What is more significant: the stamping of the final or Francesca Fisher Eastwood? Janet Lawther sits alone in her luxury home. She cleans the bathroom. Suddenly, a stranger appears on the threshold, claiming that he has concluded a contract with the heroine’s absent spouse to install a new bathtub. Mrs. Lawther's situation is alarming: she does not know anything about installing a bathtub that she does not like, does not want to part with an old bathtub. And most importantly, the representative of the working class is disturbed by his perseverance and by his very good mood. However, the contract is presented and the plumber enters the house. It is soon discovered that he has an assistant.
The situation continues to be unpleasant. Despite the evidence presented, our heroine feels increasingly irritated by the lack of water and the behavior of the visitor. And soon, from a conversation with a friend, we learn that Janet before changing the bathroom was in a difficult psychological state.
A black comedy with a playful - unsettling atmosphere, a complete lack of miscasting, as well as a pleasant chamberiness.
The finale is exactly what the audience would like.
Francesca Fisher - Eastwood quite justifies his play interest in what is happening.
Olivia Culpo's lack of external identity is also clarified when you learn about her title. Here it comes to pass, for she plays a successful, intelligent and busy woman, without the slightest hint of decorativeness.
All of the above can be devalued by one circumstance: the exemplary banality of the plot. Quite quickly, a correct guess about the current state of affairs arises. Again, the filmmakers did not show the slightest fantasy, although at least one episode allowed it to manifest.
The attitude to this product depends on what will be more significant for the viewer: the next banality of the plot or Francesca Fisher - Eastwood in the title role.