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Pavel Bardin
Павел Бардин
Birth at
10 October 1975
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Pavel Bardin was born on October 10, 1975 in Moscow. His father was the famous animated director Harry Bardin. In 1998, he graduated from Moscow State University, receiving a specialty in television journalism. This was followed by higher courses of writers and directors (the workshop of A. Mitta). His television activity was connected with work as a journalist of information and analytical television programs on such channels as TV-6, RTR and NTV. From 2000 to 2002 he worked as the editor-in-chief
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Pavel Bardin was born on October 10, 1975 in Moscow. His father was the famous animated director Harry Bardin. In 1998, he graduated from Moscow State University, receiving a specialty in television journalism. This was followed by higher courses of writers and directors (the workshop of A. Mitta).
His television activity was connected with work as a journalist of information and analytical television programs on such channels as TV-6, RTR and NTV. From 2000 to 2002 he worked as the editor-in-chief of Izvestia-Media. He also participated in the development and creation of such programs as “Today at 22:00” and “Freedom of speech”. In 2005, he tried himself as a creative producer and director of the series that became popular among young people.
Clubhouse It was broadcast on MTV (Russia). And since 2006 he works as a leading radio broadcaster “Echo of Moscow”. In 2001 he became a lecturer and teaches at the Faculty of Journalism of Moscow State University (television department).
His first work “Hero” in 1999 received the award of the Festival of debut and student films “Saint Anna”. In the same year, for the script of the film “Grizzly”, Pavel was awarded the prize of the VIII festival “Kinoshok”.
Bardin is one of the directors of the TV series “Bachelors”, as well as the films “Three and Snowflake” (together with A. Lebedev) and “Operation Righteous”. As a screenwriter, Pavel appeared in the creation of such films as “Russia 88” (2009) and
Gop-stop (2010). As he notes himself, after the first film, which told about not fabulous Russia, it was quite logical that he decided to turn to a slightly different aesthetic, namely to folklore. However, in the second picture you can trace some details from the film “Russia 88”.