On road markings That’s what I want to write – I don’t understand some “Western” values. Why is it that half the movies have kids, parents, or divorces (starting with Die Hard), or singles (Armageddon), or orphans (Harry Potter). Is it to squeeze an extra tear out of the viewer? And then against the background of a melodramatic plot to betray morality? It is not surprising that at one time Oscar received “Moscow does not believe in tears” – the plot core (single mother; career; single (in any case unmarried) man, etc.) plus a great acting and directorial work.
And the most interesting thing is that this “framework” can be used both for a Christmas tree (insert pine / spruce branches) and for the tropics (palm branches).
In the "Two Yellow Lines" on the frame hooked ... motorcycle. It is on it that the main character goes for her daughter, whom her mother (divorced) cannot pick up from the camp in time. Father and daughter will have time to talk to each other. . .
As a standard melodrama on a standard theme, there are no questions. But here's the flashbacks... And there is a fire and what happened on it... either I missed something or did not understand. And a mother who sends her daughter to the airport with a father who has phobias. With pluses - panoramas and views.
If you don’t look, you won’t lose anything.
5 out of 10