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With superb artistic sensibility, the film depicts the bleak reality faced by Korea’s youth during the late 1960s, when the country was hurtling toward more
With superb artistic sensibility, the film depicts the bleak reality faced by Korea’s youth during the late 1960s, when the country was hurtling toward the Constitutional revision enforced by President Park Chung-hee to ensure the longevity of his government. close
Junko Miyashita plays a mysterious hitchhiker picked up by a brute of a construction worker named Kenzo who takes her back to his run-down and cramped more
Junko Miyashita plays a mysterious hitchhiker picked up by a brute of a construction worker named Kenzo who takes her back to his run-down and cramped apartment in a not so good part of town. Claiming that she is running away from an abusive husband, she shacks up with him. In a futile attempt to escape the bleak working class surroundings, the pair engage in an obsessive erotic relationship. close
Chi is a refugee from mainland China who is willing to sell herself to hook up in Hong Kong. In the end, she is bought for housework and sexual pleasures more
Chi is a refugee from mainland China who is willing to sell herself to hook up in Hong Kong. In the end, she is bought for housework and sexual pleasures by a Hong Kong fisherman who once dreamed of becoming a doctor. Chi arranges such a life, but then she meets a vegetable seller Chen and has an affair with him. Which ends badly. close
What follows is a black-and-white silent film set in the 1890s during the brewing Filipino revolution against Spanish colonialism. A series of tragic more
What follows is a black-and-white silent film set in the 1890s during the brewing Filipino revolution against Spanish colonialism. A series of tragic and comic sequences tells the Three Ages of an Indio (“common man”) as he progresses from boy bell ringer in a village church to teenage revolutionary to adult theater actor rehearsing a popular Spanish play. close
Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other more
Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. close
The winters in Northern China could become rather bitter and harsh especially if one must endure it alone. Hoping to spend his last winter in solitude, more
The winters in Northern China could become rather bitter and harsh especially if one must endure it alone. Hoping to spend his last winter in solitude, a timid man must declare his love for his sweetheart before her family forces her to be married off. close
Going through a jail and a site of construction, a young laborer Young-Dal meets middle aged Mr. Jeong on his way to his hometown Sampo after ten years' more
Going through a jail and a site of construction, a young laborer Young-Dal meets middle aged Mr. Jeong on his way to his hometown Sampo after ten years' absence. They become to know a waitress Baek-Hwa who runs away from a restaurant and then, they travel together. Arriving at the destination Kangcheon Station, Mr. Jeong is disappointed at the changes of the old village by building a hotel. Young-Datl and Mr. Jeong stay at Sampo not as the hometown but as the site of living. Baek-Hwa leaves Sampo with a ticket Young-Dal buys her with his last money. close
A young girl named Sato watches on television as a man named Tomoki states brazenly at a press conference that he hopes convicted murderer Mitsuo is eventually more
A young girl named Sato watches on television as a man named Tomoki states brazenly at a press conference that he hopes convicted murderer Mitsuo is eventually placed back into society so that he can kill him with his bare hands. close
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