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From the experience of a transvestite from Los Angeles, the A. shows how race and sexuality are closely intertwined. Through the malleability of the disguised more
From the experience of a transvestite from Los Angeles, the A. shows how race and sexuality are closely intertwined. Through the malleability of the disguised identity, the A. shows an inspired philosophy of Gramsci on the practice considered as subculture field. close
Short Film from 1936. Banned by the Nazis. First shown 1976. Karl Meier and his wife are some really poor folks. They don't have much to eat and they more
Short Film from 1936. Banned by the Nazis. First shown 1976. Karl Meier and his wife are some really poor folks. They don't have much to eat and they cannot pay for their flat. Even the bailiff does not know what to take from them anymore. One day they are told that they made an inheritance, because some relatives died recently. Their financial problems seem to be solved now. close
Caribs’ Leap / Western Deep comprises two complementary films that are shown together as a three-screen, synchronised colour video projection. The films more
Caribs’ Leap / Western Deep comprises two complementary films that are shown together as a three-screen, synchronised colour video projection. The films were originally commissioned for the Documenta 11 exhibition in Kassel, Germany in 2002. They were then screened in London by Artangel in the former Lumiere Cinema on St Martins Lane in the autumn of that same year. close
On the Edge is a short film that documents the social changes occurring around the Olympic fringe, providing local communities with a platform to voice more
On the Edge is a short film that documents the social changes occurring around the Olympic fringe, providing local communities with a platform to voice their unheard opinions. We spent a number of weeks in the Olympic boroughs, interviewing people, and gaging their thoughts on the regeneration program that is occurring rapidly in the East End of London. close
An award winning short with a hyper-kinetic, mind-bending foray into the world of adolescent Singaporean boys. '15': The Short; mixes documentary realism, more
An award winning short with a hyper-kinetic, mind-bending foray into the world of adolescent Singaporean boys. '15': The Short; mixes documentary realism, dream sequences, rapid montages, and other stylistic flurries to unleash a hard-hitting cinematic assault on Singaporean oppression and teen angst. close
Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in more
Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards. close
Rules of the Road tells the story of a love affair and its demise through one of the primary objects shared by the couple: an old beige station wagon with fake wood paneling along the sides.
Rules of the Road tells the story of a love affair and its demise through one of the primary objects shared by the couple: an old beige station wagon with fake wood paneling along the sides. close
A film about Sioux leader Chief Gray Otter who sends his son Tiah off to a "white man's school" so that he can become a great leader. The son returns more
A film about Sioux leader Chief Gray Otter who sends his son Tiah off to a "white man's school" so that he can become a great leader. The son returns home as a worthless drunk, disappointing the father but things get worse when the son joins a group of renegades and robs a payroll. The father is then forced to make a decision. close
Moby Dick is an unfinished film by Orson Welles, filmed in 1971. It is not to be confused with the incomplete (and now lost) 1955 film Welles made of more
Moby Dick is an unfinished film by Orson Welles, filmed in 1971. It is not to be confused with the incomplete (and now lost) 1955 film Welles made of his meta-play Moby Dick—Rehearsed, or with Moby Dick (1956 film), in which Welles played a supporting role. The film consists of readings by Welles from the book Moby Dick, shot against a blue background with various optical illusions to give the impression of being at sea. It was made during a break in the filming of The Other Side of the Wind. There is some ambiguity about what Welles intended to do with the footage, and how he was going to compile it. It remained unedited in his lifetime. close
With family connections to some famous French artists, writers, and musicians of the time, Sacha Guitry decided to film the individuals in action, to more
With family connections to some famous French artists, writers, and musicians of the time, Sacha Guitry decided to film the individuals in action, to celebrate the greatness of his culture ,threatened by Germany in the ongoing Great War. close
Conceivably the best of all of Breer’s films to date – has more to do with figuration, according to Breer’s formulation regarding titles with letters more
Conceivably the best of all of Breer’s films to date – has more to do with figuration, according to Breer’s formulation regarding titles with letters or numbers. This becomes clear right away as the title letters are intercut with a flurry of fish swimming past the frame lines, which are made all the more literal through the associative chain established by a snippet of Schubert’s Trout Quintet heard on the soundtrack, along with footsteps – which continue over a profusion of other shapes, colors, and objects, including the title letters again. -- Jonathan Rosenbaum close
Deadpan is a four-minute installation film in which McQueen re-stages a death-defying Buster Keaton stunt. The side of a house is filmed toppling again more
Deadpan is a four-minute installation film in which McQueen re-stages a death-defying Buster Keaton stunt. The side of a house is filmed toppling again and again from all angles onto an unflinching McQueen, who survives thanks to a carefully positioned window. close
Lucas invites his girlfriend Anäis to visit him at home. His parents aren’t around. The garden is all theirs. They can make love there. A photograph hangs more
Lucas invites his girlfriend Anäis to visit him at home. His parents aren’t around. The garden is all theirs. They can make love there. A photograph hangs on the wall of a man with a tiger in his arms. “Is that your father?” asks Anäis. “Yes, that’s my father. He’s the chairman of a tiger protection group in Thailand.” The father is Pierre Woodman, the famous pornographic film director. Lucas enters into an imaginary dialogue with his father. He makes an attempt to understand his father and makes an attempt at love himself – always in view of his father, who practised it incessantly.Then Lucas confers Anäis with a knighthood and fiction soars above reality. close
An exploration of the sensory experience of the TauTona gold mine in South Africa, showing migrant labourers working in dark, claustrophobic environments more
An exploration of the sensory experience of the TauTona gold mine in South Africa, showing migrant labourers working in dark, claustrophobic environments and the ear-splitting noise of drilling. The TauTona mine in South Africa, known as 'Western Deep' is the world's deepest gold mine. Employing more than 5,000 people, it operates twenty-four hours day. The film begins in complete darkness as the miners descend three-and-a-half kilometres underground. McQueen documents an intense work regime where the temperature can reach over ninety degrees celsius. Accompanied by jarring sounds created by the mechanical equipment, Western Deep is a hellish representation of labour that makes the silent resolve of the miners all the more powerful. close
In GLORIA! Frampton juxtaposes nineteenth-century concerns with contemporary forms through the interfacing of a work of early cinema with a videographic more
In GLORIA! Frampton juxtaposes nineteenth-century concerns with contemporary forms through the interfacing of a work of early cinema with a videographic display of textual material. These two formal components (the film and the texts) in turn relate to a nineteenth-century figure, Frampton's maternal grandmother, and to a twentieth-century one, her grandson (filmmaker Frampton himself). In attempting to recapture their relationship, GLORIA! becomes a somewhat comic, often touching meditation on death, on memory and on the power of image, music and text to resurrect the past. close
The incredibly true story of the legendary French entertainer Joseph Pujol, who performed impersonations with his self-described 'elastic anus' and a surfeit of wind.
The incredibly true story of the legendary French entertainer Joseph Pujol, who performed impersonations with his self-described 'elastic anus' and a surfeit of wind. close
What happens after the curtain falls on the death of Mimi, tragic heroine of Puccini's La boheme. In Thriller, Mimi teams up with the opera's comic heroine Musetta to investigate her own death.
What happens after the curtain falls on the death of Mimi, tragic heroine of Puccini's La boheme. In Thriller, Mimi teams up with the opera's comic heroine Musetta to investigate her own death. close
The daily routine of a streetwise office boy, waiting in long lines, having to deal with some fishy situations, listening to music, and meeting people.
The daily routine of a streetwise office boy, waiting in long lines, having to deal with some fishy situations, listening to music, and meeting people. close
The scene of the drama is a block of modern flats. Many of the residents are away at a dance, and the janitor and his staff decide upon a jollification more
The scene of the drama is a block of modern flats. Many of the residents are away at a dance, and the janitor and his staff decide upon a jollification of their own. They invite their friends to a fine high tea. Everybody is having a fine time, and their spirits are running high. We are now taken to the outside of the hall door, and watch with amusement the frantic pounding and bell ringing of the residents returning from their evening engagements and seeking admission to their apartments. The gay gathering inside are too busy with their own pleasure to heed the angry crowd outdoors. A policeman is called, but all to no purpose, and the tenants are all taken to the station for quarters for the night. Returning to the janitor's quarters we see that the jollifications have been concluded and the guests are all departing. The superior officer at the station concludes to make another effort to gain admittance in the building and, with the tenants at his heels, he approaches the flats. close
The opening scene of our story shows a Union powder wagon making its way down the road convoyed by a company of mounted Union soldiers. The route of this more
The opening scene of our story shows a Union powder wagon making its way down the road convoyed by a company of mounted Union soldiers. The route of this wagon is reported to Confederate headquarters by one of its spies. Nan, a girl frequently employed by the department of the Confederate army, is called to headquarters and instructed to secure the destruction of the enemy's ammunition train just reported. Nan is fitted out with a Union uniform, mounted on a fast horse and sent on her journey, previously provided with a forged order supposedly signed by a Union general which authorizes her to pass through the lines. close