The most ridiculous justification of the plot The centering of the plot - the plot - is quite interesting and watchable - especially if you are busy with something handmade or oven. You can break away from the screen without losing the course of the plot, but rewinding is not required - the plot is quite dense, with details and turns - not purely visual. Interesting ' chips' type of twisted ' Helsinki Syndrome', robbers - a lightweight version of Jay and Silent Bob, a story with ' supercomplex' questions of radio quiz and several more.
But the eyeliner gives out that the writing of the plot began with the central scenes for editing - so attracted ' behind the ears' the whole version of penetration into the house, and the beginning - a stupid paraphrase already ' stupid' Pulp fiction. The exit from the house is also repeatedly seen ' the happiness of a good-natured thief' - security does not follow the rules, even just out of boredom, all passwords are guessed miraculously.
Of course, here it is obvious that the director / screenwriter has not yet grown out of short films and this plot is 100% short film with ' tense' 30-40 minutes ' finishing' timekeeping to ' Fat Master' I want to wish Jason Hadley more imagination, craftsmanship - may not go in 45 minutes, and ' to have fun', ' to keep up' and to shoot already first 25%cult-, then 1\2cult-, and then a very cult film - as his probably quoted idol ' Twentin Quarantine' - some rudiments of a good director is - it's a pity if Hollywood grinds them on B-class films.
5 out of 10