In the third film, Patrick Yau is not surprising, but rather disappointing. The director, who shot two masterpieces before, demonstrates everything he showed in his early works: masterfully filmed shootouts, assault by special forces of apartments, shootouts in the premises. As a result, a tense police fighter, slightly remotely thematically intersecting with the Russian film “Trio” by Alexander Proshkin – the fact is that, as in the Russian film, the tension of police officers in anticipation of a fight, turning into fear, is perfectly shown.
Three sentences will be enough to describe the plot: several police officers (special unit) are looking for robbers of a jewelry store and a gang of rapists. Criminals leave behind many corpses. Once they left the heroes.
It is surprising that the director in the first two of his films has demonstrated remarkable talent, this time makes a simple “craft” movie.
"Police sketches" Patrick is reminiscent of a very trivial “alloy” from the films of John Wu, Joni Tho and Michael Mann (Miami Police, Combat).
With a very small timekeeping, the film seems to be drawn out, and the ending looks very trivial, primarily due to the weak elaboration of the script.
5 out of 10