One film critic said something like this: “It’s not so much the film that pisses me off as it is the triumph of the advertisers who, before it came out, managed to create a cult of a character who in this country did not even know.” I totally agree with that. When you managed to pull off such a large-scale campaign against human brains, you can not shoot the film, and the people just show farting ass for an hour and a half - the people will go! And he will. And he will. Decades of filmmaking in the right direction have already prepared people for this.
Basically, the quality and content of Deadpool is somewhere near that ass, and that would be the end of it. But I still want to go through the villain. So he's both a scientist, a bandit, a mutant and a great fighter. I can hardly believe that a person of this level, if he could exist, would work in the most snuffed laboratory, go to business himself and risk his own head. How did he get from a test subject to a lab technician? He knows how hard it is to go through the transformation, but he mocks those who will. They become powerful mutants, and it is desirable to maintain good relations with them. I don't. This is the first time I've ever seen that the whole conflict between hero and villain is simply because they didn't watch the bazaar. And the insignificance of this conflict devalues the entire already small plot.
And saving the woman in the end. Like a glass coffin that fell 30 meters down with a lid down could... ah, you get it. This is a complete author’s indifference. When you don't care what you're doing.
How about without the obvious? Mat, black, an abundance of just incredibly garbage jokes, which are never funny. Offering the bride a wedding ring from your zop – that’s the essence of this film in one scene. Such films suppress the last remnants of morality in people. Reynolds said he had dreamed of making a film like this for years.