To be honest, I postponed watching this series for a long time. Perhaps because not without reason believed that his plot is similar to the plot of the notorious Soviet film about the adventures of Electronics. Well, I was wrong and I was right at the same time. But everything in order.
At first, the resemblance of Nanolove to a film about Electronics, except for some small details, was striking: a professor in a secret laboratory creates a robot with unique abilities. With the exception that the robot turned out to be a charming girl, the plot seemed to be walking along a once rolled-in road: a robot girl named Nana escapes from her creators and quite by chance, in fact, by chance, meets a living double - a first-year student Nina. Nana replaces Nina in all classes, passes for her tests, while trying to understand the complex nature of these strange creatures – people. Meanwhile, she is being hunted by someone named Davitsky, an oligarch with a dark past and a corresponding reputation. Naturally, he wants to use the unique robot Nana for his own purposes. It's a familiar painting, isn't it? But nevertheless, I can state quite firmly that there is no equality between the series “Nanolove” and the film “Adventures of Electronics”. And here's why.
The general outline of the plot and a few general ideas do not exhaust the fullness of the series. Nanolove is a light, kind, seemingly simple, but in fact quite deep series. It vividly shows human relationships, as they are, without embellishment. In the series there is a place for real love, and hatred, and friendship, and human treachery, and resentment, and forgiveness. The main place of action is the university. In front of the audience, the usual student weekdays take place. Students – future journalists – study and pass tests, come up with various tricks, try to develop their creative potential, fall in love. Many very cute and funny episodes are associated with the student environment, especially when the center of the events involves a cute couple of two such dissimilar friends - Genes Fedulov and Vova Kazakov. They seemed proud of all sorts of inventions (especially, of course, Cossacks) and ready for virtually any adventure. These episodes associated with the nostalgic-romantic student sometimes, as if designed to shade the heavy and even dramatic events that occur in the lives of the characters of the series. Especially in the life of Nana.
Not without a love triangle in the series. It often happens that students fall in love with their teacher. And if he is smart, talented, handsome, charismatic, then even more so. On the one hand, the love triangle of Nina-Nana-Artem, a young teacher of foreign literature, seems quite banal. On the other hand, it gives sharpness to the plot, gradually revealing the characters from a completely unexpected side. And almost to the very end it is unclear how it will end.
Enough in the series and adventure. Abductions, chases, persecution of villains - all this is moderately dynamic, quite spectacular, interesting. Fortunately, the creators of the series did not overdo it with scenes of this kind, which, in my opinion, are intended only to animate the plot, but not to be its main component. The villains turned out interesting and organically fit into the plot. And the cunning, insidious oligarch Davitsky, this burnt beast, and his narrow assistant Kaymanov seem just directorial finds, cause genuine interest.
I also liked the university staff. In addition to the already well-known teacher of foreign literature Artem Evgenievich Skvortsov, my attention was attracted by the dean of the faculty Kogut and the teacher of aesthetics Eduard Maksimov. And of course, a teacher of the theory of general journalism Toporkov deserves a separate mention. His character, an ever-dissatisfied envious man who plots everything, often caused laughter, although his actions spoiled a lot of blood for the main characters.
All of the above, of course, serves as a kind of framing of the formation of Nana's personality - from an emotionless robot to a delicately feeling, loving and suffering creature capable of both sacrifice and revenge. Nana has come a long way - and her changes were the most interesting to watch.
The last series, I confess, disappointed — and the ending turned out to be somewhat crumpled, although not devoid of some frightening pattern. The ending leaves mixed feelings of bitterness and hope, although feelings of understatement persist.
And in general, I liked this series, which is an amazing, unusual fusion of genres. There is fantasy, adventure, romance, humor, and even, perhaps, a little philosophy. This series is precisely permeated with spring-summer sunlight and is great for watching the same spring-summer days. If you want something light, but in its own deep, kind and warm - sincerely recommend the series "Nanolove".
7 out of 10