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Andy Warhol’s film Lupe (1966) restages the mythic account of one celebrity’s suicide as a strategic ploy to envision another’s. Lupe is known to be Warhol’s more
Andy Warhol’s film Lupe (1966) restages the mythic account of one celebrity’s suicide as a strategic ploy to envision another’s. Lupe is known to be Warhol’s take on Kenneth Anger’s own fabricated account of Lupe Vélez’s (also known as Hollywood’s ‘Mexican Spitfire’) suicide; Edie Sedgwick is cast as Vélez living out her last morning, evening and final dramatic exit. (berlinfilmjournal.com) close
Jamie leaves the children's home to live with his paternal grandmother. After working in a mine and in a tailor's shop, he is conscripted into the RAF, more
Jamie leaves the children's home to live with his paternal grandmother. After working in a mine and in a tailor's shop, he is conscripted into the RAF, and goes to Egypt, where he is befriended by Robert, whose undemanding companionship releases Jamie from self-pity. close
Brazilian director Julio Bressane directs this religious biography on the life and work of Saint Jerome, the monk who first translated the Bible into more
Brazilian director Julio Bressane directs this religious biography on the life and work of Saint Jerome, the monk who first translated the Bible into Latin. Set both in the desert and in the posh confines of the Vatican, Jerome (Everaldo Pontes) agonizes over which Latin word would best fit its Hebrew counterpart. ~ Jonathan Crow, Rovi close
Port Adelaide to Point Pearce. Cars, cops, cattle stations and driving rock and reggae. Two days in the lives of Aboriginal bands, US MOB and NO FIXED more
Port Adelaide to Point Pearce. Cars, cops, cattle stations and driving rock and reggae. Two days in the lives of Aboriginal bands, US MOB and NO FIXED ADDRESS. These were two of the first Aboriginal bands to be writing in a contemporary style about their own lives and playing to a wide audience. In the film the band members play themselves and the events of the film are based on their real life experiences and those of their community. close
Hajji Hossein-Gholi Noori (Haji Baba) goes to Washington D.C. as the first Iranian (Persian) ambassador to the United States of America. After he opens more
Hajji Hossein-Gholi Noori (Haji Baba) goes to Washington D.C. as the first Iranian (Persian) ambassador to the United States of America. After he opens the embassy, he is unable to invite statesmen to visit him. Haji fires the embassy staff due to the inability of the Persian government to meet the embassy's needs. One night he is visited by President Grover Cleveland. close
The film tells the story of an imigrant to Argentina who works for the railway company of this land. Being a witness to the history of the land of silver more
The film tells the story of an imigrant to Argentina who works for the railway company of this land. Being a witness to the history of the land of silver in this century the film is also a shortcut of the changes in Argentina during the last 100 years. close
In this avant-garde exercise in self-reflection, director Joseph Morder reminisces about his youth in Guayaquil, Ecuador, where his Jewish parents settled more
In this avant-garde exercise in self-reflection, director Joseph Morder reminisces about his youth in Guayaquil, Ecuador, where his Jewish parents settled after they left Poland. The heat of August in Paris brings forth memories and at the same time the adult Morder is involved in a love affair. There are no scenes from Ecuador here, and none of the images in the film are used to carry the narration; instead they vaguely illustrate what Morder happens to be saying at the moment. close
This war film tells the story of a martyr who gave his life in order to save his comrades. It pays tribute to Dong at the same time as it glorifies the more
This war film tells the story of a martyr who gave his life in order to save his comrades. It pays tribute to Dong at the same time as it glorifies the communist revolution and provides a model hero for the audience to emulate. close
The film was to be a documentary, but evolved during production to a fictional film. It nevertheless adheres strictly to the poems and letters exchanged more
The film was to be a documentary, but evolved during production to a fictional film. It nevertheless adheres strictly to the poems and letters exchanged by two of the most outstanding names of the Modernist Movement, Fernando Pessoa (in Lisbon) and Mário de Sá-Carneiro (in Paris). Their endless conversation was dramatically and suddenly terminated. close
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