Suffered alone - now three suffer Why can’t cinema go to a higher level? To be as beautiful and profound as they make in the United States or in France? Soviet cinema was great, but Russian cinema was terrible. It is sad, but it is true.
Loud words, of course, but very few good films in our cinema. This film directed by Pavel Snisarenko attracts attention with a tense plot and certainly actors. That's what you buy, and you'll regret it later.
We see the story of the successful young family of Elena and Andrei. They are happy and love each other. They have a son and their parents love him very much. Everything was fine and wonderful until Elena’s past, namely her ex, knocked into their lives. Because of him, a terrible tragedy happens, and the family falls apart. After a while, Elena, Andrey and Elena’s ex-boyfriend will clash again, and a cleansing wave of truth will sweep away everything in its path. . .
I didn’t like this movie for many reasons. First, a horribly unrealistic and false script. You just can’t believe what’s going on and you think all the time: what nonsense. Secondly, terribly stupid and fake dialogue, in many scenes do not believe and constantly think that this is just a movie.
There was no sense of reality, no belief in what was happening, which is a fiasco. Kills the final part of the movie. In fact, it was supposed to be the strength of the drama and surprise, shock the viewer, but everything that happened was so played that it was not even pleasant.
Don't the filmmakers see it as garbage? That's so stupid. Grandma in the village with a gun just killed her. I haven’t seen such falsehood and fakery in a long time. There is something American here, not ours at all. It was porridge.
Sometimes the reactions of the characters were surprised in some moments, and in real life everything would be quite different.
The only positive aspects of the film are actors Olesya Fattakhova and Alexander Konstantinov. The actors do not have to choose, and they are filmed in such garbage, hoping that the director somehow pulls out this film, but again a failure.
By the way, this director has all dubious and low-grade films. You can only more or less single out one “Samara-town” with Vera Alentova, and that’s all.
Fattahova is a strong actress, but she does not play in that movie. Konstantinov is remembered for the reality show “Hunger”, in which he won. In fact, the actor is a good and interesting man. They both give something worthy of this slippery film.
This television picture with a dramatic story, but in poor processing, can be seen solely because of them. But even if you didn’t watch it, you didn’t lose anything in general.
“Last Night’s Right” is a Russian-Belarusian TV drama in 2017. As a result, the film is made at a slippery price, and it is something second-rate and unconvincing. I tell him no.