Time to finish the Tarantino Marathon A drama about finding your happiness. The plot is simple, but you understand the depth of the problems, the sudden joy and the bitterness of loss. Quentin Tarantino reflected in Once Upon a Time in Hollywood the very concept of unemployment, temporary stagnation and cultural upheaval, referring to the Model Atelier. The film demonstrates a conflict in relationships based on inaction, laziness and unwillingness to do something, move on.
The guy can not find a job, the girl instructs him and tries to change the situation in their romantic oasis. To live together in order to understand whether it is love or attachment. In fact, it's a cruel thing when you can't decide, you contradict yourself and you try to adapt. Feelings should overwhelm, both of you should be drawn to each other, then you do not need to understand anything, just be there, just press to yourself and love. But love is confronted with a reality in which the financial component is an essential argument. The dilemma is simple: to live in love, limiting yourself and oppressing, to survive, looking for work and try to “get on your feet”; to part, but achieve financial stability and let go of the ballast that drags you to the bottom, albeit with a fragment in your heart.
The young man is not sympathetic. Begging is looking for people from whom you borrow money to pay off past debts. Obsession and humility with their situation do not cause a positive opinion. The hero rushes and humiliates, while they try to help him and pull him out of this quagmire. You understand others, for a relatively small timekeeping there are many people: both successful and floating in the flow of routine affairs - but each of them tries to do something kind towards the main character.
There is no motivational component, no incentive, only awareness of your precarious position. But in this stream of monetary instability comes love. Dizzy, intoxicating, brain-disabling, but heart-starting. The city lives its own life, where you need to have time to cling to something (and when you throw a lifeline repeatedly) to preserve values and achieve something more. But you can't tell your heart.
The turning point is exactly what brings us to the model studio. That stumbling block here is a woman. Unfortunately, you begin to understand a character that only recently was not pleasant to you. Money depreciates, problems disappear, worries crowd out the veil of romance and impulse. Elements of attention and possible meetings, even if all this is associated with prostitution (but not crossing the threshold, only photos, only shooting), create a new meaning in life.
Well put allegory of scales, when on one bowl of heart impulse, and on the other your further existence. A confession of love, after which embarrassment is replaced by sadness and not separation of feelings. Deep philosophical questions, comparisons and metaphors are raised. Possible relationships after divorce cause fear. Fear of losing someone again. Very accurately conveyed emotions and arguments, when pricked on love, a person closes in his world, fences off from everyone and does not want romance. It may be worth trying, but the experience of such things echoes pain and bitterness, so letting a person into your life, it is important to keep distance. Yes, at the end of the picture, actual problems permeate yourself. The last minutes of the picture demonstrate complete destruction, both external and internal. The drama has done its job, the curtain is down.