This was called almost the best movie about the state of emergency in history. I disagree. I think it's a bit of a curiosity. The people apparently decided to joke. Here there are cases when it is necessary to weigh the pros and cons, and it happens that a stake sticks out in the work, because of which it is absolutely incomprehensible. Almost 2 hours you need to look at 12 frames per second! At least that’s what they say on the internet. There are even fewer of them, about 5-6. This was done not because they could not or cheaply, but simply the authors considered it a wonderful creative solution. But that’s exactly what the movie has been struggling with since its inception. The movement should be captured at a sufficiently large number of frames per second so that it does not cut the eyes. And here comes this cartoon - and all the development of the cinema RRRAZ a hundred years ago! I don't know how it's possible that people swallowed it. Yes, the effects aimed at an objective lowering of perception can be played out as some jokes, in a modern film can appear scenes with the effects of spoiled film, silent film under the piano, pretentious shots with explanatory text, but to use this seriously, throughout the film is a disaster. This is the failure of cinema as an art paradigm.
Besides. Cartoons have non-circular pupils, these are polygons, they look like the eyes of goats. Ambal has shoulders 15 times wider than normal, he looks like a villain from a very childish cartoon. Pig like Loonie Tunes? Really? For this, you just need to take the authors by the back of the head and beat them several times on the table. Same thing about the anime. By itself, the idea of the presence of a lot of Spider-men is not bad, and it was already normal played out in the series of the 90s, there is no version of the character was ridiculous. And here's the horse circus. It's not a cartoon, it's a freak show.
Besides.
- Lots of awesome coincidences, without which the story simply could not progress. Gwen says she was brought to school by a spider's flair for Miles, although he gained strength after meeting her at school. It's called a story hole.
- Part of the plot is built on the secret of the personality of the Tramp, although there has been no mystery for several decades, everyone knew everything.
- Why did Ambal shoot him? Because of all the nonsense, he failed his own.
- Ambalus didn't have to build his hellish machine near New York. If he had done it in the desert, he would have been successful.
A man from the black and white world would not be able to see colors, his eyes did not evolve. And I couldn't take the colors to myself: if physics supported them in his world, they'd be there anyway.
- The humor here is entirely built on kringe, awkwardness and humiliation.
- And the morality that is already tired of everyone, that the dead should be released in peace - well, it is correct, but it is already tired, it is shoved everywhere.
In general, the cartoon looks like a greasy tribute to Sonya himself and looks like crossovers of ninja turtles with themselves, of which there were already two. And not so that it was some kind of work with a plot.
The only thing that I liked was an energetic scene about how in creative fervor the chan is working on soldering the chip. I sometimes go in like this.
