And yet, despite the fact that the film was criticized by everyone who was not lazy, I liked it. Seriously. Marriage is not easy, often even initially unsuccessful. Living in a marriage is not your place to cross. So you have to choose a husband. My wife, too. And thirty-three times you also need to think about feelings and the situation in society. . . All this is necessary. This is not necessary - so it is to allow relatives into their lives and allow them to command and control. It will be like in this movie. I was frankly sorry for the lovers, despite the sometimes ridiculous and grotesque situations that happened to them. We got guys, they both have families with left-handed carvings - one dad and sister, who are under the skin with their advice, the other - authoritarian mother-' smug'. I don't know what's worse.
As stated in the annotation, Buji really wants to marry, just does not know who until he meets Rajeshwari. And everything seems fine and good, and everyone is happy and happy, and the wedding took place, but the relatives had a conflict and voila! In short, relatives are selfish pigs, well, I see this all the time, and not only in India. Everyone's just taking advantage. As a person who has been on the other side of the barricades (yes, I was also young!) and already on this side (and yes, I married my eldest daughter a month ago), I can say – of course, parents want happiness for their children, and I want and you want, but somewhere still swirls, somewhere we still do not like something, and so we need to safely shut up and let life itself put everything in place. And don't mess anyone up. Parents should be a source of strength for their children, support them and guide them, not cut off their wings. In life, unfortunately, I see the exact opposite. Poor parents and their children make them miserable. And they choose the poor as husbands and wives, and so on in circles. . But I was distracted again.
About Taapsi. I loved this actress with all my heart. There is something sincere in her, even when she is twisted and depicts inconsolable grief (and even poisoned!), when she is separated from her beloved. If she did not cry or die, there would be no price. However, in this film, everyone cries badly and, unfortunately, a lot - and this is the main disadvantage of the film (and all the blood is poured, Gopi first!). Shradha Das cried the least and appeared to be the most normal (although her role is mostly limited to ' starry hour' in a swimsuit, and it was quite daring for the calves). But Taapsi is beautiful too, especially in songs. I think if you don’t make her look like a fool, she’ll look great on the screen – she has some natural charm, natural energy, and I’m glad that in Bollywood she’s given sane roles and not made of furniture in movies. Gopi here was also pretty (although this is never my type of man), well with Taapsi they made a pretty duet.
About the film as a whole - of course, the cliché on the cliché goes and the cliché chases. (Well, or stamp on the stamp, as you like). Slap and muzzle every five minutes. Both Gopi and Taapsi are capable of more, they have much better films. But to spend the evening behind the Indian melodrama, the film is quite rolling.
9 out of 10