Espionage Exciting! Intriguing! The picture covers espionage intelligence before the outbreak of World War II. While in public Britain and Germany sign peace treaties, decide the fate of Poland, secret agents flourish in the inner world, transmitting secret data, setting up their country and putting personal interest against the fate of the country.
Impressive school for German girls, which turns out to be the focus of the opposing sides. The atmosphere of mystery brings a new English teacher. Cinematography and color play are constantly under strain, so the slightest mention of the Nazis serves as a catalyst. He runs Judy Dench. A fair and wayward hero who turns out not to be what he seems.
In parallel with the inoculation of school life, we are greeted by secret meetings on the spy bridge (by Steven Spielberg), by chance overheard conversations. Espionage hits the key, the viewer is waiting for surprises, which slowly merge with the involvement of unexpected heroes. The emphasis on girls and propaganda demonstrates a cult of worship and predictably decides their fate. The Union of German Girls Studying in England. 1939. It is the historical background that makes what is happening exciting.
Unfortunately, in the middle of timekeeping, the picture seems to change the genre, turning from spying into an ordinary thriller. Fraud, flight, exposure, finding allies. Decisive action would have come so, and director Andy Goddard, after a slight intrigue, launched the dynamics. Saving the agents. Secret codes, encryption, double agents come into play. It’s as if the film realized it was a blow, so it connected the secret service to get the truth and convey important information.
In sharp moments, the tape again sheds the mask, exposing the heroes. Strong interest and intrigue lies in the true significance of the agents, showing not double, but triple games. The narrative dynames subside again to prepare the viewer for the climax action. Before this, the main antagonist is boldly and luxuriously revealed, as well as his plans for the school. The problem with the film is that it rushes from extreme to extreme: from secret data to exposure and escape, from returning to a secret plan to the true guise of the villain.
The climax of the tape is magnificent, striking and contrasting. The dangerous situation of German girls is a matter of life and death, and German espionage is a torture of self-flagellation and conscience. We can assume that we have a movie inside the movie, the beginning and ending of Six Minutes is a complex, emotional thriller. The middle of the film is trying to prove the truth, find allies and convey danger through disguise. And it was pretty good. It caught the movie and gave an exciting ending.