Sir Alfred Joseph Hitchcock, in his paintings, sometimes stunning with his masterful ability to make from simple stories masterpieces of cinematic art, today have become not only classics, but also a model, a benchmark, high-grade, intellectual cinema. So many little things, at first glance insignificant details of the film, which, perhaps, someone from other directors could, and miss, do not give them importance, but not A. Hitchcock. Acquaintance, through a random ball, for tennis hits the girl in the eye, a declaration of love on the phone, where the words, feelings, emotions of the characters are shown through the experiences for someone else's happiness of a young telegraphist, examples of successful Hitchcock decisions can go on indefinitely. Each of his early films is a constant movement forward, this is a new step in the genius of the author’s thought.
A love story of millions. History, not acceptance, not understanding in a foreign family, where the opinion of strangers around and the external decency of the light are put higher than the feelings and love of an individual. The eternal history of the intransigence of daughter-in-law and mother-in-law. The heroine, in the recent past, has already experienced a family drama, passed the agony and shame of a public divorce (in those days, it was oh how not easy to do), was almost branded by society, and suddenly there it is, a new happiness, a new love, a new marriage, but apparently the romance of feelings will always be weaker than the established canons of society, which can destroy even the most daring confessions of the soul. No, this is not a thriller, this is a drama of a girl’s heart, which can challenge society and proudly walk, regardless, at the whispers and oblique glances behind her back.