The Year 1962: Parisian Women A kind of resistance to the “new wave”. Here are four novels about four girls from Paris. Each of them is completely independent and self-sufficient. Each of them is in a love combination. Each of them behaves quite appropriately - no coquetry and nativity. Heroes choose a completely free relationship.
Take, for example, the novella with Catherine. She plays a girl who tries to pass off her chastity as experience. Well, having found a musician pleasant to her soul and having spent a romantic evening with him (and not only), the lady is already trying to behave quite differently - more secretively.
Other novels will also have quite logical plots. But everything dissolves in all these golf clubs, former lovers and Hollywood rich. To be honest, watching this is not very interesting. Of course, the inspired songs of Johnny Chaliday (he plays with Catherine) are remembered. It is very convincing, but still everything that happens is so reminiscent of another Elvis film.
So, the film simply does not deserve a good rating. Showing the sexual freedom of Parisian women and promoting in the slogan "Vive le sexe!", the creators of this tape fall into the trap - they are completely not modern (according to 1962) and stylistically old-fashioned, and therefore the proposed frivolity of the heroines looks clumsy and goofy, stretched. Do not believe the estimates - just compare the tape with any film by Roger Vadim (the period).
5 out of 10