Video clips 2010 года - quite popular category. We know 328 this movies.
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video clips 2010 года
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The Big Bang presentation takes viewers back to the birth of the universe, through its expansion and cooling, and from the emergence of simple gas clouds more
The Big Bang presentation takes viewers back to the birth of the universe, through its expansion and cooling, and from the emergence of simple gas clouds to galaxies with stars and planets. Finally, it raises the question of the nature of the so-called “dark energy,” a mysterious force counter to gravity that dominates the modern universe. close
In one of the many deserts of the United States, where you can more often find a rolling field than a living soul, a patrol officer of the police, not more
In one of the many deserts of the United States, where you can more often find a rolling field than a living soul, a patrol officer of the police, not mixing, enjoys delicious doughnuts, as suddenly a car rushes past at a huge speed, violating all established speed modes. close
Alejandro Cotto, a pioneer of Salvadoran cinema, celebrates his 63rd birthday in Suchitoto while the youth celebrate the end of the civil war. He speaks more
Alejandro Cotto, a pioneer of Salvadoran cinema, celebrates his 63rd birthday in Suchitoto while the youth celebrate the end of the civil war. He speaks with Escalón about the struggles faced by Third World filmmakers, the horrors of war, the fate of his village, and the pursuit of his dreams. close
The story of someone who wants to live surrounded by stories, based on the poem “Coming Home is Terrible”, about the necessity of delaying as much as possible the return home.
The story of someone who wants to live surrounded by stories, based on the poem “Coming Home is Terrible”, about the necessity of delaying as much as possible the return home. close
Stoned begins in silence. An image of a Buddhist monastery—a long stone corridor lined with receding columns—appears to jerk forward and slightly recede, more
Stoned begins in silence. An image of a Buddhist monastery—a long stone corridor lined with receding columns—appears to jerk forward and slightly recede, or move tremulously back and forth. The single high notes of a piano begin to sound in a halting counterpoint to the agitated image, which fractures into a grid of rapidly pulsating segments. Cho's flickering digital manipulations disrupt the viewer's experience of processional space; his complex layering of highly saturated images results in a weave of frenetically vibrating architectural elements. close