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Adebar is the first of Peter Kubelka's 'metric films', in which every element of the composition is precisely ordered and in relation to the gestalt. more
Adebar is the first of Peter Kubelka's 'metric films', in which every element of the composition is precisely ordered and in relation to the gestalt. The film is made up of single units---13, 26 and 52 frames long---which are subjected to a complex rule-system, including a strict use of positive and negative space, that determines their structure within the film. close
Vienna, 1957: Head waiters Gustav (Paul Hörbiger) and Franz (Hans Moser) are working for the stinted Cafétier Panigl and are close friiends despite of more
Vienna, 1957: Head waiters Gustav (Paul Hörbiger) and Franz (Hans Moser) are working for the stinted Cafétier Panigl and are close friiends despite of their different characters. Franz is happily married and a good family father, Gustav, a relaxed charmer, is living a calm single life. Overnight both of them become jobless, because Panigl decided to sell his Café which was not successful anymore. Right in this moment, Franz' brother is sending 20.000 Dollar from USA. Money, he once peculated and now wants to pay back.. Gustav and Franz are buying half of the Café for each from the unexpected money. One half they develop as the modern Musicbox-Espresso «Pinguin», the other half as a traditional old style Vienna Café . Misunderstandings between guests and generations are inevitable and stretch the long term friendship of the two waiters. close
"Under 18" - The social worker Luise Gottschalk dedicates all her passion to the Viennese caretakers and derailed young people. Tirelessly, she advertises more
"Under 18" - The social worker Luise Gottschalk dedicates all her passion to the Viennese caretakers and derailed young people. Tirelessly, she advertises to adults for understanding the needs of adolescents. She is particularly committed to a girl named Elfie Breitner. close
Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. more
Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl) close
In the made-up country of Alanien, King Alexander I has been overthrown while abroad. Now, he's in Vienna with his daughter, the city of his fondest memories more
In the made-up country of Alanien, King Alexander I has been overthrown while abroad. Now, he's in Vienna with his daughter, the city of his fondest memories since studying there as a boy. It doesn't take long for the charm of Vienna to work its magic on the former king: he quickly comes to terms with the new situation and is able to enjoy the Austrian capital sans all the ceremony and trappings which would otherwise accompany him on a state visit. The princess is content with preparing herself for a career as a pianist concert, while the former king takes a job as a chauffeur in the embassy of the country he once ruled. The revolutionaries are shocked; and his days in Vienna are numbered. close