"A Trip Down Market Street Before the Fire" - popular movie, filmed in 1906
году
in genre
Documentary
, Short.
This list contains
66 films,
similar to "A Trip Down Market Street Before the Fire" not so much in plot but in spirit.
And if you liked "A Trip Down Market Street Before the Fire", then most likely you will like these films.
Arrival in the Bronx is shown with a view from an elevated train as it enters the city. Then follows a montage of sights from the Bronx. Many typical more
Arrival in the Bronx is shown with a view from an elevated train as it enters the city. Then follows a montage of sights from the Bronx. Many typical neighborhood activities are shown, along with scenes from many local businesses. close
A burning wagon is dragged from the barn by the firemen, and four horses are rescued from the flames by the stablemen. Thick volumes of smoke pour from the doors and windows. (Edison catalog)
A burning wagon is dragged from the barn by the firemen, and four horses are rescued from the flames by the stablemen. Thick volumes of smoke pour from the doors and windows. (Edison catalog) close
What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants.
What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants. close
A nude couple pose in an art studio on a square rug, while the camera does a circular traveling around them; the woman has her right knee on the floor more
A nude couple pose in an art studio on a square rug, while the camera does a circular traveling around them; the woman has her right knee on the floor and her right arm raised in front of her face, holding the man's thighs with her right, while the man is bent forward, as if looking in the distance. close
George Veditz, one-time president of the National Association of the Deaf of the United States, outlines the right of deaf people to sign instead of speak. more
George Veditz, one-time president of the National Association of the Deaf of the United States, outlines the right of deaf people to sign instead of speak. The film is presented in American Sign Language and has no sub- or intertitles. close
Surveillance expert Harry Caul is hired by a mysterious client's brusque aide to tail a young couple. Tracking the pair through San Francisco's Union more
Surveillance expert Harry Caul is hired by a mysterious client's brusque aide to tail a young couple. Tracking the pair through San Francisco's Union Square, Caul and his associate Stan manage to record a cryptic conversation between them. Tormented by memories of a previous case that ended badly, Caul becomes obsessed with the resulting tape, trying to determine if the couple is in danger. close
A stationary camera looks across Burgundy's river Sâone toward a small military encampment. Four horsemen enter the water in the foreground, each riding more
A stationary camera looks across Burgundy's river Sâone toward a small military encampment. Four horsemen enter the water in the foreground, each riding his horse as it swims across toward camp or leading it by the bridle as they swim close
A beautiful panoramic view of lower New York from Barclay Street to Battery Park, showing a beautiful stereoscopic effect of the sky-scrapers in the business section of the city.
A beautiful panoramic view of lower New York from Barclay Street to Battery Park, showing a beautiful stereoscopic effect of the sky-scrapers in the business section of the city. close
The collapse of the bridge was recorded on film by Barney Elliott, owner of a local camera shop. The film shows Leonard Coatsworth leaving the bridge more
The collapse of the bridge was recorded on film by Barney Elliott, owner of a local camera shop. The film shows Leonard Coatsworth leaving the bridge after exiting his car. In 1998, The Tacoma Narrows Bridge Collapse was selected for preservation in the United States National Film Registry by the Library of Congress as being culturally, historically, or aesthetically significant. This footage is still shown to engineering, architecture, and physics students as a cautionary tale. Elliott's original film of the construction and collapse of the bridge was shot at 16 frames a second, on 16mm Kodachrome film, but most copies in circulation are in black and white because newsreels of the day copied the film onto 35 mm black-and-white stock (not to mention, often showed the film at the wrong speed). close
In 1916, a Chicago steel worker accidentally kills his supervisor and flees to the Texas panhandle with his girlfriend and little sister to work harvesting wheat in the fields of a stoic farmer.
In 1916, a Chicago steel worker accidentally kills his supervisor and flees to the Texas panhandle with his girlfriend and little sister to work harvesting wheat in the fields of a stoic farmer. close
A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feed his urge for violent action.
A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feed his urge for violent action. close
When carefree teenager Jay sleeps with her older boyfriend for the first time, she learns that she is the latest recipient of a fatal curse that is passed more
When carefree teenager Jay sleeps with her older boyfriend for the first time, she learns that she is the latest recipient of a fatal curse that is passed from victim to victim via sexual intercourse. Death, Jay learns, will creep inexorably toward her as either a friend or a stranger. Jay's friends don't believe her seemingly paranoid ravings, until they too begin to see the phantom assassins and band together to help her defend herself. close
[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed more
[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start. (from IMDB) close
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery more
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.) close
A long line of nurses pushing carts with their babies enter from the far right, cross a garden in front of the large nursery home, and leave by the close more
A long line of nurses pushing carts with their babies enter from the far right, cross a garden in front of the large nursery home, and leave by the close left to the camera. A few toddlers also follow in the same orderly line, along their nurses. close
While his aide continuously turns the handle of the bellows, keeping hot a small furnace in front of him, a blacksmith is pounding a piece of metal on more
While his aide continuously turns the handle of the bellows, keeping hot a small furnace in front of him, a blacksmith is pounding a piece of metal on an anvil, then plunges the shaft into a tub of water, causing a cloud of vapor in the process. close
Carmaux is in south-central France, near the Tarn River. As a brick of coke, about four feet high and three feet wide, is gradually pushed out of a smelter more
Carmaux is in south-central France, near the Tarn River. As a brick of coke, about four feet high and three feet wide, is gradually pushed out of a smelter into a yard, one worker sprays it with water from a hose while two workers with long metal rakes wait to spread it out. Other workers buzz in and out of the foreground of the stationary camera. Atop the first level of the brick smelter, workers push full carts of coal along a track. close
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first more
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames. close
The film is in four parts. First, the camera pans the Kremlin and Marshal's Bridge. Sleds are parked in rows. Horse-drawn sleighs run up and down a busy more
The film is in four parts. First, the camera pans the Kremlin and Marshal's Bridge. Sleds are parked in rows. Horse-drawn sleighs run up and down a busy street. Next, we visit the mushroom and fish market where common people work and shop. In Petrovsky Park are the well-to-do. Men are in great coats. A file of six or seven women ski past on a narrow lane. Last, there's a general view of Moscow. A slow pan takes us to a view above the riverfront where the film began. close
In this highly influential silent horror film, the mysterious Count Orlok (Max Schreck) summons Thomas Hutter (Gustav von Wangenheim) to his remote Transylvanian more
In this highly influential silent horror film, the mysterious Count Orlok (Max Schreck) summons Thomas Hutter (Gustav von Wangenheim) to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen (Greta Schroeder). After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock (Alexander Granach), prepares for his master to arrive at his new home. close
A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six more
A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food. close
On the eve of his fortieth anniversary Sergei Makarov looks back at his life and learns that he has achieved nothing. He was not able to be happy and more
On the eve of his fortieth anniversary Sergei Makarov looks back at his life and learns that he has achieved nothing. He was not able to be happy and to bring happiness to the closest people in his life, neither to his long-suffering wife nor young mistress nor friends nor work... It is about the men who never grew up and could not find themselves in the time of stagnation – gifted, charming, but infantile and lost, they never were able to realize themselves... close
