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In a corner of the garden we see an ornamental fountain. An old professor comes along, looking for a nice spot where he can teach his pupils. Finding more
In a corner of the garden we see an ornamental fountain. An old professor comes along, looking for a nice spot where he can teach his pupils. Finding the fountain to his liking he goes after his scholars. A mysterious person who has noticed the old man, by means of a balloon, a handkerchief and a coat, constructs a peculiar figure, doing a lot of tricks at the same time. close
The movie consists solely of a saber fight. Bernhardt plays a cross-gender Hamlet, and Pierre Magnier is her fellow duelist, Laertes. A few bystanders, more
The movie consists solely of a saber fight. Bernhardt plays a cross-gender Hamlet, and Pierre Magnier is her fellow duelist, Laertes. A few bystanders, in Rennaissance dress, stand off to the right of the screen, and in the background, next to a painted backdrop. close
A stationary camera looks across a busy corner toward a store front marked "The Divan." The words "des fees" are beneath. A cortege of Arabs, about 20 more
A stationary camera looks across a busy corner toward a store front marked "The Divan." The words "des fees" are beneath. A cortege of Arabs, about 20 persons in the party, walk past; the dignitaries are in front, attended by men with horns and drums. Coming in the other direction are local Swiss, who pay little attention, and a group of native-garbed Africans. The dozen or so well-dressed denizens of Geneva who are sitting on the steps of the Divan take it all in. close
Two girls do one of their chores. Standing alongside a tree-lined farmhouse, two children who are about ten and four years old toss grain to a flock of more
Two girls do one of their chores. Standing alongside a tree-lined farmhouse, two children who are about ten and four years old toss grain to a flock of about 50 domesticated ducks. A woman watches them briefly and then moves on. The older girl has her grain in a bucket, the younger one's grain is in her apron. The children stay in one spot, as does the camera; it's the ducks that move around. Chickens are in the background; only one braves the ducks' territory. close
A box of valued jewels is placed inside the tomb of Delphi. A thief breaks into the tomb and steals it, but soon the ghost of Delphi appears and puts a curse on him.
A box of valued jewels is placed inside the tomb of Delphi. A thief breaks into the tomb and steals it, but soon the ghost of Delphi appears and puts a curse on him. close
Georges Méliès adaptation of Robinson Crusoe, the first film adaptation of the story. Filmed in black & white, Méliès would then paint the film by hand more
Georges Méliès adaptation of Robinson Crusoe, the first film adaptation of the story. Filmed in black & white, Méliès would then paint the film by hand to colour it. Originally a 15 minute film, twelve and a half minutes of painted film have been found and have been restored. close
The story of Jesus Christ, from the proclamation of His Nativity to His Ascension into heaven. Impressive staging and beautiful hand-coloring distinguish more
The story of Jesus Christ, from the proclamation of His Nativity to His Ascension into heaven. Impressive staging and beautiful hand-coloring distinguish the film from its Passion-play counterparts; Its scale and dynamic crowds prelude the Italian epics to come. close
This picture depicts the eruption of the volcano by which over 30,000 souls were hurled into eternity. The numerous explosions which took place during more
This picture depicts the eruption of the volcano by which over 30,000 souls were hurled into eternity. The numerous explosions which took place during the eruption are plain to be seen. Thousands upon thousands of tons of molten lava, sand, rocks and steam are thrown high in the air and descend with crushing force upon the unfortunate inhabitants of the doomed city of St. Pierre. This is the worst calamity which occurred since a similar eruption by Mt. Vesuvius when Pompeii was destroyed. (Lubin Catalog) close
"The picture shows the Devil working at a fire. Two cavaliers appear, and the Devil takes the form of a seer, old, bent and wrinkled. Then he disappears more
"The picture shows the Devil working at a fire. Two cavaliers appear, and the Devil takes the form of a seer, old, bent and wrinkled. Then he disappears in a cloud of smoke, to reappear shortly as a ghost, whose head comes off and floats around the room. Suddenly the table gets up of itself, and flies up the chimney. All sorts of wonderful things happen. A cannon takes the place occupied by the table, and belches forth flame and smoke. A large cage appears mysteriously in the center of the room, through the bars of which the Devil passes as if it were an open door. By his magic, he makes the cavalier pass through the bars in the same wonderful fashion. Everything is so weird and fantastic, that such a small trifle as a man turning into a donkey excites but passing notice." -Edison catalog close
Walking four abreast, in groups of six rows, 144 of Chicago's finest parade past a stationary camera. Each of the six groups that pass is escorted by more
Walking four abreast, in groups of six rows, 144 of Chicago's finest parade past a stationary camera. Each of the six groups that pass is escorted by an officer. All are men, all are white, all look tall, all wear identical high-buttoned uniforms and badges and carry a nightstick. Almost all sport mustaches. Behind the police comes a horse-drawn carriage. close
The entire story of Christmastide is here depicted. The scene opens in a large boudoir of an apparently wealthy man's home. His children, assisted by more
The entire story of Christmastide is here depicted. The scene opens in a large boudoir of an apparently wealthy man's home. His children, assisted by their governess, are about to retire. Before lying down they hang up their stockings on the edge of the bed. The picture changes and night appears. We see the housetops of the town and angels are flying about depositing packages in each of the chimneys. (Edison Catalog) close
This early film made by Georges Hatot for the Lumière Company is a brief single shot-scene of the assassination of the French revolutionary writer, Jean-Paul more
This early film made by Georges Hatot for the Lumière Company is a brief single shot-scene of the assassination of the French revolutionary writer, Jean-Paul Marat--who has the notorious distinction of having influenced the Reign of Terror. close
Lasting for roughly 50 seconds, it shows the goodbyes of many passersby - first Europeans, then Palestinian Arabs, then Palestinian Jews - as a train leaves Jerusalem.
Lasting for roughly 50 seconds, it shows the goodbyes of many passersby - first Europeans, then Palestinian Arabs, then Palestinian Jews - as a train leaves Jerusalem. close
Considered the first motion picture to employ both color and sound, the only film record ever made of the original star of Rostand's famous play performing more
Considered the first motion picture to employ both color and sound, the only film record ever made of the original star of Rostand's famous play performing a scene from his most famous role. It is accompanied by a sound-on-cylinder recording of Coquelin's voice reciting one of Cyrano's speeches. close
"Ali Baba and the Forty Thieves" is a French version of the famous tale about the adventures of Ali Baba, filmed Jacques Becker . In this film, the beloved more
"Ali Baba and the Forty Thieves" is a French version of the famous tale about the adventures of Ali Baba, filmed Jacques Becker .
In this film, the beloved hero appears to the viewer as not very beautiful, but terribly charming and cheerful servant of the rich Kassim. For his master, Ali chooses the most beautiful concubines on the market. One of them fell in love with Ali Baba. But what happiness can there be when drafts blow in your pocket? Chance gives the servant a chance to get rich. To do this, you only need to remember the magic spell “Sesame, open!”, and most importantly – to defeat the treacherous forty robbers. close
A male lion, right next to bars that are about 6 or 8 inches apart, keenly watches a uniformed zoo attendant toss small morsels of food into the cage. more
A male lion, right next to bars that are about 6 or 8 inches apart, keenly watches a uniformed zoo attendant toss small morsels of food into the cage. The lion alternates between finding the food on the cage floor and reaching through the bars to swipe at the man, who stays alarmingly close to the beast. In the background are the large rocks and brick wall at the back of the lion's habitat. close
Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at more
Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe. close