting the image is greatly enlarged, while the actors in their former height were filmed, but still at those times it definitely looks cool.

What a super-agent movie without a cool actor. Cary Grant. After that film, he became one of my favorite actors, and one of my favorite actors of the time. I read somewhere that James Stewart, also one of my favorite actors, was originally cast for this role, but Hitchcock didn’t like the way he played Vertigo and so he put Cary Grant in. I like Cary Grant better, but Stewart did a great job in Vertigo. But it all happened as it happened, and I don't think anyone would have been better suited for the role than Cary Grant. The perfect image of a secret agent. He can play great both comedic and dramatic moments. In general, if Hitchcock had put Stewart in his place, the film would have lost both half of its charm and the atmosphere that Grant created throughout the film.

Well, this movie would be my first Grant movie and my second Hitchcock movie. Now I have 13 Grant films and 12 Hitchcock films, and I’m sure that’s not the limit, but North by Northwest will forever remain in my heart as one of the decisive turns in choosing the films I’m watching right now, and most likely without it there would not be such big numbers as there are now.

Original

close
Maksim Efremov
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