Asian movies of 1916-1925 years - not very popular category. We know 254 this movies.
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asian movies of 1916-1925 years
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Jiraiya is some sort of super-ninja with superpowers. He can fly, he can avoid detection by turning himself into a toad, and he has some sort of ability to vanish.
Jiraiya is some sort of super-ninja with superpowers. He can fly, he can avoid detection by turning himself into a toad, and he has some sort of ability to vanish. close
Cheng the fruit seller is in love with the daughter of his neighbor the doctor, but the good doctor won't let him marry her unless Chang finds him more patients...
Cheng the fruit seller is in love with the daughter of his neighbor the doctor, but the good doctor won't let him marry her unless Chang finds him more patients... close
A samurai purchases a new sword only to find it is already dull. When he returns to the dull looking merchant to complain, something quite unexpected happens.
A samurai purchases a new sword only to find it is already dull. When he returns to the dull looking merchant to complain, something quite unexpected happens. close
Nanjo Mikisaburo is a young samurai trying to restore his ruined family to its past glory. Enduring the contempt and disdain of high-ranking samurai, more
Nanjo Mikisaburo is a young samurai trying to restore his ruined family to its past glory. Enduring the contempt and disdain of high-ranking samurai, Mikisaburo devotes himself to the way of the warrior, mastering the literary and martial arts. His master Kurahashi Jupeita's daughter Misao feels for Mikisahuro who maintains his pride in the face of the arrogant samurai's scorn. She sympathizes with and encourages him. However this sympathy ignites a passionate love for her in Mikisaburo. close
A film on the life of Shibukawa Bangorō, the founder of the Shibukawa-ryū school of jūjutsu. To paraphrase Satō Tadao’s blurb on the back cover of the more
A film on the life of Shibukawa Bangorō, the founder of the Shibukawa-ryū school of jūjutsu. To paraphrase Satō Tadao’s blurb on the back cover of the video, this is an important film for three reasons. 1. it is an almost perfectly well preserved copy of one of only a few full-length movies still available of the first superstar in Japanese cinema history, the very famous Onoe Matsunosuke. 2. it uses a method that was common in the silent era, the dyeing/tinting of film to mark given moments of day (for ex., blue for night-time) or given situations (for ex., red for fire) – and even though most films that used this technique have been redeveloped in straight b&w, this one is available in its original form. 3. it is an early SFX (special effects) movie that uses the basic tools of the trade - a great action movie full of swordsmanship and monsters (bakemono). close
Munetsugu, a young man living in a village, and Ora, a girl from a small sea island, have a close relationship. When Munetsugu wanted to meet his beloved, more
Munetsugu, a young man living in a village, and Ora, a girl from a small sea island, have a close relationship. When Munetsugu wanted to meet his beloved, he lit bonfires on the shore, and Ora, seeing this signal, sailed to her beloved. A village woman who secretly loved Munetsugu and was jealous of Ore once decided to kill an islander. On the night of a violent storm, she lit a fire. Seeing him, Ora tried to swim across the strait, but as a result drowned. Munetsugu, learning of this, kills a village villain, and commits suicide. close
The film shows long-lost images of the early 20th-century Korean Peninsula, before the Korean War separated the North and South. The images include women more
The film shows long-lost images of the early 20th-century Korean Peninsula, before the Korean War separated the North and South. The images include women spinning on cotton wheels, families making traditional tteok (rice cakes), a look at Dongsomun (Seoul’s ancient East Gate), which was destroyed just years later, and missionary activities in what is now North Korean territory. The footage was once stored in a German monastery, but later the Nazi government, which sided with Japan in World War II, tried to confiscate it because some of it could be interpreted as espousing a critical view toward the Japanese occupational regime in Korea. Fortunately, a monk saved the film, hiding it behind a stone wall in the basement before he died during the war. The film was rediscovered in 1975 during a renovation. close