It's not a movie, it's a box and a box. . . In my opinion, one of the most worthy films of the difficult last year, was shot exactly when the coronavirus was already there, because jokes were skipping about it. Here is a black-and-finish comedy, blacker than nowhere, in the spirit of ' Walking around Delhi' and 'Aida on Goa'. I love this genre, so I just looked in one breath. Actually, as I understand it, Ludo is a game. I even tried to read the rules and description, but I quickly dropped it, it's not for average minds. The only thing that is clear is that there are four bases, four players, and they somehow move their chips, intersecting with each other, and their goal is to quickly bring them home to the base. The first is the winner. So here in the movie. Four stories about four participants. One story is both the beginning and the continuation of all others. In short, when something happens to one character, it affects others in one way or another, and not necessarily in a positive way. I met this way of serving in Hollywood at Tarantino's, which is very similar. Recently in Bollywood there are generally few bright scripts, so, against their background, the film is simply magnificent.
I can’t tell you whose story I like or which character I like more. Perhaps the character of Abhishek Bachchan (oh, what a gorgeous series with his participation I just finished watching!). I think the most emotionally difficult role went to him. And even though it seems too gloomy here, I still liked it the most.
The line with Aditya Roy Kapoor and Sanya Malhotra is all about love and about the fact that the heroine can not decide what she needs more in life - love or money. Aditya has become more mature, and has already ceased to play only alkanautic roles, this makes me really happy, but at one time he was stuck in the image of a misunderstood genius who constantly morons and swells.
Rajkumar Rao was very amused, with his sweet parody of Mithun Chakraborty. In general, incompatible images are a bandit with a sentimental nature, ready for the sake of his beloved for everything. Of course, Rajkumar Rao is an outsider in the Indian film industry, but in my opinion, he’s making his way not with his model appearance, but with his willingness to experiment. In general, he often began to act, I see, in every third novelty over the past year he lit up. That says a lot. I saw his first films and I see him progressing.
Well, Pankaj Tripathi just finished me off. In a good way. He doesn’t even need to say anything, his facial expressions alone are worth it. It is not to be described in words, it is to be seen. Then he's in a cast, then he's in a corset, then he's with a skewed muzzle on a wheelchair. And they threw him under the train, and from above, and drowned him. . Unkillable uncle.
Of the young I want to mention Rohit Saraf, before I did not pay attention, then he starred in ' Sky pink' and there was a noticeable one like this. There is also a good character, the character is quite pathetic, but you also need to be able to play. And in general, there were a lot of secondary characters, you can not remember all who were remembered. All the actors are good, despite the absurdity of what is happening, they believe that the film is funny, albeit cruel. And of course, when it came time for the characters to get what they deserved, the god of death Yama and his henchman Judge Chitragupta were drawn in the end. I see they're frequent visitors from Indian mythology.
I shoot the ball for the slightly stupid behavior of female characters. Some bitches were there, but it probably made sense.
9 out of 10