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On the occasion of the bicentenary of the French Revolution, a group of Haitians in Paris undertake a voodoo ritual in front of Les Invalides, to reconcile more
On the occasion of the bicentenary of the French Revolution, a group of Haitians in Paris undertake a voodoo ritual in front of Les Invalides, to reconcile the spirits of Napoleon Bonaparte and Toussaint L’Overture, the Haitian revolutionary who died as a prisoner of the French Emperor. close
On the 200th anniversary of the French Revolution, this film is a tribute to the French nation, through historical reconstructions of the Revolution and more
On the 200th anniversary of the French Revolution, this film is a tribute to the French nation, through historical reconstructions of the Revolution and the First Empire, as well as reports on the successes of France modern, the presence of France in the world, its history and its soil. close
Grinders, rag-men, China menders, mattress carders are among those small trades of yesteryear that have disappeared from our sight and fallen into oblivion. more
Grinders, rag-men, China menders, mattress carders are among those small trades of yesteryear that have disappeared from our sight and fallen into oblivion. But way back in 1931 they were far from extinct and still populated and livened up the streets from dawn till dusk. The tenderness of Pierre Chenal look at them is only accentuated by the nostalgia experienced by today's viewer. close
La fêlure du temps (2000-2003) is the last of the works of Raymonde Carasco focused on the Tarahumara. This epic divided into five chapters (L’Avant is more
La fêlure du temps (2000-2003) is the last of the works of Raymonde Carasco focused on the Tarahumara. This epic divided into five chapters (L’Avant is the first) focuses on the origins and the disappearance of the Tarahumara culture, based on the words of the last shaman. close
In 1990, Robert Kramer receives a grant from the Ford Foundation. He goes to Berlin for 6 months, where he makes an hour long single video shot (for a more
In 1990, Robert Kramer receives a grant from the Ford Foundation. He goes to Berlin for 6 months, where he makes an hour long single video shot (for a festival) in the bathroom of his apartment. Facing the camera, the filmmaker thinks, alone, about the fall of the Berlin wall. "I've already spent 6 weeks here. With all the events in eastern Europe, it was like a hurricane. Berlin is a city where you feel the biggest changes, where you meet Polish immigrants, or others, escaping. Berlin will become a very violent city. What happens in eastern Europe is a bit like the end of the civil war in the US. The North, and all it's power stimulated by years of war, took over the South, who has lost everything. And there is this German past, the war, on all levels. close
The story of the crew of the Odessa, a Ukrainian ship blocked in Italy because of the bankrupcy of its owners. For several years now they are stuck without more
The story of the crew of the Odessa, a Ukrainian ship blocked in Italy because of the bankrupcy of its owners. For several years now they are stuck without a salary in a foreign land, taking care of the ship while it waits for a buyer. close
Luc Froment, a reform-minded engineer, starts working at a steel mill in a small town. There he founds small groups of workers (and their families) under more
Luc Froment, a reform-minded engineer, starts working at a steel mill in a small town. There he founds small groups of workers (and their families) under miserable conditions. Under the influence of Fourier's ideas, Froment tries to turn the mill into a workers' co-operative. close
"Enjoying an old port wine together, I was talking with Manoël about the bridges of Douro, and immediately we were of the same opinion: of all these bridges, more
"Enjoying an old port wine together, I was talking with Manoël about the bridges of Douro, and immediately we were of the same opinion: of all these bridges, the great work of art in the capital of modern architecture is the bridge that Gustave Eiffel had done before building his tower of Paris. In less than five minutes, the project was constructed: Manoël was writing a poem that we will film with our friends Bernard, Jérôme, and François. And our dreams of childhood were made in less than a week by going back and forth to the banks of Douro, on foot, then by car, then in a helicopter, back to where we were following these marvelous clouds, with Manoël and me screaming stanzas of a poem inspired by the wind, the water, and friendship." - Jean Rouch close
The continuing demand for high standards is what sets Rouseau's work apart. What makes this film distinctive is the way Rousseau explicitly returns to more
The continuing demand for high standards is what sets Rouseau's work apart. What makes this film distinctive is the way Rousseau explicitly returns to the source of his creative inspiration. So here he is at home reciting «Bérénice» to himself, whilst going about his household chores. It verges on the comical: There are repeated shots of him obstinately trying to turn off a dripping tap, or the jubilant close up of bare feet carried away in performing a dance step or two. Combining art with life in such a way, that nothing is compartmentalised, nothing lost - that is the goal. close
Jesus is forced to carry the cross along the path, but his weakness causes him to sink under the weight of the cross. Simon of Cyrene helps him, the soldiers hit and kick them.
Jesus is forced to carry the cross along the path, but his weakness causes him to sink under the weight of the cross. Simon of Cyrene helps him, the soldiers hit and kick them. close
Jesus is brought before him again, Pontius Pilate washes his hands to show that he has no responsibility in the death of this man and hands him over to the crowd.
Jesus is brought before him again, Pontius Pilate washes his hands to show that he has no responsibility in the death of this man and hands him over to the crowd. close
Reflection on the relationship between image and voice-over in cinema, punctuated by the reading of a short story by Sade recounting the incestuous love of a father for his daughter.
Reflection on the relationship between image and voice-over in cinema, punctuated by the reading of a short story by Sade recounting the incestuous love of a father for his daughter. close
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