Great budget. Colorful private investigator. He is very similar to traditional private detectives, with a washed cloak, empty sad eyes, a cigarette behind his ear, bristles. He is a character from the world of the future, in the courtyard of a progressive millennium, people stopped spending time in specially designated houses of love. The cybernetic age provides advantages in entertainment with a beautiful sex. Now you can model your appearance and choose atypical types and exotic mutations in your loved ones. But everything is not so smooth, for any product there is a buyer and a thief. One party of love priestesses was stolen in the middle of the galaxy. Stolen the artificial slaves of love by a hardened space smuggler, for resale, for greater profit, or simply to meet his needs as a space wolf? We have to investigate our battered life, a nicotine-needing friend detective. But this investigation, like the vicissitudes of life, can have a double bottom full of dirty secrets. In the midst of suffering from corruption, poverty, and devastation of a decade, the detective takes the case.
Matthias Hughes, a born villain from class B films, at the dawn of his career apparently tried to break into the major league of actors by shooting in such cheap but entertaining thrash fighters. Some people kidnap space priestesses from a powerful corporate boss. In the future, which is glimpsed, but enough to realize that everything is not very good and survives the cunning. It's a cunning guy like our guy, and now he takes up the business, scours, asks the homeless through the bars that are spreading from ruin. In short, he does everything that requires minimal locations, and supports the brand of fantastic noir, in the mode of not very different futurism scenery. Futurism here in the textured Mathias Hughes is hidden, and cyber-beauties, and the futuristic office building of the employer-chief. Minimalist science fiction film investigation with the sweetest man-made ships made of such native plastic from those years Fred Olen Ray has not yet begun to shoot the Afghan everyday life of Seagal, obviously began with such not very serious films about fantastic crime from the future.
For in the cyber zone the opposite angle of concepts. The story of the detective investigation is given the primary thread of the plot and the external factor, when spaceships, and the future looms nearby but is not paramount, you just watch a detective from the near future. The detective is about what will happen, in which there are rubber ships looming against the background of the black screen of near and far space, and in the yard of 2027, but there are still such familiar detectives, such familiar corporate businessmen in costumes their mercenaries pitching, space pirates solving cases with a revolver. In short, this is a familiar future in which it is unnecessary to ask unnecessary questions. Just Jack Ford sends another drink, tightening a cigarette goes to save the beauty, not from the evil dragon, but from the greedy boss of the corporation. Familiar? On the same principle, Fred Olen Ray built his future, conditionally looms in the frame, but we watch the story with a different subtext from which the idea was copied. Detective undertones, among spaceships and dystopia, and the rest of the entourage is minimally added from cheap futurism and conditional fantastic elements of the near future. In a word, they showed us the future we all deserve: without compromising on a straight-line storyline. In this film there is something from the influences of Charles Band, maybe the very visible and therefore so funny all sorts of savings on funds, and therefore sweet cheapness and anger?