I can see it, I can't see it. I play here, I don't play here. Run away from the Bhatts, Emran (I never thought I would say that!) . .
While watching this kin (the emphasis on the first syllable), I was overwhelmed by different feelings. Controversial. Perplexity was replaced by disappointment, anger and pity. In the middle, I wanted to spit on the screen and score on this case, but I did not dare to spit on Emran. I did. By the end, Amy was already fully justified by the fact that in the same year he gave 200% in the project with Vidya Balan, and this film for him is just a show. But still, considering that the Bhatt film is a very low level. Below, in my opinion, the Bhattas did not slide, and there is nowhere below. Mr. India, filmed in the '80s, was 100 times more believable. Although it is not even in the special effects, but in the plot. What about him, the invisible man (although turning him into one is a separate flight of fantasy), what kind of kindergartener invented the story itself? The first 15 minutes were still very watchable, I even got ready for something very exciting, fantastic-vengeful-tear-striking and oops! ... everything burst like a soap bubble ... Visually, everything was like a cheap computer toy, but the content ... there was no sense at all. It was possible to make such a candy, take decent actors (Emran could be left), tighten the script, bring computer graphics to a decent level. Oh, come on. After a fight, they don't wave anything, it's late. The Bhattas, in their mania of economy, have surpassed themselves. They used to be a sign of quality for me, but recently they stopped. As for Emran, it seems that at the dawn of his career, he sold them his soul and since then “has been serving their corvée”. Do you have to run away from them, that there are no other decent directors in Bollywood? Yes, once they “pushed” him, helped him become who he is, but now they are pulling him down with a rock, and judging by the fact that he dutifully removes from them, they will not leave him so easily.
I have no complaints about Emran himself. Pity the peasant, because he tried to play, he has already outgrown (praise heaven!) a bad boy in his role and now plays more less mature personalities. But this film did not give him anything, the role was not his, the film was not his, although the views he threw at the partner were very tender and challenging. I want to talk about Emir Dastur separately. Only recently saw her in Love with Pratik Babbar, where she liked it incomparably more, although the film was terrible. Here we see her with plastic, I can not even say what she corrected herself, the face has become more perfect, but also more puppet. The charm is gone. And she lost weight... to an anorexic state. The actress is a beginner, she does not have much experience, and the film is unsuccessful, so the impression of her is an armor-piercing dull girl. Rarely did the look become human rather than robot-puppet, and so I wondered what Raghu found in her, the mosles walking. Thin horror is simple. Thin and stupid. Although by the end of the film began to show glimpses of consciousness.
The boss (and Raghu too), a disgusting type, and I do not like the actor, although he plays normally, as he (the villain) should. I don’t know the other actors.
I was hoping that the songs would be nothing. I mean, even that moment here was a passing one.
I wanted to make the review negative, but I didn’t. Of course, I will continue to watch films with Emran, no matter who the director is. But in this case, you can watch the film only for its fans, and fans of cheap computer games and American thrash horror films (there is also such graphics). About the logical component during the viewing you need to forget completely, watch either with children (they will be interested in this, and it is not a fact), or in the company to joke.
My opinion is that this time everything is very unfortunate.
8 out of 10