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The history of Brazilian popular music in the 20th Century, focusing specially on the life and works of intriguing singer Mário Reis, a loner who, with more
The history of Brazilian popular music in the 20th Century, focusing specially on the life and works of intriguing singer Mário Reis, a loner who, with his special way of singing - whispering and softly saying the words - in a time when singers with potent voices ruled, was in a way a forerunner of Bossa Nova style. close
Carmen, a poor and beautiful woman, lives in a shantytown in Rio de Janeiro. All men desire her, including her stepfather, but she only has eyes for her more
Carmen, a poor and beautiful woman, lives in a shantytown in Rio de Janeiro. All men desire her, including her stepfather, but she only has eyes for her boyfriend, Milton. After being expelled from home, she finds out her lover is married. Unhappy with her life, she finds a place in a boarding house and tries to find a job, with no success. Tired and starving, she ends up passing out in the street, being helped by a passer-by, who leaves her at writer Flávio Martins's house, a man torn between the proposal of an arranged marriage, an old flame, and the new guest. close
As filmmaker Jairo Ferreira shoots his life and friends in Super 8mm he also becomes the vampire of the Cinemateca Brasileira in São Paulo. In O VAMPIRO more
As filmmaker Jairo Ferreira shoots his life and friends in Super 8mm he also becomes the vampire of the Cinemateca Brasileira in São Paulo. In O VAMPIRO DA CINEMATECA Ferreira develops a poetic representation of his idea of “inventive cinema” without a plot in the classical sense. Ferreira mixes situations of everyday life in the streets of São Paulo with scenes from classics of film history, which he filmed from television or from a projection with his Super 8 camera. The author as a vampire sucks from various sources – not only in cinema, but also in poetry and music – and creates a portrait of his time. close
Sônia and her homosexual brother are both believed by their mother to be possessed by the devil. She works as a prostitute in the streets of Copacabana more
Sônia and her homosexual brother are both believed by their mother to be possessed by the devil. She works as a prostitute in the streets of Copacabana and he’s a servant who falls madly in love with his employer. close
Documentary about the people who came from all over Brazil to work in the construction of the city of Brasilia, their stories, and the abuse and humiliation they suffered in the process.
Documentary about the people who came from all over Brazil to work in the construction of the city of Brasilia, their stories, and the abuse and humiliation they suffered in the process. close
The contrast in the extremely rudimentary form of xelite mining and the use of tungsten, obtained from xelite, in the most complex instruments of nuclear technology.
The contrast in the extremely rudimentary form of xelite mining and the use of tungsten, obtained from xelite, in the most complex instruments of nuclear technology. close
The extermination of the last indigenous from the reserve of Mangueirinha, at the southeastern of Paraná, with the connivance from those who should protect more
The extermination of the last indigenous from the reserve of Mangueirinha, at the southeastern of Paraná, with the connivance from those who should protect them. With a biting irony, those questions develop with a structure of a multiple choice test. close
Documentary about middle-class people in Rio de Janeiro, in the 1960s, when Brazil was going through a hard period in its history, with the military coup more
Documentary about middle-class people in Rio de Janeiro, in the 1960s, when Brazil was going through a hard period in its history, with the military coup and the following dictatorship. Interviews with people in the street disclose their fears, aspirations and political alienation. close
A countryman kills his father and heads for the big city. On his way, he meets the most bizarre and allegorical types: a robber, a drag queen who thinks more
A countryman kills his father and heads for the big city. On his way, he meets the most bizarre and allegorical types: a robber, a drag queen who thinks he's Carmen Miranda, a black king, a fallen black angel, a priest, two whores, a pregnant cowboy, among others. close
Renato and Miro are black brothers raised by a white family in an old mansion in Rio de Janeiro. Renato, a graduated lawyer, has always looked for dignity, more
Renato and Miro are black brothers raised by a white family in an old mansion in Rio de Janeiro. Renato, a graduated lawyer, has always looked for dignity, winning in life due to his honesty and search for social recognition. His brother, on the contrary, is a rebel small time crook who believes his behavior is the product of the treatment he received while being rased by the whites. close
The story evolves around four women. The two lead characters, Vera and Gilda, middle-class women, are poor but ambitious. They face the bourgeois characters, Helena and Diva.
The story evolves around four women. The two lead characters, Vera and Gilda, middle-class women, are poor but ambitious. They face the bourgeois characters, Helena and Diva. close
Marquinhos is in his early 20s and lives in Copacabana with his petits bourgeois parents and older brother. He doesn't have a job, he doesn't go to school, more
Marquinhos is in his early 20s and lives in Copacabana with his petits bourgeois parents and older brother. He doesn't have a job, he doesn't go to school, he just lives on the spur of the moment, watches TV, plays soccer on the beach by day and goes out with his mates by night. He meets Irene, a 40 year-old woman and they have a love affair that is going to change his life - for a while. close
Over nearly 20 years, filmmaker Carlos Nader lived with the Paraná truck Nilson de Paula and his family. From the beginning, the project was to conduct more
Over nearly 20 years, filmmaker Carlos Nader lived with the Paraná truck Nilson de Paula and his family. From the beginning, the project was to conduct a documentary whose intentions become viscerally, a process also captured by the camera. During this period, becomes the lives of Nilson, who gets sick, his wife, Jane, and his only daughter, Liciane, as well as the director, who happens to be part of this circle also affectively. Major issues such as the meaning of life, are incorporated into the very fabric of the film, which oppose excerpts from the classic "The Word" (Ordet), Carl Dreyer, highlighting aesthetic and existential connections. close
Fortune takes four human beings to the last frontier of passion. There, where love becomes almost inhuman and divine. As if he was a comet, Rafael, the more
Fortune takes four human beings to the last frontier of passion. There, where love becomes almost inhuman and divine. As if he was a comet, Rafael, the traveler, appears at the party for the cities patron saint, in a small town in the interior of Minas Gerais. He is the one who brings passion and crime, vanishing afterwards, leaving a poetic feeling in the air, which is always deadly to the ones who stay. Mrs. Ana de Lara, the proud rich widow, and Missy, still a child, whose beauty and innocence are like the Tiê-Sangue, a red bird, are the travelers victims. There is also Master Juca do Vale, a criminal, whose passion turns him incredibly human, in this story of love, death, forgiveness and resurrection. close
Out of the names of twenty cities from Minas Gerais, Brazil, the impulse towards the visual record of the things and lives that are found there. Images more
Out of the names of twenty cities from Minas Gerais, Brazil, the impulse towards the visual record of the things and lives that are found there. Images that do not intend to represent places, but rather to capture the following of a time specific for certain situations of coexistence between landscapes and people. close
The dreams and problems of three friends: Malagueta, an inveterate gambler; Perus, former factory worker who abandoned the assembly line to earn his living more
The dreams and problems of three friends: Malagueta, an inveterate gambler; Perus, former factory worker who abandoned the assembly line to earn his living at the billiards; and Bacanaço, trickster who puts on chic airs, always dreaming of performing the ultimate big swindle. close
The Option centers on a group of rural women who cut sugar cane and live in ramshackle highway neighborhoods. For many, their only escape to a potentially more
The Option centers on a group of rural women who cut sugar cane and live in ramshackle highway neighborhoods. For many, their only escape to a potentially better life is through prostitution, often with truck drivers. close
In the past, when white people didn’t exist, we used to hunt with our yãmĩyxop spirits. The whites came, cut down the trees, dried up the rivers and scared more
In the past, when white people didn’t exist, we used to hunt with our yãmĩyxop spirits. The whites came, cut down the trees, dried up the rivers and scared the animals away. Today, our tall trees are over, the whites surrounded us and our lands are tiny. But our yãmĩyxop are very strong and taught us the stories and chants from our ancients who walked around here. close
A film in which dream and reality intertwine, A Moça do Calendário tells the story of inácio, 40, married, without a permanent job. Ex-street sweeper, more
A film in which dream and reality intertwine, A Moça do Calendário tells the story of inácio, 40, married, without a permanent job. Ex-street sweeper, he works as a mechanic at Barato da Pesada, where he dreams of the calendar girl. close