Child of Europe. The story of Caspar Hauser is a fertile soil from which you can easily grow absolutely any plot, just moving the characters through time and space.
For example, David Manuli wrote his own story of Caspar Hauser, sending him into the future, and placing what is happening on the screen in a slightly extended frame of the Western. We find ourselves on an island ruled by a queen. Where there's a Sheriff watching, where there's a drug dealer (both Vincent Gallo) and even a prostitute. Quite normal, a separate island state, to the shores of which once nailed almost lifeless body of Caspar Hauser.
With the true story of the Child of Europe, this has a lot to do with it. Here Caspar, like his prototype, repeats only one phrase he learned about the cavalrymen and his father, he also moves with difficulty, his legend is also questioned. And as soon as he decides to write a biography, he immediately begins to hunt.
It feels like you’re watching a music video that was made specifically for DJ Vitalic, whose music here is a soundtrack that permeates the film from the title to the end credits. And Caspar himself, by the way, is not easy to move because he dances constantly. And even the Sheriff himself makes a living DJing.
And imagine all this chaos happening in a single island state, to cope with which allegedly was called Messiah Caspar Hauser. And even better, imagine a paradise where God is a DJ whose music is cheerfully danced by the Sheriff and the Prostitute. If you can, then you will love this movie.